Quentin sees Gwen walking by and asks if she remembers seeing him at the village shop the day of the murders. She says yes, she did. Joyce looks through a photo album and says the children looked lovely in their huge bonnets. Cully tells Joyce the photos are of children in the workhouse. Many of them never reached adulthood. Another photo shows people celebrating the end of the First World War. Malham Bridge lost 15 men, Three from one family alone. Joyce tells Cully not to let the stories get to her. Out on a country road, Joyce Barnaby drives up to where Cully is stranded, her car broken down. Cully transfers photo albums to Joyce's car. Cully says, "Thanks, Mum. I really do appreciate this. You're a lifesaver. The man from the garage said he'd be at least two hours and I've got to get these up." Joyce asks, "Have you got enough for a good show, do you think?" Cully says, "I hope so. Still got a few more promised. People have been coming for the gossip as much as anything." Joyce asks, "About the murders?" Cully says, "Loads of theories, most of them ridiculous." Barnaby discusses the case with Troy, "What we've got to do first is establish whether they were murdered together and for the same reason, or whether one of them happened upon the murder scene and was killed to protect the identity of the killer. In which case we need to know which of the victims was the real target." Troy asks, "There's no way they could have had a thing going? I know they were getting on but you never know with these wrinklies. Maybe Quentin got jealous. Decided to do them in. He's weird that bloke." Barnaby smirks at Troy. Rebecca rants, "Isobel had no comprehension of economy. As you can see we don't exactly live like lords. It severely stretched us, letting her live in that house, and we've had to scrimp to get by. Isobel, of course, continued to live the high life. I know she's family and you have to be loyal but the truth is, Isobel was a very manipulative woman. Men ran around after her and she did nothing in return." Troy asks, "Which men ran around after her?" Rebecca says, "My husband for one. And Quentin Roka for another. Her antique dealer playmate. God knows what was going on there." Melrose says, "Quentin runs the antique shop near Isobel's. He often helps her out..." Rebecca interrupts, "Wheedling his way into her confidence. With the finances." Melrose says, "Quentin paid the odd bill for her at the Post Office. I am the person who will benefit financially from Isobel's death in that I now have possession of my assets."

However, as always, the production values are top notch, with to die for scenery, the idyllic look of it contrasting very well with the story's occasional grimness, and quaint and atmospheric photography. The music fits perfectly, and the theme tune one of the most memorable and instantly recognisable of the genre.Barnaby goes to see Melrose Plunkett at Isobel's home. Quentin is upstairs valuing the furniture. Barnaby asks where Isobel's share certificate is. There is another document under the certificate. Barnaby asks, "Is this the formal agreement between yourself and Isobel for the transfer of the ownership to you of the house and furniture?" Melrose says, "Yes, it is." Rebecca calls, "Melrose! The Jaguar man's here." Barnaby says, "Your agreement with Isobel about the house, was that common knowledge in the village?" Melrose says, "Not as far as I know. She was a proud woman. She asked us not to mention it." When two bodies are discovered by the side of a fishing stream, Barnaby and Troy have yet more murders to solve. Isobel Hewitt had A Talent for Life that some can only hope for. She loves to drive her red Jaguar at top speed and generally enjoyed the finer things in life. Although loved by many, there were those who were not quite so charmed by her. Margaret Seagrove was convinced that she was the member of the local fishing club using weighted lures in the local stream. Her nephew and his wife, with whom she resided, saw her as a burden now that she had spent most of her accumulated capital. The second victim is the local doctor, Duncan Goff, a well-known philanderer who had affairs with many of the local ladies. The police must first determine if both were intended victims, or if one was simply in the wrong place at the wrong time. Ruth Scholey comes to the restaurant and finds out her husband has been killed. She tells the detectives that as far as she knew the door was fine. She had an argument with her husband earlier because she wasn't sure about the alibi she had given him. He had told her she was being disloyal. The motive was also agreed not very interesting and pretty mundane and clichéd. Again agreed the show was at its best when the motives were either fresh, darker and more outlandish (though some, especially the Neil Dudgeon episodes, went too overboard on the outlandish to the point of absurdity and were convoluted at times too), here in comparison it was bland.

There are some clever ideas spread out in the story. Especially liked the thought of Gavin Troy almost solving the case. Dixie Goff tells her daughter Angela that she wants family only at Duncan's funeral. Angela says, "Mum, don't you think some of Dad's old friends and patients would like to come, pay their respects?" Dixie replies, "I will not have a procession of his old flames filing past the grave. I will not." The detectives ring the doorbell. Barnaby asks, "Mrs Goff, we've learned that Mr Keith Scholey came round here to speak to you on the night before your husband's murder." Dixie says, "What he told me was no surprise. My husband had always had something of a wandering eye and I tolerated it." At the police station, Troy tells Barnaby he is about to take a statement. A woman wants to press charges of assault against Isobel Hewitt. Barnaby says, "Isobel Hewitt, the Jaguar-owning pensioner?" Troy replies that there was a bit of a barny at the Midsomer Fly Fishers last night. Barnaby accompanies Troy to the interview.

FIND ME ON INSTAGRAM!

The detectives leave the Plunketts. Troy says, "The Plunketts have the strongest motive. The house, the land, it's going to be worth a million or two. In the hands of a builder..." Barnaby says, "But if they'd planned it, they'd have known they'd be top of the list. I'm more interested in the windfall. The 20,000 coming just the day before the murder seems a bit more than a coincidence, doesn't it?"

Meanwhile, the script is smart and thought-provoking with some nice humour and colourful characters. Nothing felt inconsequential, everything had a point, everything intrigued and any loose ends were tied together nicely. The next morning, Andrew Turner is casting his line into the river when it gets caught in a tree. He tries to get it down and trips over the bodies of Isobel Hewitt and Duncan Goff. They had been bashed in the head ... Key creepy music. Barnaby and Troy stop by to speak to Cully. She is working on the photography exhibit. Cully tells them she heard something else about Doctor Goff. Keith Scholey's mother died of cancer last year. Apparently Keith blamed him, said his mother would've survived if he'd diagnosed it sooner. He made official complaints and they came to nothing. Keith said it was a cover up.Eureka!" Moment: Barnaby realises that the apparent Gone Horribly Right fake murder gambit must have been actual murder when he overhears someone using the phrase "in the dark": if someone was faking a murder attempt on themselves and their survival depended on being able to make a phone call for help, why would they risk dialling a number in the dark?