After all, as Read expertly outlines, the imagination is our supreme gift, our biggest opportunity, our greatest source of fulfilment and our most vital asset for the future. Beautiful, moving, profoundly imaginative in itself – this book is as entertaining as it is relevant and practical.’ – Alain de Botton In the new Age of Technology, it is more pressing than ever to harness the imagination in our day to day lives. Find out how in this one of a kind meeting between two of the most imaginative, influential, and celebrated figures in the creative industries today. Praise for Albert Read’s The Imagination Muscle:

Touching on art, music, film, literature, science and entrepreneurship, Albert joins How To Academy to examine how the imagination has evolved through the millennia, and how you can nurture and cultivate your own creativity. But what is it to imagine exactly? How do we go about it and why is it so important that we imagine for ourselves? Imagination is our most powerful muscle and our greatest source of fulfilment. Find out how to exercise yours with two of the country’s most influential and creative people. Albert Read reveals how we can harness the imagination in our day-to-day lives and why, in the new Age of Technology, it is more pressing than ever that we do so. Discover where to find ideas, how to foster skill in observation and connection, and how to be more attentive to the fluxes of our own minds. Spanning pre-historic times through to the twenty-first century, The Imagination Muscle explores the genesis of ideas - from Thomas Edison's serial embracing of failure to Jane Jacobs' vision of how we should build cities together; from Steve Jobs' approach to office design to the Japanese concept of Ma.My imagination walked to the broken wall and looked into the opening. I saw immediately what she’d caressed. It was a crude drawing of a fish. As I stared, I heard a commotion behind me. It was a crowd of Roman soldiers, running toward me. For some, the imagination is a luxury in the modern age; something which is by turns elusive, difficult to employ and better left to others. But what is it to imagine exactly? How do we go about it, and why is it so important that we imagine for ourselves? So you had this mixture of ideas. And really, I think the lesson from this and from Picasso, is draw your sources from all sorts of different places and bring them together and read what no-one else is reading. Because that will make your mind an original mind, a fresh mind, and it'll keep you stimulated and keep you happy, and keep you alive.” Beautiful, moving, profoundly imaginative in itself - this book is as entertaining as it is relevant and practical' ALAIN DE BOTTON Beautiful, moving, profoundly imaginative in itself – this book is as entertaining as it is relevant and practical’ ALAIN DE BOTTON

Brainstorming on any subject, I’ve discovered, will put my imagination on full alert and keep it there up to 30 minutes afterward. There are prompts on Twit-World. Most are depressingly turgid, but a challenging few stand out. Speaking more about Leonardo da Vinci, he said: “While he was painting the Mona Lisa, he would paint it during the day. And then at night, he would go to this mortuary in Florence, and he dissected cadavers. And he would study very, very closely, the way a smile works and the way that the curve of a nostril is delineated. So he took his scientific learnings and really took art to the next level by really understanding the muscular makeup of the face.” Spanning pre-historic times through to the twenty-first century, The Imagination Muscle explores the genesis of ideas - from Thomas Edison's serial embracing of failure to Jane Jacobs' vision of how we should build cities together; from Steve Jobs' approach to office design to the Japanese concept of Ma. Touching on art, music, film, literature, science and entrepreneurship, this book examines how the imagination has evolved - in shape, power and pace - through the millennia. If you’re diligent about this exercise, your imagination muscle will churn all the time, often without conscious thought. Then the issue won’t be, Where do I find my next idea? but, How do I choose from all the great ideas my imagination has already provided? It started with “why did she touch the wall in that spot?”. All I had to do was follow her to find out.Managing director of Condé Nast Britain, Albert Read joined the Chris Evans Breakfast Show with cinch to talk about his new book, The Imagination Muscle. The Imagination Muscle: Where Good Ideas Come From (And How To Have More Of Them) is out tomorrow (23rd March). Albert told Chris: “I think that's the lesson we all have to learn is we should all widen our perspectives, read things that we wouldn't necessarily normally read. Read differently, don't read one book and then another book. Read different books at the same time. So there are lots of ideas from history which I think need to be revived and brought to the fore.” What if it is really a man in disguise and he’s on the down low because a contract has been put out on him? Albert, who began his career as a journalist, told Chris: “The problem with modern life is we'll get into our trenches, we will have our fields of expertise and social media drives us as well. We will become very, very good at one very, very small thing. And what was interesting in history - people like da Vinci being the prime example - is people saw across these trenches. And even in the 19th Century, poets also were interested in science, and scientists were also interested in the arts. So you had people like Alexander Fleming, who discovered penicillin and he won the Nobel Prize. He was also an artist.”

His interlocutor Will Gompertz was a Director of the Tate Galleries and is now the Artistic Director of the Barbican. A household name from his time as the BBC’s first ever Arts Editor, he’s the internationally bestselling author of books distilling his insights from a lifetime of working with and learning from the world’s most creative people. If you do nothing, you will be auto-enrolled in our premium digital monthly subscription plan and retain complete access for 65 € per month. You pass a billboard of a happy family—smiling dad and mom, two laughing kids—at a theme park. Happy to most people, maybe. But: Spanning pre-historic times through to the twenty-first century, The Imagination Muscle explores the genesis of ideas - from Thomas Edison's serial embracing of failure to Jane Jacobs' vision of how we should build cities together; from Steve Jobs' approach to office design to the Japanese concept of Ma . Touching on art, music, film, literature, science and entrepreneurship, this book examines how the imagination has evolved - in shape, power and pace - through the millennia.Like an L.A. story that haunted me for a few years. A man shot his wife, drove to a freeway overpass, got out of his car and shot himself. He fell 100 feet onto the freeway below. His body smashed into a car, killing the driver, a woman. Change the plan you will roll onto at any time during your trial by visiting the “Settings & Account” section. What happens at the end of my trial? The book answers questions such as: What techniques can we use to stimulate imaginative thinking? How can we learn to foster skill in observation and connection? Giving some examples, Albert said: “The obvious ones that we all know about are having ideas in the shower. So, someone like Aaron Sorkin, who writes The West Wing, when he's writing, he has five showers a day, because he keeps his mind going. It loosens the mind, It has this loosening quality, having a shower. Going for long walks, something invented by the Romantic poets. They realised that if you walk, you have ideas.

For some, the imagination is a luxury in the modern age; something which is at once elusive, difficult to employ and, we assume, better left to others. Spanning pre-historic times through to the twenty-first century, The Imagination Muscle explores the genesis of ideas – from Thomas Edison’s serial embracing of failure to Jane Jacobs’ vision of how we should build cities together; from Steve Jobs’ approach to office design to the Japanese concept of Ma. Touching on art, music, film, literature, science and entrepreneurship, this book examines how the imagination has evolved – in shape, power and pace – through the millennia.This would have been simply another dark and strange coincidence, the sort of thing that shows up for a two-minute report on the local news—with live remote from the scene—and maybe gets a follow-up the next day. Eventually the story would go away, fading from the city’s collective memory. But the story did not go away. Not for me. Because Jacqueline Dwyer was the woman I was going to marry. I clipped the story from the newspaper and put it in my “idea box,” where I kept all sorts of clippings. Every now and then I’d look through the box to see what still interested me. This incident always did. Finally one day I asked myself, What if the woman in the car was my protagonist’s fiancé? I sat down and wrote an opening, in First Person POV, that ended with this: Albert oversees titles and businesses including British Vogue, GQ, Vanity Fair, and Tatler. In The Imagination Muscle, he shows how the imagination is not merely reserved for artists and creatives, but is a muscle to be trained and developed. He told Chris: “I work in the business of ideas. Conde Nast is a company that thrives on ideas. And we got to keep ideas coming… If you're selling bananas, you want to know where the bananas come from, and so, with us, we need to know where the ideas are coming from.