Nine tapestries of tone, where atmospheric swathes morph into strident guitars, dexterous polyrhythms and gnarly basslines. Rather than clobber its audience with complexity, Fearless creates a world you want to spend time in.

Indigenous communities rights and Cody learned at the feet of the elders at Alderville a First Nation Reserve. Though this song may not have multiple time signatures, crazy guitar solos, or massive drum fills, it stands out as a superlative palate cleanser. Also, they've done quite a remarkable job of stringing them together rather seamlessly while somehow making each and every theme interesting and enjoyable.II" (18:00) Rush 2112, sprinkled with a little Triumph, Thin Lizzy, Nazareth, Ozzie, and even Carlos Nakai. I was very interested in this band upon hearing their name because I could guess they were Canadian. Pulling narrative inspiration from Dune, Arthurian folklore, the Mars rover expedition, and "hypothetical astrophysics," Fearless is nothing less than Crown Lands' application to be the new Rush-and according to Comeau's hero-turned-texting buddy Alex Lifeson, the job is theirs for the taking. Every drum hit, every chord, every tinkling keyboard note, and every bass string pluck can be heard and enjoyed. Kevin and Cody are definitely among the greatest masters of "old style" rock 'n' roll music I've ever heard: talents that will not go unheard!

It may not be my usual ‘thing’, but good music is good music, and ‘Fearless’ contains some sensational progressive rock music that is impossible to ignore.smack in the middle of classic Rush or strays closer to Spell with some temporary deviations that sound like neither. To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average.

It follows the story of the main character, Fearless, who sees his planet being colonized and destroyed by the interstellar syndicate by harnessing the power of the sun to destroy his planet for profit and greed.Practice and emulation pays off for self-described Rush worshippers Kevin Comeau and Cody Bowles with this, the closest I've ever heard to capturing the purity and distinctiveness of Rush's great 2112.

electronics greet our ears first and we get a lot more keyboards on this record compared to their past.Either way, there are echoes of the first song within ‘Pt I’, most notably, the sensationally addictive chorus that builds upon a line uttered in the opener: ‘If life is a wheel, please let it spin’. As the vocals start, you are now fully enveloped into this science fiction story of a fantastical indigenous futurism concept.