This book won the Glenfiddich Award in 1994 and I still sometimes hear it referred to reverentially as the godfather of modern British cooking. It is, and it isn't: it clearly marks a break from the French dominated nouvelle cuisine & cuisine classique that had lorded British gastronomy in the 1970s and 1980s; it equally clearly has influenced developments in British dining culture since then as well as in food writing and home cooking. What some people might have forgotten is that British cuisine, as it is today, did not emerge miraculously in its present form from under the tyranny of heavy sauces - there was the rebellious phase of fusion food marking the journey. Fusion food does make its mark in this book but it would be unfair to characterise the whole work as that; some dishes may be fusion inspired but others owe clear allegiance to a particular national culinary tradition. The vast array of those national culinary traditions does point in the same direction though: British, Italian, French, Chinese, Japanese, Thai and Morrocan flavours are all here in this publication. Simply printing recipes different in tone to those that had characterised food for a generation however would not, in all likelihood, have garnered Alastair Little the critical acclaim that he received though. This book is self-consciously polemical. Beginning by telling you what you should have in a kitchen (an unusual move for a chef not known from TV appearances) he preaches simplicity and seasonality in cooking. It is these points that people most probably mean when referring to the book's influence. The last of them was developed to a greater degree by another Glenfiddich Award winner: the thoroughly British The River Cottage Year.