Another satisfying experience for Kosinski was getting M83 to do the score for Oblivion. “The score only version of the film to me is really interesting,” he said. Kosinski had composer Joseph Trapanese work with M83’s front man Anthony Gonzalez for the score, just as he did bringing Trapanese to work with Daft Punk on Tron Legacy. “It’s something I’ve always wanted to do,” he said. “I wanted to do on Tron. We weren’t able to do it then, but on this one, I got my way. The score only version of the movie is a really interesting way to experience it,” he said. COSTUMES OF OBLIVION Kosinski designed the insect-looking helicopter type of spaceship known as the bubble ship. Designer Daniel Simon was brought on board to refine the concept and make it practical for the movie to be shot. Simon was a car designer who worked at Bugatti Automobiles and Volkswagen and a concept designer, as seen in his first book, Cosmic Motors, which features photorealistic fantasy vehicles. He worked with Kosinski as a vehicle concept designer on Tron Legacy and on Captain America: The First Avenger and Prometheus. FUNNY ELVIS GIFT For Elvis Presley Fan, Cute Elvis Christmas Ornament, Funny Phrase 'My Favorite Christmas Singer is Elf-Is-Presley Ornament

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What began as a small film developed into a much bigger product when Kosinski expanded the universe of Oblivion. He didn’t anticipate the story becoming so big. “It was always a small character driven story and it always had this small cast of three or four characters but I knew the ideas were big and I wanted the landscape and the world that surround these characters to be large,” he said. Oblivion features many visual highlights, including shots of the torch of the Statue of Liberty and the top of the Empire State building in a post-apocalyptic Earth. Perhaps the biggest challenge was the seemingly floating station where Harper and his friend Victoria (Andrea Riseborough) reside high up in the clouds above the Earth’s surface. The 804 VFX shots for the movie were almost evenly split between the two FX companies. Filmed on location in Iceland, Hawaii and Louisiana, 85% of Oblivion was shot live and 15% being all-CG shots. Going on location scouting for the movie was very helpful to Mayer and Barba because they could take pictures and draw concepts, which makes a huge difference later on, said Mayer. “You need to be there,” added Barba.