Romita told Polygon that contrary to what you might think, a comic doesn’t get easier to draw when there are less superheroics in it. A Mind-Switch in Time • Brainiac • Superman: The Coming of Atlas • Death of Superman • Doomed • For the Man Who Has Everything • Funeral for a Friend • Kingdom Come • Krypton No More • Last Son • Maelstrom • New Krypton • Public Enemies • Reign of Doomsday • Reign of the Supermen • Revenge • Superman and the Legion of Super-Heroes • The Final Days of Superman • The Great Phantom Peril • The Supergirl from Krypton • The Third Kryptonian • Two for the Death of One • Up, Up and Away! • Warworld • Whatever Happened to the Man of Tomorrow? • Who Took the Super out of Superman! Another comic book series, titled Injustice: Ground Zero, followed the Injustice comic prequels. This series was a retelling of the game's events from Harley Quinn's perspective. [9] [10] Year Five sees a desperate last stand from Batman, the supervillains being freed after Plastic Man breaks into the Regime's underwater prison to free his son, and a small handful of the remaining Insurgents and Lex Luthor to establish a link to the Prime Universe Justice League and call them for help. The end of Year Five serves as the direct precursor to the game

Guerrero, Tony (September 19, 2016). "Injustice: Year Five Comic Concludes With Superman Versus Batman". GameSpot.a b Bosier, Jen (January 21, 2013). "The Grim, Dark Future: 'Injustice: Gods Among Us #1' Comic Review". Forbes. Superman goes from being madly in love with Lana Lang to throwing his lot in with the new love of his life Lori the little mermaid even though they barely know each other and met briefly in one scene? It’s not even remotely convincing. And what is it with love interests starting with the letter “L” - Lana, Lori, Lois? Superman’s got a type and it’s bizarrely alphabet-related. Lex Luthor is found as the lone survivor in the ruins of Metropolis. He meets with Superman's League and wishes to join them, promising to recruit more members to Superman's side. Meanwhile, Batman's League kidnaps Hawkgirl and replaces her with the shapeshifting Martian Manhunter, thereby gaining a spy in Superman's League. Twice in 2019, in what should’ve been a time of celebration for them, Marvel found itself embroiled in political controversies. The first came last August, when Maus author and Pulitzer Prize-winner Art Spiegelman went public with the news that his introduction to a limited edition hardcover of Golden Age Marvel comics published by the Folio Society was refused. The scene plays as triumphant, and it mostly works. As a journalist who’s faced harassment over things I’ve written (though, being a cis white dude, I’ve faced far less than others), to read a scene of comics’ most prominent journalist calling out monsters in power who, among their many other sins, have contributed to delegitimizing an already-embattled profession into the ground, is pretty inspiring. It’s a fantasy, but a nice one.

To the first time reader, Wonder Woman’s Year One stories are a slightly confusing read. Her first year one happens in 1995 with the Wonder Woman Annual #4. This one does introduce an important character, Cheetah, but this story does not seem as pivotal as her remaining stories are. The Justice League of America (JLA) had a year-long release detailing the origins of the team. This series was unique because it did not feature some of the long time favorites of DC at this point in time. Batman and Superman both had made active decisions to avoid being in the group. Wonder Woman was simply not introduced. Miller has done plenty of work in collaboration with other artists. His “Batman: Year One” is perhaps the most famous example. When Superman: Year One was announced, there was enough residual goodwill from the old days, or perhaps generated by Master Race, that fans were excited, and they expected something like “Batman: Year One.”

The bad guys he battles are absurdly one-dimensional. High school bullies that supposedly hold Smallville in thrall and attempt to rape Lana Lang, Navy grunts in a bar who attempt to rape female customers, and a version of Poseidon that’s out to rape his own daughter: this is just laughably childish characterisation and lazy writing. We played with everything a human goes through in adolescence all the way up to adulthood. All the little things you go through, bullies, dealing with school, football, sports, dealing with women (or dealing with men). Everything that a normal human goes through is applied to Superman as a super being. Superman: Year One is not in the main continuity and is, in fact, the origin story of the Superman from TDKR. There are some good parts in the first third of the book and the coloring is vibrant, but that is all. The writing is dreadful, the art hideous. I'm not sure what exactly happened to make anyone think it would be a good idea to have Clark turn into a playboy, either. The whole thing is littered with the women in his life who are falling all over themselves to be with him. This is by far the worst Batman Frank Miller has ever written. Yes, this Batman is worse than the "I'm the goddamn Batman!" from All Star Batman & Robin, the boy wonder, and the one from The dark knight strikes again. And the argument he has with Superman is so ridiculous you start laughing.

Year Two features Superman's fight against the Green Lantern Corps and Harley Quinn joining the Insurgency. From the collapsing spires of Krypton to the bucolic fields of Kansas, from the submerged splendors of Atlantis to the chaotic energy of the Daily Planet, the story of Clark Kent, last son of the House of El, is the stuff of legend. Now, two of comics' greatest creators join forces to bring a bold new vision of the Man of Steel's origin to life. Superman’s initial Year One books were less about his origins and more about introducing other characters and adventures into the new DC continuity. Frank Miller decided to change that with a more recent publication. Clark στον αμερικάνικο στρατό, η εξέλιξη είναι αρκετά προβλέψιμη, ενώ απουσιάζει και η πρωτοτυπία στην αφήγηση της καθημερινότητας του στρατού. Παρ’ όλο που ο Superman δεν είχε βρεθεί ξανά στο παρελθόν στον αμερικάνικο στρατό, το πέρασμά του από αυτόν δεν ήταν τελικά ιδιαίτερα αξιοσημείωτο. Μάλιστα, το γεγονός ότι τη μόνη φορά που παρουσιάζεται ο αμερικάνικος στρατός στο πεδίο της δράσης βρίσκεται αντιμέτωπος με μουσουλμάνους τρομοκράτες προδίδει τις ιδεολογικές εμμονές που έχει αναπτύξει ο Frank Miller στα έργα του τα τελευταία χρόνια. That first issue is so Smallville focused, which has a really earthy feel to it, and then the second issue is Atlantis. So is there this elemental breakdown of each of these issues, where each one is going to have such a different feel to it?Oh, and apparently Batman not only has a gun (pew, pew!) but now acts like a douchey frat boy after a kegger. At one point you see a panel where a copy of the Daily Planet is sitting on a desk with a headline that reads, simply, "WTF?" Yeah, exactly. To all of this.