October 27, 2023 Artificial intelligence/machine learning professionals gather for largest ever Indo-Pacific Summit Rosen is a graduate of Class 51 of the Sergeants Major Academy and Class 05-01 Command Sergeant Major Course. He holds an associate degree in supervisory leadership from Hawaii Pacific University; a bachelor of business administration in human resource management from Baker College; and is pursuing a master of leadership studies from the University of Texas at El Paso. A native of Chicago, Rosen entered active duty in July 1979. He completed his basic individual training at Fort Leonard Wood, Mo., and his advanced individual training at Fort Benjamin Harrison, Ind., as a finance specialist. He has served in all NCO leadership positions, including squad leader, platoon sergeant, first sergeant and battalion command sergeant major. J.B. Rund, The Adventures of Sweet Gwendoline (Second Edition, Revised & Enlarged) New York: Bélier Press, 1999. p. 92. Command Sgt. Maj. Richard Rosen has been named deputy commandant of the U.S. Army Sergeants Major Academy at Fort Bliss, Texas, as of Oct. 1. In another key position, Command Sgt. Maj. (Retired) Charles E. Guyette has been named chief of staff of the academy. Charles Joseph Guyette was a fascinating, albeit over-looked, pioneer of fetishistic art practice within the 20th century. He was primarily a costumer who designed fetish-wear specifically for burlesque, strip-tease and circus performances. Working from the 30s to the 60s, Guyette is often considered to have formed the foundation for modern fetish-wear today. In fact, his designs were deemed so scandalous that he was arrested and sent to federal prison in 1935 only to be released a year later and continue to work under various aliases. Guyette was at one point branded the ‘G-String King’ due to the popularity of his garments amongst burlesque performers, as well as being known for his shoe designs that featured 7 inch heels; a height thought to be extreme in the 30s and 40s.

Guyette worked as an innovative burlesque costumer and dealer in theatrical accessories, providing vintage corsets, opera gloves, custom-made fetish boots, and, most famously, G-strings. Employed by National Police Gazette editor, Edythe Farrell, he later provided costumes, high heel shoes and boots, and occasionally photographs for publisher Robert Harrison, known for such pin-up magazines as Wink, Titter, Beauty Parade, Whisper, and Eyeful.Charles Guyette: Godfather of American Fetish Art [*Cream Paper Edition*] by Richard Pérez Seves. New York: FetHistory, 2019. ISBN 978-1077679689 Command Sgt. Maj. Raymond Chandler, USAMSA commandant, said Rosen "has done a tremendous job for all of us in helping move the institution forward to where we want it to be. He has my full faith and confidence, and is in fact the person best suited for this job."

Coutts joined a local High Heel Club, where he was probably introduced to the print media of a community of "shoe lovers" and other fetishists. [2] He met his future second wife, Holly Anna Faram, c. 1936 [3] and the couple married in 1942. [4] She became his muse and often modelled for him. Within his book, Richard Pérez Seves does an excellent job in documenting the hidden life of an extremely important man who paved the way for many fetish-wear designers in the decades to come. The popularity of Gaultier, Mugler and Dita Von Teese ultimately has its roots in the work that Guyette did in uniting the realms of fetishism and fashion to create some truly beautiful images. The book features numerous photographs of Guyette’s designs that depict the artistry and femininity behind fetish-wear as well as the inherent beauty that resides within the female form. Guyette’s burlesque pieces were made with the intentions of strip-tease and undress; each layer ultimately revealing the natural body beneath. Fetishistic clothing, while often seen as a remedy against castration anxiety, can also be seen as a celebration of the nude female figure as it places her within a position of power over her own sexuality —a position she was often barred from. This book perfectly highlights the work of a fantastic designer who needs some much-earned credit.There are reasons to speculate. William wrote at length about "female love relationships" in his psychological work, heartily endorsing sexual activity between women. And, as the film points out, Elizabeth and Olive lived together for almost forty years after he died. That is the most that we've got. With the bondage, a close reading of Wonder Woman and William's other work does suggest a fetishistic preoccupation with such imagery on his part, but again, that's all we know. There's no evidence that he engaged in such activities himself, or that either woman was at all interested in it. Paula was one of the nicest women I've ever known in my life-bar none. Only Paula was allowed to tie us up. She was very gentle, caring and considerate. She never tied any ropes too tight. She was very sweet." Marie-Pierre Pruvot, otherwise known as "Bambi". A transsexual pioneer (having transitioned in 1960).

My favorite actress of all times is Bette Davis in Dark Victory. I have seen it six or seven times and I still cry."

On its own terms, Professor Marston and the Wonder Women is a very good film indeed. It begins in the mid-1920s when married psychologists William and Elizabeth encounter Olive, a student of theirs at Radcliffe College, and follows the evolution of their relationship from intrigue to lust to love. After initial trepidation, the three form a family, with each woman having two children via William. Inspired by these remarkable women, William creates Wonder Woman in 1941, and the film ends in the mid-1940s, shortly before his death. It's an unconventional love story, and Robinson treats both the polyamorous and BDSM aspects of the relationship with respect and care. The film is sexy without being exploitative, romantic yet frank, and often boldly raw as it delves into the emotional complications of the Marstons' life together. The mysteries of the Marstons' home life invite speculation. With so few established facts, reading between the lines is inevitable. Robinson goes a step further, not only presuming that the two women had a romantic relationship but also ignoring the few known facts about how the family came together to center them as the trio's driving force. It's a storytelling choice that is unsubstantiated and at odds with history, and calls into question the film's claim to be the "true story" of the family. These decisions go beyond speculation into outright fiction. She was happy. She was exhilarated being out there and just having a lot of fun and taking a good photograph, that fabulous torso, and that cute, little, pert, pixie, frisky face, the girl next door." I like being outdoors. I like to go cavorting in the nude in the forests. It is just another world. To take sunbaths in the nude." Rosen has been with the DOTD&E since the beginning of the Noncommissioned Officer Education System transformation in 2004, and has since worked to move the initiative forward. He said he's looking forward to seeing the revamped system in action, especially with the implementation of the Army's new Structured Self-Development program. The program, which will foster lifelong learning for Soldiers, starts January 2010. "NCOs didn't have the roles, duties and responsibilities that they have today," Rosen said. "We are asking Soldiers to do more early in their careers, tactical and in the garrison environment, than we have in the past 20 years. We have to prepare them for that."

While his career waned with the coming of relaxed censorship laws of the 1960s, his substance abuse worsened in the early 1970s. Unless a model is a good actress, and has 'that type' of face, it's difficult for her to look sad and miserable when working for me. My studio is a pretty cheerful place, and quite unlike the atmosphere that surrounds Gwendoline when the Countess gets hold of her." [9] Bettie was born in 1923 in Nashville, Tennessee, and rose to fame in the 1950s for her swimwear and fetish modeling.

Charles Guyette was a sexual fantasist, who earned his living as a costumer. He sold photos of his "costume studies" on the sly. He produced custom-made high-heel boots and shoes, sold corsets, opera gloves, and other eccentric accessories. He understood the transformative power of clothing, particularly "bizarre" and theatrical fashion. He is also referenced in the new film on Wonder Woman's creator, Professor Marston and the Wonder Women, as the costumer for Wonder Woman's real life inspiration, Olive Byrne." A native of Malone, N.Y., Guyette entered the Army in August 1975, attending basic training at Fort Dix, N.J., and the military police basic course at Fort McClellan, Ala. Guyette is a graduate of Class 47 of the Sergeants Major Course. "As an alumnus of any institution, you want to contribute something that's going to move the institution forward, and that's what I hope to accomplish," Guyette said. Robinson continues to disregard history with the family's main claim to fame, the creation of Wonder Woman. For the first two thirds of the film, one of the film's greatest strengths is the way it presents Elizabeth and Olive as remarkable, intelligent women. William even outright admits that Elizabeth is smarter than he is at one point. But when it comes to Wonder Woman, Robinson removes the women's involvement entirely. If you''re at all a fan of fetish art ... then this book will be right up your alley." -- kinkweekly.com