The ninja can only be set in steps of 5 with each setting showing around +/- 2% of the setting chosen. To save space and support longer recordings, many cameras record compressed 4:2:0 8-bit video internally. I’ve been using the Atomos Shinobi monitor since it was released in 2019 so I’m pretty familiar with it now.

In this post I’m going to look at the Atomos Ninja V vs Shinobi when using them as purely as monitors. With SegmentPro you can fit your files into any workflow – even those that require smaller media (for example, if you are going to edit on an iPad). The screen is designed for outdoor usability, with a generous 1000nits, viewable even in direct sunlight.

Enter the three words that are displayed in the Ninja's CONNECT menu after pressing the “Pair” button. As mentioned both devices use Sony NP-F style batteries although none are included with either device. These tiny, slimline SSDs are a true innovation and our close drive partners Angelbird, G-technology and Sony are all making custom versions for your Ninja! Experienced Ninja user Keith Eccles takes a first look at the new AtomOS 11 interface and the new EL ZONE and ARRI false colour tools .

Easy-to-use but powerful tools include waveform, focus peaking, false color, zoom controls, custom LUTs, and frame guides. Compatible with most HDMI source including cameras from ARRI, Canon, FUJIFILM, Nikon, Panasonic, RED, Olympus, Sony, and Z-CAM. Note: If your Ninja is already powered on, you will be prompted to perform the firmware update when a drive containing new firmware is inserted. The Ninja V does however come with an adapter plate allowing it to be powered via an included mains adapter or battery with a D-TAP output. com to register your product, then follow the simple online instructions to activate these codecs for free using an activation token system.The segmenting can be defined by setting a custom file size limit, in GB or TB, or by time, all without dropping a frame. The thought that has gone into creating the Pro Kit, takes all the benefits of the original Ninja V and amplifies them. aluminium body, is crafted for maximum durability, weighs in at just 11oz (320g), and attaches to any camera rig easily.

To verify if the firmware update was successfully completed, power your Ninja back on, navigate to the main menu, and scroll to the info tab. Both devices offer various monitoring tools with some differences so what I’ll do is go through these on both devices to show them side by side. Behind the stunning screen, Ninja V’s massive advanced computing power adds production grade recording to your camera. The Atomos Ninja V has a 5-inch LCD screen illuminated by a bright 1000 cd/m² backlight, making it possible to view your images in daylight without the need for a lens hood.Due to various optimizations across the entire AtomOS firmware architecture, it should be noted that once updated to this latest firmware, it will not be possible to revert your Ninja V to any firmware version prior to AtomOS 10. Separately available AtomX SDI, AtomX SYNC, Connect 4K modules, and an SDI Raw license key further expand your Ninja V+ capabilities.

With Ninja V you have complete flexibility to capture every detail perfectly during filming and have maximum latitude in post. Unlike the Ninja the Shinobi just has 1/4 threaded mounting points top and bottom and this one doesn’t have the locating pin holes. pre-activated to record with the high-quality, low-bandwidth codec for up to 10-bit recording in ProRes 4:2:2. Should the batteries still run out, the DC power cable allows you to still power your Atomos monitor from the wall socket. The screen on the Ninja V pro has a 1000nit capacity, providing you with the foundation for scalability and modularity without compromising on the quality of the image.

The advanced long-range RF system is completely wireless, offering incredible accuracy and stability. As the production and creative industries become more and more competitive, the need for a quick and efficient, yet high-quality post-production workflow has become even more prominent. Most conventional monitors can only display six or seven stops, which is great for standard images; but a log image looks too flat. To record up to 6K using advanced edit-ready formats like ProRes RAW, ProRes, and DNxHD/HR, you need fast and robust storage – and lots of it. They retain the same SATA III connector as traditional SSDs and they are backward compatible with our range of Ninja, Shogun and Sumo devices.