Guitar [Gibson Es 345, Gibson Les Paul, Gibson Firebird], Acoustic Guitar [Sigma], Keyboards [Casio Tonebank Ct-470], Electric Piano [Fender Rhodes], Synthesizer [Roland Juno 6] – Mark Webber Electric Guitar [Gibson ES 345], Electric Guitar [Gibson Les Paul], Electric Guitar [Gibson Firebird], Acoustic Guitar [Sigma], Keyboards [Casio Tonebank CT-470], Electric Piano [Fender Rhodes], Synthesizer [Roland Juno 6] – Mark Webber When Pulp released Different Class in October 1995, it was at the peak of the Britpop era – less a cultural movement and more a label the music press had slapped on a collection of disparate (though mostly white, guitar-based) British bands infiltrating the charts in the mid-90s. What started as a celebration of the British music industry reasserting its influence after a few years dominated by the US grunge scene had morphed into something of a media bandwagon. Organ [Farfisa Compact Professional II], Keyboards [Ensoniq Asr 10, Korg Trident II], Synthesizer [Minimoog, Roland Juno 6, Roland Sh-09], Electric Piano [Fender Rhodes] – Candida Doyle Organ [Farfisa Compact Professional II], Synthesizer [Ensoniq ASR 10, Korg Trident II, Minimoog], Electric Piano [Fender Rhodes], Synthesizer [Roland Juno 6], Synthesizer [Roland SH-09] – Candida Doyle

A brilliant album and one that not only captured Pulp at their absolute peak but is also one of the most important recordings ever submitted to wax in British music history. The seediness, the wink and nudge as well as the many references to taste, society and above all class make this album an essential social document of sorts and as a consequence it could be argued that their legacy is every bit as important in defining Englishness as are groups like Fairport Convention, Pentangle et al. Selected items are only available for delivery via the Royal Mail 48® service and other items are available for delivery using this service for a charge.