With an endless pool of talent out there — not to mention countless ways to share and release your music — what does it take to break in? Even if you don't absorb every detail, you'll understand the business a lot better and will be able to navigate things more professionall, and have a great reference point for specific topics you'll encounter later on.

All You Need To Know About the Music Business Editions of All You Need To Know About the Music Business

The music business is one of the most competitive industries out there. For decades, the best a good band could hope for was to tour extensively, praying that a talent scout was at one of their shows or somehow got their demo (and actually listened to it) and then signed them to a label deal. But to say times have changed is an understatement, as big as the business itself. There are many people in this world who like to keep the knowledge secret and don't wish to share it with others... Because they think that someone will get ahead of them Start with three of the most popular books about the music business, written by authors who all speak from experience and offer a road-map to success, based upon their own unique perspectives. The book does a great job of explaining the process of generating royalties and crowdfunding goals, all while delivering important info in a witty and wise tone that’s comprehensive but never condescending. I strongly recommend everyone to read this book, not just once but many times... Best investment in my lifeThe only downside to the book is nothing you can't imagine: with industries like music, things are changing quite a bit. Streaming is now how most music is consumed, and that has disrupted the business model quite a bit. There's, for example the advent of Fan Powered Royalties by SoundCloud, which was an ideal at the time he wrote the book (2019), but became a reality in early 2021. But this doesn't take away from the usefulness of the book. Donald S. Passman is the author of All You Need To Know About the Music Business and a graduate of the University of Texas and Harvard Law School. He practices law with the Los Angeles firm of Gang, Tyre, Ramer, Brown & Passman and has specialized in the music business for more than forty years. Do you know the stereotype that most artists struggle to make a basic living? There’s some truth to that. But, in this incredibly creative and accessible world, you can capitalize on your talents and find success. Herstand walks you through everything here from the ground up, citing his own personal experience, quitting his barista job and diving in fully to be an independent musician. The book explains the importance of things like establishing a constant presence on social media, getting songs placed in film and TV shows, and building a grassroots fanbase. And of course, earning money to keep your career going for the long haul.

MUSIC INDUSTRY GUIDE - The British Library MUSIC INDUSTRY GUIDE - The British Library

Some of them do and some of them don’t. A lot of them are just completely dedicated to their music career, even to the detriment of their family and personal life. But you get that in any business. If you read the Steve Jobs book, you’ll see that his family wasn’t his top priority. I don’t think that’s unique to the music business. Some people have a lot of interests, others are more focused on one thing. The book contains a lot of interesting chapters including protecting your name and music, sampling legally, avoiding legal issues, and how to collaborate with other musicians. You should look into this one. Conclusion Start Your Music Business by Audrey Chisholm Esq. is a brilliant, easy-to-read guide for all those in the industry who wish to start a music business. The author is a well-known music attorney who has seen a lot. This book is her way of presenting her knowledge and ultimately helping out new music entrepreneurs.Can you give some solid examples of people who were really taken advantage of because they didn’t understand the business side?