asset is its late star's spirit coursing through, not merely in the camera but in the heart that Coogler constructs from the beginning. Still, much of what expect. It is perhaps the latter that demands the most attention and respect, for in the more outward ways the climax is fairly typical of the MCU,

King T’Challa is dead. Wakanda has no protector. Queen Ramonda (a well-deserved Oscar-nominated Angela Bassett) is thrust upon the world stage with powerful Western nations hungry for the rare metal vibranium. As these nations detect deposits in the ocean depths, they trigger Namor (Tenoch Huerta) and his legion of undersea warriors to war. Now Princess Shuri (Letitia Wright) must find a way to bury the grief of her brother’s death to save a young scientist (Dominique Thorn) from Namor’s wrath and stop the aquatic destruction of Wakanda. There is no cash or another alternative to the prize stated and the prize is not transferable and no part or parts of the prize may be substituted for other benefits, items or additions. action is next to nonexistent in the first act, it's because the story takes too long to present and evolve. Likeable characters and good acting help After losing his leading man Ryan Coogler and company were placed in the tough position of pushing forward with their original story idea and recasting the lead role of T'Challa or radically altering their original course of action without the character honoring Bosman’s memory. They went with option B. It’s a true damned if you do, damned if you don’t but either way, you’re damned scenario. Those misgivings aside overall I’d square this as a better presentation than the 1080p disc. When Namor takes Suri on a tour of Talokan or virtually damn near every daylight sequence in Wakanda easily offers up stronger clarity and dimension over the Blu-ray disc. Facial features, makeup effects, and the incredibly intricate and detailed costuming are wonders to look at. Where HDR10 really comes calling for this disc is with the abundance of dramatic colors. Blues, reds, yellows, greens, purples - they’re striking and much more lush and vivid with healthy skin tones to match. Whites are brilliantly crisp, and that funeral procession is a highlight moment.tragically lost his battle with cancer in 2020. Certainly, in the aftermath, the concern was not over the film but rather the face of the franchise, but the beating heart that is so firmly interconnected to the story that makes it sing. The film has some problems with pace, but it certainly does not have a plenty of movement, discrete effects, and the like -- there's no body to any of it. Action scenes are flat, for the most part. A one-on-one battle that While he has been open about his decisions for the sequel and how he set out to honor the late actor, fans will get more insight from his commentary. large-scale Marvel battle, which is every bit as aggressively choreographed, fast moving, and even emotionally charged as fans have come to

end result is a film that is far less dynamic than the original, clearly missing its star but also a firmer direction and sense of purpose beyond the need best the clean digital source has to offer. Viewers will be more than satisfied by being able to soak in every skin detail and costume and set design The Editor’s decision is final and binding on the entrants. No correspondence will be entered into. Prizes may take from days to a few months for delivery which is out of our control so please do not complain But beyond Namor, both the death of Boseman and the expansion of the MCU clearly dictated the progression of a number of other characters - the promotion of Okoye, the introduction of Riri Williams and Shuri's rise as the last remaining member of the Queen of Wakanda's family. Coogler, Feige, hell nobody could hope to incorporate that much into one single movie, particularly not given the current state of affairs with the MCU, which continues to struggle to show a clear sense of direction across its latest Phase(s). Wakanda Forever's ability to mourn Boseman so respectfully, and focus on the characters so intimately, is completely at odds with its later Big Bang nonsense, and as its core members gets respectively promoted into bigger, more VFX-driven suits, the movie loses something in the process, and suddenly reveals its devastating weakness: you just don't care enough about any of these people - particularly not the newly introduced/promoted ones - and certainly not enough to give a damn when their CG superhero alter-egos go to war.

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