By the way, if you don’t have a looper, get one. They’re a killer practice tool as you can record a riff and then solo over it to your heart’s content. Simple. Range Of Delays

The Nemesis from Source Audio fills a particular niche in the market by catering more toward producer guitarists than pure players. The functionality that it comes with is second to none, making it one of the best pedals for that market, but those looking for something simple may find themselves overwhelmed. There are also two concentric control knobs located underneath these control knobs for RATE/DEPTH, and GAIN/TONE:

Credit subject to status and affordability. Terms & Conditions Apply. Guitar Guitar Limited is a credit broker and is Authorised The pedal comes with a bunch of really cool features that make the pedal incredibly fun to play around with. Some of these features are very rare to find in any analog delay pedal. One of these is the tap tempo, which works incredibly well with sub-divisions. However, if you’re that 80s hair metal dude, this is a case of “not my job, not my prob”. Tap Tempo They’ve even thrown in a DMM setting, giving you access to the classic Electro Harmonic Deluxe Memory Man sound – just in case you forgot why you were interested in Electro Harmonix digital delay pedals in the first place. Tape echo pedals and analog pedals typically give you one type of delay, but when you get into the realm of the multi-mode delay pedal, you will find the pedals will do a wide range of different delays.

The first consideration with a delay pedal is whether you want to go for an analog or digital delay. Typically digital delays will be cleaner and give you more out-there effects, whereas analog will be richer and darker. Double concentric knobs allow for independent control of the Modulation Rate and Depth, as well as Gain and Tone of the delay. For this reason, it’s important to know if the pedals you’re looking at allow you to save your presets – and just as important is how easy it is to access them.A lot of people opt for a stand-alone looper, but if you’re trying to save space on your pedal board and you’re already eyeing a more expensive multi-mode unit, getting one with a looper built in can be a no-brainer. This slightly fuzz-edged BAT Mark Wentz collaboration has often been disparaged in much the same way as the Boss Metal Zone attracts unwarranted criticism. In both cases this is mostly down to user issues - where certain individuals just don't have the wherewithal or patience to approach these pedals in the correct manner. It’s equipped with a number of controls that allow the user to shape the delay sound to their liking. The “ Time” control adjusts the length of the delay, while the “ Repeat” control determines how many times the delay repeats. The “ Mix” control allows the user to blend the dry, unprocessed guitar signal with the delayed signal to achieve the desired balance.