Neperud, Ronald W.; Hochman, Maria. "Environmental Design". Art & Ecology: Perspectives and Issues. Greenmuseum.org. Archived from the original on 16 December 2010 . Retrieved 4 September 2015. Spaid, Sue (2012). Green Acres: Artists Farming Fields, Greenhouses and Abandoned Lots. Cincinnati, OH: Contemporary Arts Center, Richard & Lois Rosenthal Center for Contemporary Art. ISBN 978-0917562822. Matilsky, Barbara (1992). Fragile Ecologies: Contemporary Artists' Interpretations and Solutions. NY: Rizzoli International Publications. ISBN 9780847815920.

Nemitz, Barbara, ed. (2000). trans/plant: Living vegetation in contemporary art. Hatje Cantz Publishers. p.63. ISBN 9783893229710. Anthroposphere: The Oxford Climate Review (2022). 'Art and Climate Change: Separate Bubbles or Mutual Membrane?' . Oxford: Oxford Climate Society . Retrieved 12 July 2023.

Volume 34, Issue 4, Winter 2012

Moyer, Twylene; Harper, Glenn, eds. (2011). The New Earthwork: Art Action Agency. Seattle, WA: ISC Press. ISBN 9780295991641. Zimmerman, Michael E. (1987). "Feminism, Deep Ecology, and Environmental Ethics". Environmental Ethics. 9 (1): 21–44. doi: 10.5840/enviroethics19879112. Particle Falls, Public Art by Andrea Polli (2013)". Science History Institute. 22 July 2016 . Retrieved 22 March 2018.

Kagan, Sacha. "The practice of ecological art". PLASTIK: art & science. PLASTIK. Archived from the original on 3 March 2016 . Retrieved 23 August 2015. Prigann, Herman; Strelow, Heike; David, Vera (2004). Ecologcial aesthetics: art in environmental design: theory and practice. Switzerland: Basel [etc.]: birkhauser. ISBN 3764324244.Kagan, Sacha (2012). Toward Global (Environ)Mental Change - Transformative Art and Cultures of Sustainability. Berlin: Heinrich Böll Siftung. ISBN 9783869280769. Archived from the original on 2013-12-10 . Retrieved 6 September 2015. Focus on the web of interrelationships in our environment—on the physical, biological, cultural, political, and historical aspects of ecological systems. [44] [45]

Beardsley, John. Earthworks and Beyond: Contemporary Art in the Landscape, Abbeville Press, 1989 and 2008. The following four orientations were identified: Environmental Design, Ecological Design, Social Restoration, and Ecological Restoration.Revise ecological relationships, creatively proposing new possibilities for coexistence, sustainability, and healing. [50] Bonacossa, Ilaria (2008). Greenwashing: Environment, Perils, Promises and Perplexities. Tornino: The Bookmakers, Fondazione Sandretto Re Rebaudengo per l'Arte. Doan, Abigail. "HighWaterLine: Visualizing Climate Change with Artist Eve Moser". The Wild Magazine. {{ cite web}}: Missing or empty |url= ( help)

Carruthers, Beth. "Mapping the Terrain of Contemporary EcoArt Practice and Collaboration". greenmuseum.org. Green Museum. Archived from the original on 4 March 2016 . Retrieved 23 August 2015. Naess, Arne (June 1992). "Deep Ecology and the Potters in (sic) Our Planet". Studio Potter. 20: 39–9. Kagan, Sasha and Volker Kirchberg, Sustainability: A New Frontier For The Arts And Cultures, Verlag Fur Akademisch, 2008.

In this Book

Lippard, Lucy (2007). Weather Report: Art and Climate Change. Boulder, Colorado: Boulder Museum of Contemporary Arts in collaboration with EcoArts. In 1969–1970, Helen Mayer Harrison and Newton Harrison collaborated on mapping endangered species around the world. [14] From 1972 to 1979, Helen and Newton Harrison realize seven projects designed for and about lagoons in California. [15]