at centre top of the rear sleeve and on the Side 1 record label. This copy has matrix numbers: Side 1 - PAL and a barcode like that of the Columbia JC 33235 “Jazz Masterpieces” series release. The sleeve has “JC 33235” on the spine. The record comes in a and the same translated titles asthe other Spanish releases with the usual bad translations "Enredado en el

CBS ASF 1837 (South Africa) - detail of Side 1, scan by Manuel García Jara (first late 1970s release) Thanks to Marc Kuszel and Arie de Reus for information and to Hans Seegers, Gerd Rundel, Simon BlokkerUS vinyl releases are separate because of their complexity. For more information about US vinyl releases, so may well be Rhodesian. This is the first Rhodesian pressing of this album. The sleeve is almost identical to that of the South Selected items are only available for delivery via the Royal Mail 48® service and other items are available for delivery using this service for a charge. This release manufactured in Holland for distribution in Europe has the second picture by David Oppenheim as the design on the Thanks to Gerd Rundel, Manuel García Jara, Éamonn Ó Catháin and Peter Oudejans for information and scans

I don’t know exactly, but it sure sounds to me like they used the original tapes for making this. I’ve read some fan speculation on various and sundry audiophile forums, with some claiming that it was cloned from a pristine test pressing while others suggest that perhaps it was made off the original stampers. The latter is unlikely because the serial numbers on the run out groove don’t seem match that of the original test pressing ( there is one posted on Discogs and its discussed a lot on the web). So, I suspect its an entirely new LP master reassembled from the master mixes which no doubt reside in the archives. stereo vinyl LP releases (third US commercial pressing), Columbia PC 33235/JC 33235 (USA), 1976-77: acceptable, although not according to Richard) amount ofdynamic rangecompression. Relatively few hardware decoder a drawing by Dylan and with a postal stamp of the effigy ofFranco, "the Generalísimo", who died this year. for finding a copy on Discogs.com listed with handwritten matrix numbers: Side 1 - 88697159481 B797469-01 A3 T=A, Side 2 -Thanks to Manuel García Jara and Dag Braathen for information and scans. Thanks to Ronald Born for the scan of a Such collisions of hallucinatory images and dour realism—the waltzing priest, the marital argument—are common in Dylan’s work, yet here the literary touches seem less an artful device than a form of extreme emphasis. What’s more, the writing process is open-ended: images are shuffled around through successive drafts and, later, through successive takes in the studio. That priest waltzes on a tilted floor; then he waltzes while a building burns; then he sits stone-faced. The wind blows from the Grand Coulee Dam to the Mardi Gras, then to the Capitol. Other lyrics never saw the light of day, and are brutally confessional: “Doomed (led) by a heart that wanders astray / Trapped by a brain that I can’t throw away . . . Was it really 12 years ago, well, it seems like just the other day . . . And it’s Breaking me up with only myself to blame.” Renaud Depierreux and Gerd Rundel for information and scans. For more information about US vinyl releases,