writer-producer Steven Spielberg and his fellow Amblin Entertainment co-founder Frank Marshall who, along with Kathleen Kennedy, produced some of The second option may be a more interesting "upgrade", as Poltergeist's original 2.0 mix (listed as "Original Theatrical English" on the menu) No idea why the both of you complain about certain new release threads but as I've already said don't expect me to stop posting threads about films I find interesting. I think that's what you do in an err... forum about films on discs. It's quite forumy don't you think? This is a news & information forum so there's going to be news & information. When viewing the studio's promotional trailer for the upcoming 4K Blu-ray release, please make sure to set resolution to 2160p/4K. Also today, Stephen has taken a look at Anthony Mann’s The Naked Spur (1953) on Blu-ray from MGM via the Warner Archive Collection.

ever-present layer of film grain that clearly hasn't been subjected to excessive noise reduction. The HDR10 enhancement takes over in subtle but They Are Here: The Real World of the Poltergeists – Two-part feature; oh dear, don’t waste your time. Warner upgrades 'Poltergeist's audio to Dolby TrueHD 5.1 Surround (48kHz/16-bit), and it's a nice little remix. The film still doesn't truly overwhelm our aural senses, but it certainly sounds good for a 1982 film. For a synopsis and very enthusiastic appreciation of Poltergeist, please refer to former Blu-ray.com reviewer Ben Williams' coveragespecial effects often supporting the story and its characters rather than distracting from them. It's also inarguably due to the involvement of Offering subtle or moderate improvements to the film's audio and even two resurrected vintage extras (rare territory for Warner Bros.), for many fans Two points need to be mentioned about both the master used for this 4K presentation, and the disc itself. The first is that this isn’t quite the original theatrical version of the film. The infamous jump cut at 34:13 is still present, of course, as some dialogue about Pizza Hut was removed long before Poltergeist ever hit home video in any version. (Whether or not the dialogue was actually present in theatrical prints is a debate for another time.) That’s old news, but the new changes involve digital fixes like the ones that were performed for the Indiana Jones series. Wires have been removed, the dog trainer has been erased from the opening of the film, and a few other mistakes like that have been corrected. There are still a few that haven’t, like the reflection in the toaster when the crew members swapped chairs offscreen for the table gag, but the most prominent ones are now gone. (For a complete list of the changes with time codes, see Movie-Censorship.com.) indeed and, again, one that deftly balances subtle refinements with appreciated accuracy to the source material, both in Poltergeist's

This is the only part of the forum I post to essentially so it can't be that difficult to avoid my information on releases. Great film I hope we're going to get some new and fresh high quality extras. This film was a massive hit and it's never had any home video lub.Hell I’m watching this Cursed Films special from AMC right now on the Poltergeist series. I didn’t remember Heather O’Rourke died before ending of P3 and they talked, very emotionally of how she passed and thought P3 should never have been released and especially using a double which never showed her face at end, which writers hated that ending bc it wasn’t theirs and thought it was insult to both Heather and Dominique Dunn, which prompted thread btw. Warner Bros.' new 2160p, HDR10-enhanced transfer is a real beauty, one that preserves the film's intended appearance to the fullest extent of this