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Moseley Shoals

Moseley Shoals

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Sullivan, Caroline (12 April 1996). "Ocean Colour Scene: Moseley Shoals (MCA)". The Guardian. p.41. Ocean Colour Scene songbook which includes all guitar tablature/music and lyrics from their iconic second album Moseley Shoals. White, Adam (1 November 1997). "Jorgen Larsen's Universal Music International Emerges as a Global Force". Billboard. Vol.109, no.44. p.99 . Retrieved 17 October 2020.

Ocean Colour Scene Tour - Ocean Colour Scene

British album certifications – Ocean Colour Scene – Moseley Shoals". British Phonographic Industry . Retrieved 23 January 2021. Following the huge success of Moseley Shoals, the band’s third album, Marchin’ Already shot to No. 1 in the UK when it released in September 1997. They sounded pretty terrific in 1996. They don't sound so good in 2014; not quite. They were very good, but not good enough. Damon Minchella". Line6.com. Archived from the original on 11 March 2008 . Retrieved 22 April 2008.A few important things happened in Britain in the summer of 1996. Dolly the Sheep was born, leading to global debate about the ethics of cloning. The Spice Girls released Wannabe, leading to global debate about who wanted to be Baby Spice. England got to the semi-finals of the European Championships, still their best performance in half a century. And a band from the Birmingham suburb of Moseley reached the top 10 with an album that combined cord-clad 60s nostalgia and northern soul influences with robust, melodic Britpop songcraft.

Ocean Colour Scene - Moseley Shoals Album Reviews, Songs

The first single taken from the album was " The Riverboat Song", which was popularised by Chris Evans on TFI Friday. " The Day We Caught the Train" reached number four in the charts, with "You've Got It Bad" and "The Circle" also reaching the top 10. "One for the Road" was also due to be released, but the band decided to concentrate on the 1997 album release Marchin' Already. By November 1997, Moseley Shoals had sold over 1.2 million copies worldwide. [12] Dingwall, John (5 October 2007). "Amy Macdonald: I Heard Paul Weller Whistling My Song". Daily Record. The singles promised so much. The sound was so distinctive. It sounded so different from the other unexceptional, run of the mill, popular music doing the rounds on the British Top 40. Alison King (13 October 2012). "Forget Madchester, it's all about the B-Town scene". The Independent . Retrieved 4 June 2020.Krol, Eric (27 September 1996). "Ocean Colour Scene – Moseley Shoals". Daily Herald. Archived from the original on 29 March 2021 . Retrieved 14 September 2019. Larkin, Colin (2007). "Ocean Colour Scene". The Encyclopedia of Popular Music (5thed.). Omnibus Press. ISBN 978-0-85712-595-8.

Ocean Colour Scene – Moseley Shoals (1996, CD) - Discogs

A few months later I am in town to spend a bit of birthday money, and there at the front of Virgin MegaStore was Moseley Shoals, despite the fact that it had been out for nearly six months by that point. Yeah, they were another Britpop band, but these guys were getting a big promo-push through festival season.

Vote up content that is on-topic, within the rules/guidelines, and will likely stay relevant long-term. The Day We Caught the Train" (PDF). Music & Media. Vol.13, no.26. 29 June 1996. p.20 . Retrieved 24 July 2020. years on i'm surprised how decent it still sounds. You can hear the small faces,kinks,traffic,fab 4 etc but the singer has a good voice and they can play all right. 'riverboat song' copped them their first break and a big hit from chris evans tv show but the first half of the record matches it in quality. Hernandez, Raoul (15 November 1996). "Ocean Colour Scene: Moseley Shoals (MCA)". The Austin Chronicle . Retrieved 27 October 2015.

Ocean Colour Scene – Moseley Shoals (2019, Vinyl) - Discogs Ocean Colour Scene – Moseley Shoals (2019, Vinyl) - Discogs

In 1998, Q magazine's readers voted Moseley Shoals the 33rd greatest album of all time. [13] The album was placed at number 42 on Pitchfork's 2017 poll of "The 50 Best Britpop Albums." [14] Moseley Shoals: Deluxe Edition [ edit ] A vinyl reissue of the second full length album from Ocean Colour Scene, originally released in 1996. In April, 2016, the album was re-released as part of the Record Store Day celebrations, on limited edition red vinyl, charting at No.5 on the vinyl album chart.Two landmark Ocean Colour Scene albums, Moseley Shoals and Marchin’ Already are set for reissue on heavyweight, 180g vinyl on 27 September, through UMC/Island. Marchin’ Already confirmed their arrival as a major force with more original classics in the shape of “Hundred Mile High City”, “Better Day”, “Traveller’s Tune” and “It’s a Beautiful Thing” – the latter pair featuring P.P. Arnold and exuding a heady whiff of Northern Soul. Again we’d point you to their Deluxe and even Super Deluxe editions where their prolific but high-quality output can be heard spread across 3-CDs/DVD in the latter case, including live sets at Manchester Apollo and Stirling Castle. The guitarist and bass player were also in wellers band so it's no surprise that this record shares a bit of his sound circa 'wild wood' and 'stanley road'.Paul even helps out a bit with guitar and keyboards. One For The Road collates various live performances from 2004 with two new songs and a loving interpretation of the Small Faces “Wham Bam Thank You Mam”. History has been unkind to the "second wave" of Britpop- that group of young bands who rode the coattails of Oasis and Blur to the top of the British charts in 1996-97. Many second wave headliners are now routinely dismissed as imitators (Cast, Bluetones, Marion), whereas others remain well-regarded but disappeared after only a handful of albums (Longpigs, Mansun). Among that entire cohort of artists, Ocean Colour Scene is arguably the longest-lasting group whose material has aged fairly well. Moseley Shoals is the record that made Ocean Colour Scene famous, and it's the first of three LPs that rank amongst the better Britpop releases of the late-90's. Nothing here will convince you that Ocean Colour Scene deserves to be added to Britpop's "Big Four" (Oasis, Blur, Suede, and Pulp), but it should prove enjoyable to any serious Britpop fan.



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