Our Country's Good: Based on the Novel the "Playmaker" by Thomas Kenneally (Student Editions)

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Our Country's Good: Based on the Novel the "Playmaker" by Thomas Kenneally (Student Editions)

Our Country's Good: Based on the Novel the "Playmaker" by Thomas Kenneally (Student Editions)

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Our Family Station in St Pancras is open from 10.00-12.00 every Friday and we're continuing to welcome schools, as well as families and adult learners to our courses and access events. All our in-person and livestreamed events are going ahead. Other services Second Lieutenant William Faddy: He opposes the play simply because he doesn't like Ralph. His dislike is never really explained, but all of his comments in his only scene (Act One, Scene Six) are sarcastic snides or even insults directed at Ralph. As part of their research, Stafford-Clark and Wertenbaker went to see a play performed by convicts at Wormwood Scrubs, which proved inspiring: "in prison conditions, theatre can be hugely heartening and influential and indeed in prison your options are so limited you can become a born-again Christian, a gym-queen constantly working out, a bird watcher or you become passionate about theatre." The convicts were, at least momentarily, civilized human beings, and they had taken their work very seriously: Lieutenant George Johnston, RM: An officer most famed for his "compassion, if not to say passion" (Act One, Scene Six) for the convict women. The real Johnston lived with a convict named Esther Abrahams and later took part in the Rum Rebellion.

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Cyber incident

Liz has been sentenced to death for stealing food. Freeman reluctantly measures her for hanging. Harry, who oversees the process, still hears the ghosts of the dead. It becomes clear that Liz did not defend herself at her trial, but just as 'Ketch' and Harry are about to leave, she asks Harry to tell Ralph that she did not steal the food. As they question her as to why she didn't speak up, Harry collapses.

In England, the play is used by the exam board AQA and Edexcel as a set text for Advanced Level Theatre Studies and as a set text to use in comparison essays for GCE. It has also been used in universities' performing arts and English departments. It has been performed across Europe as part of GCE candidates' final performances. It is also used at AS level in English Literature studies, as well as a set text in the OIB administered by CIE and is also commonly used in English speaking English Literature classes for the International Baccalaureate Diploma Programme.Mary Brenham (Branham): A very shy girl, whose love for "A.H." turned her into a thief, she gets as good as dragged to the audition by Dabby Bryant, but is offered a part by Ralph after having heard her read only a few lines. She opens up gradually, but remains slightly naive in comparison to the people around her. She finally falls in love with Ralph and dreams of a future with him. Brenham and Clark would indeed have a daughter, but Clark would leave both of them behind upon returning to England.

Scene 3. Phillip, Collins, Tench, and Brewer are shooting birds at Sydney Cove and they are debating hanging as a punishment because three of their convicts have been found guilty of stealing. Phillip is for reform of the convicts, Collins argues that they should be hung which Tench agrees as he views that the convicts are beyond redemption. However, Harry argues that the convicts do not care about hangings as they 'have become immune' to them taking place. Scene 10. The officers debate the hanging of Liz Morden. The officers keep debating until Liz is brought forward and her silence speaks for her. This means the governor allows her to live for now and for her to perform in the play. Scene 5. We are introduced more personally to the convicts as the audition for the play called 'The Recruiting Officer' and these include 'Shitty' Meg, Dabby and Liz Morden. We see the friction that the convicts have between them and their low literacy levels. Scene 10. Wisehammer and Mary have a conversation about the meanings behind words yet Mary does not see the subtext that Wisehammer fancies her. Scene 2. We are introduced to the figure of the Aborigine who decides to keep his distance from the convicts for his own personal safety.

Dabby Bryant: Mary's friend who constantly dreams of returning to Devon. Although she did sell Mary for food on the ship, she obviously cares for her. Although she seems to enjoy the play, she thinks the content and especially her character, Rose, are stupid and argues for a play that is more relevant towards their current situation. In the final scene, she reveals that she has plans for escaping that night. The real Mary Bryant would indeed become famous for a daring escape in 1791. Scene 6. The officers are all together and are debating the play and if the convicts should be allowed to take part. There is a big debate between the characters with strong arguments on both sides yet in the end the Governor allows Ralph to lead the play and for the play to proceed. One evening, the officers discuss theatre, punishment, criminality and morality, and debate the value of Ralph's project. Major Ross, his acolyte Captain Campbell, and the pragmatic Captain Tench express conservative opinions and oppose the play, which is defended vehemently by Philip, Collins and Ralph Clark. Collins conducts a vote and with the majority in favour, Ralph is allowed to start rehearsals. Mary is rehearsing on her own. Ralph joins her. Reciting their lines in the play, they end up confessing their love. It is 1787, and a fleet of British convict ships is bound for Australia, where Captain Arthur Phillip will become Governor of one of the region’s first penal colonies. Not long after the military officers and their prisoners arrive, Phillip discusses the merits of punishment with Judge Collins, Captain Tench, and Midshipman Harry Brewer. Phillip is averse to cruel displays of discipline, but Tench believes in the value of capital punishment. As this discussion continues, the men turn their attention to the hanging of several convicts, which is set to take place soon. Phillip expresses his reservations regarding the spectacle, but Judge Collins suggests that public hangings instill a “mortar of fear” in the convicts that is necessary for a well-functioning “civilisation.” Agreeing with this, Tench explains that the hangings are the convicts’ “favourite form of entertainment.” This appalls Phillip, who suggests that the convicts should be exposed to other forms of entertainment, and when Tench makes fun of him for this, Phillip upholds that “no one is born naturally cultured,” saying that even he had to learn to appreciate things like theater. All the same, he instructs Harry to move forward with the hanging.



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