a b c d e f g h i Breznican, Anthony (December 3, 2015). "Spider-Man's Captain America: Civil War role revealed". Entertainment Weekly. Archived from the original on December 4, 2015 . Retrieved December 4, 2015. O'Hehir, Andrew (May 3, 2016). "Our juvenile American fantasies: Comic-book fascism, the rise of Trump and Captain America: Civil War". Salon. Archived from the original on May 6, 2016 . Retrieved May 6, 2016. Schneider, Steven (May 6, 2016). "The Biggest References And Easter Eggs Of 'Captain America: Civil War' ". Tech Times. Archived from the original on May 7, 2016 . Retrieved May 6, 2016.

A poster with bright colour and crisp overall appearance. It may have very general signs of use including slight fold separation and fold wear. It may have pin holes or very minor tears. This is the highest grade allowed for a poster that has been restored either on linen or on paper. x 81″ printed on paper. These were printed on two or three separate sheets designed to overlap, few survive. Used for larger advertising spaces, normally posted on walls, perfect for huge movie theatres the drive-in, where people could see them from a distance. From the 1970’s on, three-sheets were sometimes printed in one piece and issued as “international” versions to be used abroad. BRITISH Posters In the aftermath, Stark provides Rhodes with exoskeletal leg braces that allow him to walk again, while Rogers breaks his allies out of the Raft. In a mid-credits scene, Barnes, granted asylum in Wakanda, chooses to return to cryogenic sleep until a cure for his brainwashing is found. In a post-credits scene, Parker explores the features of the web shooters built for him by Stark.a b Leslie, Jennifer (May 5, 2016). " "Captain America: Civil War" was shot in, around Atlanta". 11 Alive. WXIA-TV. Archived from the original on May 5, 2016 . Retrieved May 5, 2016. Busch, Jenna (September 24, 2016). "Civil War Costume Designer Judianna Makovsky On Returning Spider-Man To His Roots". IGN. Archived from the original on September 24, 2016 . Retrieved September 25, 2016.

An Avenger allied with Rogers; [8] [50] she can engage in hypnosis and telekinesis. [51] According to Olsen, the character is "coming into her own and starting to understand and have conflict with how she wants to use her abilities." [52] As such, Maximoff's costume was "relatively casual" and "more clothes-based than superhero-based" according to Makovsky, since the Russos believed Maximoff was not a full-fledged Avenger yet. [53] When asked about the relationship between her character and the Vision compared to the comics, Olsen said, "You learn a little bit more about what connects [Scarlet and Vision] in this film. And I think there's some really sweet moments between Paul and I, and it's more about how they relate to one another and their similarities just based on their superpowers." [54] Aurelio Pérez Rioja, male and female students at the School of Fine Arts in the workshop executing propaganda originals in defence of Spanish Art Treasures, 22 June 1936. Committee of Spanish Art Treasures Archive. Spanish Institute of Cultural Heritage

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Chitwood, Adam (April 14, 2015). "Chris Hemsworth Reveals the 3 Marvel Movies Left on His Contract". Collider. Archived from the original on April 16, 2015 . Retrieved April 15, 2015. a b c d e f g "Marvel Studios Begins Production on Marvel's 'Captain America: Civil War' ". Marvel.com. May 7, 2015. Archived from the original on May 8, 2015 . Retrieved May 7, 2015. Nevertheless, today a broad number of these posters are identified as anonymous and it would not be beyond the bounds of possibility to think that women artists were behind their authorship. For instance, within the collectives fighting to defend artistic heritage during the conflict we find the committed endeavours of young women who belonged to the University School Federation (FUE) and female students from Fine Arts schools, collectives who worked to support the propaganda efforts of the Committee to Repossess, Protect and Safeguard Artistic Treasures, which, by producing multiple posters aimed at public opinion, sought to protect artworks and avoid their plundering and vandalization.