Simon and executive producer Nina K. Noble, "All Due Respect" (Episode 2) with writer Richard Price, "Dead Soldiers" (Episode The first 3,000 discs also include the Spanish-language cut of the film (with English subtitles), which somehow makes even less sense, omitting the opening segment that sets up the premise (it’s instead briefly referenced in voice-over) and features some altered dialogue and additional sequences (including one mind-boggling stage performance involving a severed head). This version isn’t restored, and is presented on the second disc, a DVD, and looks a bit worse for wear. The FEMALE SPIES cut looks significantly better, and both cuts are presented in the 1.33:1 aspect ratio. the first meeting between McNulty and Bunk (2000). The shorts are presented in 1.78:1 widescreen high definition with DTS 2.0 Fassbinder’s “World on a Wire”: Looking Ahead to Today, a fifty-minute documentary about the making of the film by Juliane Lorenz

Blu-ray Review - THE FINAL TERROR (1981) - Daily Grindhouse Blu-ray Review - THE FINAL TERROR (1981) - Daily Grindhouse

GANG WAR IN MILAN stars Eurotrash regular Antonio Sabato as Salvatore, a grocer in Milan who also serves as a pimp, controlling a good percentage of the saleable female flesh in the organized crime-ridden area. His nice little prostitution business is interrupted when one of his best girls (“She makes more in a day than the Queen of Holland!” he bellows) is found dead in the pool of a fitness club he frequents. Tell our easy-to-use TV connections wizard what setup you have and it'll show you how to connect your devices.

only recently produced, newly available extra in the 20-disc Complete Series set is this excellent reunion special,

BLU-RAY REVIEW] CURTAINS (1983) - Daily Grindhouse [BLU-RAY REVIEW] CURTAINS (1983) - Daily Grindhouse

Took" (Episode 7) with director/actor Dominic West and editor Kate Sanford, and "-30-" (Episode 10) with creator David Simon For the complete 4K Ultra HD experience with HDR, a 4K Ultra HD TV with HDR, an Ultra HD Blu-ray player and a high-speed HDMI (category 2) cable are required. Did you know A24 is in the Blu-ray business? The studio has been gradually building a home video catalog that would fit comfortably on your shelf alongside Arrow and Criterion Collection releases… were its boxes not so unusually large. Storage note: They rest better alongside hardcover books. Bob Colesberry died during surgery while we were prepping season three of the drama. A short time later, HBO came to us with news that the world was going to HD and 16:9, as Bob had anticipated. We could, if we wanted, film the remaining seasons of The Wire in HD and widescreen. But at that point a collective decision then was made to complete the project using the template that we had honed, the construct that we felt we had used to good effect to make the story feel more stolen than shaped, and to imply a more journalistic rendering of Baltimore than a filmic one. You might also see eARC. It's the same as ARC, but supports higher resolution picture and higher fidelity sound, so use that if you've got it.The most recent releases to have received the Blu-Ray treatment are 1972’s THE FLESH AND BLOOD SHOW and 1974’s FRIGHTMARE, and while the pair are only two years apart, the difference between the two in terms of genre familiarity seems much larger. Both, however, are worth a look, especially in a form that makes up for years of sub-par presentations and allows them to be seen with all of the garish colors and carefully-lit shadows that Walker and cinematographer Peter Jessop intended. HDMI ARC input - if your TV has this, leave it free for audio devices (such as sound bars and home cinema systems) if you can. Use one of the other HDMI inputs instead. Prequels (HD, 6 minutes): Little context is given before diving into these series prequel shorts, but there's a few History — from the mouths of those involved — is the strength of Severin’s Blu-ray collections. Not only does its team provide the best possible way to see each film (beautifully restored, uncensored cuts), they also assemble the bonus feature equivalent of a college seminar. The first film alone comes with audio commentaries featuring the screenwriter and critics, interviews with Lenzi and Milan, and additional contextual featurettes. I had never heard of Assassination Bureau before reading about this release. Now I can’t wait to see it. Here’s the elevator pitch: a comic caper set against World War I that was shot in Technicolor by Geoffrey Unsworth, who had served as director of photography on 2001: A Space Odyssey. Seriously, just watch the original trailer.