AFI's 100 Years...100 Heroes & Villains" (PDF). afi.com. Archived (PDF) from the original on March 28, 2014 . Retrieved March 31, 2014. Cruella also appears as the main antagonist, and still want the puppies, but in some episodes, she seems to be nicer then evil, because at the finale of the series she finally redeemed herself by being loved by everybody. It is revealed that she has a brother, mother, cousin and niece.

Several weeks later, Cruella hires brothers Horace and Jasper Baddun, two burglars, to steal the puppies. When Scotland Yard is unable to find the puppies, Pongo and Perdita use the "Twilight Bark", a canine gossip line, to solicit help from the other dogs in London. Walt Disney Classics • Walt Disney Masterpiece Collection • Walt Disney Limited Issues • Walt Disney Gold Classic Collection • Walt Disney Platinum Editions • Walt Disney Diamond Editions • Walt Disney Signature Collection • Disney Special Edition releases • Disney 2-Movie Collections • Disney 3-Movie Collections • Disney 4-Movie Collections • Disney Movie Club DVDs • Walt Disney Treasures • Disney Blu-ray 3D • Disney·Pixar Classics • Ghibli ga Ippai Collection • Disney Legacy Animated Film Collection Richard Jewell' Star Paul Walter Hauser Joins Disney's Live-Action 'Cruella' ". variety.com. July 29, 2019. Archived from the original on July 30, 2019 . Retrieved July 30, 2019.Cruella De Vil! Cruella De Vil! If she doesn't scare you, no evil thing will!” ―Roger sassing Cruella in song

Siskel, Gene (July 12, 1991). " 'Boyz N The Hood' Visits L.a.'s Mean Streets". Chicago Tribune. Archived from the original on September 17, 2017 . Retrieved September 16, 2017.Box office for 1961". Box Office Story. Archived from the original on 2018-08-10 . Retrieved 2018-09-07. Canemaker, John (2001). Walt Disney's Nine Old Men and the Art of Animation. Disney Editions. p.284. ISBN 978-0786864966. The Sherman Brothers wrote a title song, "One Hundred and One Dalmatians", but it was not used in the film. [49] The song has been released on other Disney recordings, however. [48] [50] Release [ edit ]