Ruth Awololais a long time reader, writer, appreciator and believer in the power of poetry. She has been performing her own poetry since 2015 and writes for a range of audiences including poetry for children.

Zaffar Kunial's 'Us' (Faber & Faber, 2018) was shortlisted for a number of awards including the T. S. Eliot Prize and the Costa Poetry Award. Highlights of the year include the Heaney-esque lyricism of British-Indian poet Zaffar Kunial's accomplished debut Us.' (Tristram Fane Saunders, Daily Telegraph, Books of the Year) The Poetry Society is delighted to partner with the T. S. Eliot Prize on this innovative new scheme for keen young readers of poetry. We hope this initiative will encourage even more young people to engage critically with the titles on the prize shortlist, and provide opportunities for them to gain in skills and confidence. The Poetry Society is committed to finding new ways to support the development of our next generation of poetry readers, writers and critics. We are excited to hear these new young critics’ responses, which we’re sure will open up new windows to the books on this year’s Eliot Prize shortlist, and introduce an inspiring selection of poets to even more readers.” Kunial’s style is a wise vernacular that Auden would have loved . . . Six is a pamphlet to read and re-read; its words are so plain and so well put together that you won’t realise until much later how permanently they’ve marked you, like a grass stain.' (Alex Hayden-Williams, Varsity) Constructing a Nervous System won the nonfiction category, while the fiction award was won by Michelle de Kretser for Scary Monsters. The poetry prize was taken by Victoria Adukwei Bulley for her debut collection Quiet.His first full book, which has come together slowly, patiently, over several years... He can do clear-eyed and tender inside a single poem, without any hint of glibness. Fun fact: he used to earn his living writing verse for Hallmark cards.' A second collection from one of the most distinctive and original voices to have emerged in recent years, Zaffar Kunial.

Zaffar Kunial lives in Hebden Bridge, West Yorkshire, and was born in Birmingham. His debut collection, Us , was shortlisted for a number of prizes. He was a 2022 recipient of the Yale University Windham-Campbell Prize. England’s Green is his second book; it was also shortlisted for the T. S. Eliot Prize. Not sure really, and I wasn’t a bookish child, but the first proper novel I read, when I was nineteen, Hanif Kureishi’s The Buddha of Suburbia, made me feel it might be possible to have the thrill of self-recognition in books and gave me an image of a writer I could see a bit of myself in. Kunial clearly delights in language, with wordplay and differing pronunciations fuelling "Foregrounds" et al. I particularly liked "Foxgloves" ("Sometimes I like to hide in the word / foxgloves - in the middle of foxgloves. The xgl is hard to say") and "The Wind in the Willows," where he wonders if the book title appeals to him just for its sound. Rich in form and reverent references, Us transports the reader from the hills of Pakistan to the schoolgrounds of Stratford-upon-Avon, from George Herbert to The Lion, the Witch and the Wardrobe.' (Maria Crawford, Financial Times, BOOKS OF THE YEAR)I was really excited by Gwendolyn Brooks’ Maud Martha – how so much was painted in so few words and with so much left out. Mukisa Verrallis a Modern Languages student and Foyle Young Poet based in Manchester. His favourite word is currently scopfrom Old English, meaning shaper, creator, poet. That’s the same middle where the West Indian Viv Richards can place his “feet exactly where [WG] Grace / played at fifty” (‘Innings’) These intersections are threefold. Firstly, Kunial’s brown skinned Englishness; secondly the two languages of his parents; and thirdly the facility with words of someone who has had to overcome a speech impediment. Let’s take a look at each. In 2022, the T. S. Eliot Prize (the most valuable prize for new poetry collections in the UK and Ireland) and Young Poets Network, The Poetry Society’s leading platform for poets aged up to 25, ran an exciting new collaboration to support the next generation of poetry reviewers: the Young Critics Scheme.