Audio Commentaries: Four cast and crew audio commentaries are available: "The Weight" with writer Terence Lost Scenes (Season 6B, Episode 1): Tony and Bobby play with fireworks. Janice asks where her hat is. (00:47) still hold onto their last breath well into Season Six, Part 2, even though each one is less glaring and intrusive.)

The commercial video releases have various bits missing because of music rights but they still beat the tv broadcasts which are now cut to remove various words not considered PC today.

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the series, the interplay between the writers and directors (and the manner in which it changed over the course of the show), color/contrast/clarity irregularities still take a (smaller) toll. The series' palette is more satisfying, with more carefully adjusted Carmela and Meadow go to see Livia in the hospital and are greeted by Janice and a bodyguard, etc. (04:07) I don't have the Young Ones DVDs so I don't know but I'd have annoyed if they were cut as one episode had Rip, Rig & Panic who are one of my all time favourite bands. It's a very long time since I watched Dr Who The Chase on VHS but I think I would've remembered if the Beatles clip had been removed.

And through it all, through the unforgettable and memorably ambiguous episodes like 'Pine Barrens,' or the emotionally devastating 'Long Term Parking,' 'The Sopranos' excelled in crafting moments of genuine art and genuine emotion that contrasted (or was perhaps enhanced by) the gruesome violence and other prurient details lingering around the edges of any given episode. Perhaps, though, the series is best remembered for its consistent dreamlike quality – and love of dream sequences, for that matter. The sixth and final season begins with Tony spending the better part of two episodes in a coma, living the life of another man and ultimately being welcomed to accept death. He declines. You can watch a clip from the new “Defining a Television Landmark” featurette below focusing on the standout season three episode “Pine Barrens”, also courtesy of THR, followed by the press release from HBO. nearly as problematic as its video presentation. While the first season once again offers the least impressive mix in the set, itITV4 could broadcast ITC shows like The Champions in HD if HD masters had been done but unsurprisingly the only HD show they have is The Prisoner . season hails from 1999, which suggests age, budget and the limitations of the source are the culprits here, rather than a flawed

writing, autobiographical elements in the series, his research into and experience with the mafia and the historical contraction of content as well, including a 46-minute retrospective, two round table discussions between David Chase and members of his Season 1 (and, for the most part, season 2, as well) would go on to be as consistently close to brilliant as possible. With the aforementioned 'College,' audiences got a glimpse of what the series would ultimately ask of them: To love and root for a character undeserving of such sentiment. Tony was a cold-blooded murderer, a man of multitudes and contradictions who was capable of truly despicable things. And yet there was genuine warmth in his character that proved difficult to ignore. Much of that is due to Gandolfini's inspired performance that would see him carousing with the likes of Paulie 'Walnuts' Gualtieri (Tony Sirico), Silvio Dante (Steve Van Zandt), or battling it out with his uncle, the desperate-to-a-Don Corrado 'Junior' Soprano one minute, then having a family dinner with Meadow (Jamie-Lynn Sigler) and AJ (Robert Iler) the next. C. Lost Scenes (Season 1, Episode 1): Tony and Dr. Melfi discuss Gotti, Guiliani and his Mother (01:33)

The Sopranos: Other Seasons

are each episode's more subtle ambient effects. Threats, pleas and cries for mercy cut through the soundscape beautifully, with P. Lost Scenes (Season 2, Episode 6): Tony rants to his family about Richie being at the funeral. (00:51) Frankly, I couldn't get enough. The anecdotes alone make the round tables worth watching, and takes away some of the sting of Elliot Kupferberg) plays host to writer/creator David Chase. Unfortunately, it's a dry, underwhelming chat that doesn't go

The Real Deal (SD, 5 min.) - A featurette with critics and writers discussing the importance of The Sopranos. That refusal to step into the absolute would carry through to the very end, as the series culminated with one of the most brilliant, thought-provoking, and debatably ambiguous endings the world is ever likely to see. But 'Made in America' is more than its ending, it is a result of 85 largely inspired episodes that came before it, coalescing into an experience that should be venerated for being the perfect ending to a series certainly deserving of one. That uncertainty of the final shot is the uncertainty of Tony Soprano during his first session with Dr. Melfi. It is also why 15 years after the series first graced televisions everywhere, 'The Sopranos' remains something you will hunger for again and again.

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Meet Tony Soprano (SD, 4 min.) – This is similar to the 'Family Life' featurette with a short look at the character of Tony Soprano.