Captain Fantastic and the Brown Dirt Cowboy

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Captain Fantastic and the Brown Dirt Cowboy

Captain Fantastic and the Brown Dirt Cowboy

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Salaverri, Fernando (September 2005). Sólo éxitos: año a año, 1959–2002 (1sted.). Spain: Fundación Autor-SGAE. ISBN 84-8048-639-2. Spignesi, Stephen; Lewis, Michael (15 October 2019). Elton John - Fifty Years On - Captain Fantastic. Post Hill Press. ISBN 9781642933284– via Google Books. Classifiche". Musica e Dischi (in Italian) . Retrieved 23 February 2022. Set "Tipo" on "Album". Then, in the "Artista" field, search "Elton John".

a b Murrells, Joseph (1978). The Book of Golden Discs (2, illustrateded.). Barrie & Jenkins. ISBN 0-214-20480-4. A home version of this game was also produced; see Bally's 1977 'Captain Fantastic & The Brown Dirt Cowboy'. Captain Fantastic is, in many ways, a highly symbolic note on which to end John and Taupin’s “classic” period. The album is the most disciplined and self-conscious effort of their careers. It’s less a concept album than a song cycle based on John and Taupin’s early partnership and career — essentially from the moment of their first meeting to the recording of Empty Sky, which served as a prologue to their meteoric rise.

Elton John – lead vocals, acoustic piano (1, 2, 3, 5, 6, 7, 9, 10), Fender Rhodes (1, 4, 5, 8), clavinet (4, 6), ARP String Ensemble (5), harmony vocals (7, 8), harpsichord (9, 10), mellotron (9, 10) But the question remains — is Elton John something more than a great entertainer? I’m not sure. For one thing, despite his ability to sound profound, he seldom projects a tangible personality. After so many albums and tours, few people have any sense of him at all. And for all his productivity and enthusiasm, he remains a largely passive figure, the creator of music that one can get comfortable with but which is never challenging or threatening. This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed.

The 2006 album The Captain & the Kid is the sequel, and continues the autobiography where Captain Fantastic leaves off. Austriancharts.at – Elton John – Captain Fantastic and the Brown Dirt Cowboy" (in German). Hung Medien. Retrieved 8 November 2021. Before, I just used to write melodies to Bernie’s experiences and fantasies,” he told Melody Maker. “I identify with this album so much more than anything else I’ve done. For me it will always be my favorite album. But that’s from a purely selfish point of view. Whether it will stand the test of time, who knows? You can only tell in retrospect.” Fifty-nine at the time of the album’s release, John co-produced it himself with the Atlanta-based Matt Still, who had engineered and mixed the previous set. He was one of only two other names to appear in the tight-knit team that made The Captain And The Kid, along with percussionist John Mahon (that’s if you don’t count Elton’s dog Arthur, who made a cameo appearance barking at the end of “Just Like Noah’s Ark”). RPM Top 100 Albums of 1975". RPM. Archived from the original on 24 July 2013 . Retrieved 3 October 2011.

As ever, the new album was only one of several projects on Elton’s plate that year. He and Bernie wrote what the superstar pianist described as their most complex songs ever, for the Lestat musical, which opened at the Palace Theatre on Broadway in April 2006. Based on Anne Rice’s The Vampire Chronicles books, Lestat constituted John’s third time on Broadway as a composer, following The Lion King and Aida ( Billy Elliot: The Musical would transfer to Broadway in 2008).



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