That's when Cody filtered into the doorway. With fair flyaway hair and a diffident manner, she was a shy girl, as I had been. Responding to her natural modesty and diligence, I'd tried for years not to show her any partiality over her more arrogant brother. Although no prodigy at the piano, the girl had a precocious sensitivity that would either be the making of her or would doom her for life as an easy mark. This was one of those moments in which she distinguished herself, for her instincts were pitch perfect. Cody took a mere instant to assess the situation, after which she ran to my brother crying, "Hi, Uncle Edison!" and gave him an unreserved hug. Jesus, it's like he's trying to sound like a jazz musician," Tanner grumbled once Edison had shambled outside. "Like some stereotype of a jazz musician that wouldn't wash in a biopic because it's trite. You're not going to tell me, Pando, that he grew up speaking jive." For many a younger sibling with an older brother looking on, being solicited for an autograph, or whatever this woman wanted, would be a fantasy come true. But not today, and I came close to denying I was any such person just to get away. On the other hand, explaining to Edison why I'd lied would make a bigger mess, so I said yes.

Travis Appaloosa sounds made up — since it was. "Dad," né Hugh Halfdanarson, had assumed his barmy stage name when I was six and Edison nine, too late to sound anything but artificial. So we always called him Travis, with an implicit elbow in the ribs, a get-a-load-of-this. Tanner?" I led Edison over to where my stepson slouched at the table, taking in the scene while dawdling at his laptop. I could already read in the twist of his mouth the ruthless description of our new houseguest that he'd post on Facebook. "You remember your uncle Edison?" I was grateful when you offered to switch," said the woman. "I was totally smashed against the window. But letting him have the aisle didn't help you much." Cedar Rapids Airport was small and user-friendly, its beige décor a picture frame for whatever more colorful passengers deplaned there. At the end of September, baggage claim was deserted, and I was relieved to have arrived before Edison's flight landed. If people divide into those who worry about having to wait and those who worry about keeping others waiting, I fell firmly into the second camp. Just because you learn something in adulthood doesn't mean it's fake," I snapped. "You could be a little more gracious. Like, give us a hand, because I think we're going to have to move the table."I'm sure you're worn out after your trip," I said hastily, "but you may not be — comfortable in these chairs." I did a rapid inventory: the living room was furnished with Fletcher's rigid normal-size- person creations. But one broken-down recliner in the master bedroom was leftover from the days I lived alone; I'd refused to part with an ugly chair so sumptuous for curling up to read. My husband's confabulations of oak, cedar, and ash were more sensuous for the eye than the ass. I had trouble releasing the parking brake, with Edison's thigh pressed against it, and getting the gearshift out of park was hampered by the spill of his forearm. I was desperate to call Fletcher and warn him, though advance notice that the brother-in-law who had shown up at the airport looked thrice the size of the brother-in-law he'd once hosted would have been useless. As I pulled from the lot, my phone rang, and I recognized the caller. After our curbside encounter with that Baby Monotonous fan, this was the last thing we needed, and I didn't answer. No prob — smells great!" Edison helped himself to a large nearby jar of peanuts and asked for a beer. I poured him a lager and followed him anxiously to the table. Fletcher had made the dining set, and the chairs all had finely curved arms — between which my brother was not going to fit.

Shriver brilliantly explores the strength of sibling bonds versus the often more fragile ties of marriage." - Booklist It's impolite to talk about money. And your uncle Edison seems to have fallen on tough times. You don't want to rub it in." Even more averse than I to playing up my Burbank connection, Fletcher changed the subject — turning to the one topic sure to fill out the rest of the meal: all that jazz.I sighed. "You should have had some pie. Before Edison finished it off." I nestled my head on his chest. For once his build seemed not a reprimand, but a marvel. See, what Wynton's done by bringing in Jazz at Lincoln Center is cast the genre as elitist. As high culture, high art. Elitist, can you believe it? A form that came straight outta whites-only water fountains? But that's the drill now, man. Middle-aged boomers hit the Blue Note when they're too out of it to keep up with hip-hop and figure they need to ditch pop for something more sophisticated. It's a pose, man ..."

Shriver's long residence abroad leads to several Briticisms incongruous in a novel narrated by an Iowan: "fiddly scraps from the food processor," "toilet roll" instead of toilet paper, "verges" for road shoulders, a "slimmer" instead of a dieter. More jarring is Edison's unconvincing jive talk, peppered with "You dig?"

Novels by Lionel Shriver

I tried to be offhand about it. Turning off the ratatouille, Fletcher was stoic, Cody eager to help. Once upstairs, my husband and I finally met each other's eyes. Desperate to talk to him for hours, I could only shake my head in dismay. I'm not dissing Wynton Marsalis," Edison was opining. "He's brought in some bread, if nothing else. But the trouble with Wynton is he feeds this whole nostalgia thing, like jazz is over, you hear what I'm sayin'? Like it's in a museum, under glass. Nothing wrong with keeping the standards alive, so long as you don't turn the whole field into one big snoring PBS doc. 'Cause it's still evolving, dig? I mean, you got a certain amount of lost free crap, which the public hates, and drives what few folks do listen to jazz even further into the ass of the past. Cats who blow all freaky don't appreciate that even Ornette riffed on an underlying structure. But other Post-Bop cats out there are killing. Even some of Miles's contemporaries are still playing, still innovating: Sonny, Wayne ..."