Dame Emilie Rose Macaulay, DBE (1 August 1881 – 30 October 1958) was an English writer, most noted for her award-winning novel The Towers of Trebizond, about a small Anglo-Catholic group crossing Turkey by camel. On the way, they meet magicians, Turkish policemen and juvenile British travel-writers, and observe the BBC and Billy Graham on tour. Aunt Dot proposes to emancipate the women of Turkey by converting them to Anglicanism and popularising the bathing hat, [1] while Laurie has more worldly preoccupations. Historical references (British Christianity since the Dissolution of the Monasteries, nineteenth-century travellers to the Ottoman Empire, the First World War, the Fourth Crusade, St. Paul's third missionary journey, Troy) abound. Shaffer, Brian W. (2011). The Encyclopedia of Twentieth-Century Fiction, vol 1. Chichester: Wiley. p.242. ISBN 978-1405192446 . Retrieved 26 December 2022. The poem 'Picnic: July 2017' and comment in the book 'In the Shadow of the Great War, Surrey 1914 - 1922', by Albury History Society" (PDF) . Retrieved 7 November 2023.

verifyErrors }}{{ message }}{{ /verifyErrors }}{{ Moore, Judith (15 November 1978). "Rose Macaulay: A Model for Christian Feminists". Christian Century. 95 (37): 1098–1101. Williams, George G. Assisted by Marian and Geoffrey Williams. (1973) Guide to Literary London. London: Batsford, p. 285; ISBN 0713401419 Macaulay was never a simple believer in " mere Christianity", and her writings reveal a more complex, mystical sense of the Divine. That said, she did not return to the Anglican church until 1953; she had been an ardent secularist before and, while religious themes pervade her novels, previous to her conversion she often treats Christianity satirically, for instance in Going Abroad and The World My Wilderness. They Went to Portugal Too (1990) (The second part of They Went to Portugal, not published with the 1946 edition because of paper restrictions.) Carcanet

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The story is seen as a spiritual autobiography, reflecting her own changing and conflicting beliefs. Macaulay's novels were partly influenced by Virginia Woolf; she also wrote biographies, travelogues and poetry. Hein, David. "Faith and Doubt in Rose Macaulay’s The Towers of Trebizond". Anglican Theological Review 88 (2006): 47–68. Abstract: http://www.anglicantheologicalreview.org/read/article/508/ The blue plaque on Hinde House at 11–14 Hinde Street where Macaulay lived from 1941 until her death [7] [8] During World War I Macaulay worked in the British Propaganda Department, after some time as a nurse and later as a civil servant in the War Office. She pursued a romantic affair with Gerald O'Donovan, a writer and former Jesuit priest, whom she met in 1918; the relationship lasted until his death, in 1942. [5] During the interwar period she was a sponsor of the pacifist Peace Pledge Union; however she resigned from the PPU and later recanted her pacifism in 1940. [6] Her London flat was destroyed in the Blitz, and she had to rebuild her life and library from scratch, as documented in the semi-autobiographical short story, Miss Anstruther's Letters, which was published in 1942.

The geographical canvas is enlarged with the two senior characters eloping to the Soviet Union and the heroine meeting her lover in Turkey, and then her semi-estranged mother in Jerusalem. The final chapters raise multiple issues such as the souls of animals, and culminate in a fatal accident and its aftermath. Hibbert, Christopher; Ben Weinreb; John Keay; Julia Keay (2010). The London Encyclopaedia. London: Pan Macmillan. p.402. ISBN 978-0-230-73878-2. The Turkish doctor says of Aunt Dot, "She is a woman of dreams. Mad dreams, dreams of crazy, impossible things. And they aren't all of conversion to the Church, oh no. Nor all of the liberation of women, oh no. Her eyes are on far mountains, always some far peak where she will go. She looks so firm and practical, that nice face, so fair and plump and shrewd, but look in her eyes, you will sometimes catch a strange gleam." [4] Martin Ferguson Smith (ed), Dearest Jean: Rose Macaulay’s letters to a cousin (Manchester, Manchester University Press, 2011). Moore, Judith (15 November 1978). "Rose Macaulay: A Model for Christian Feminists". Christian Century 95 (37): 1098–1101.Hein, David. "Faith and Doubt in Rose Macaulay's The Towers of Trebizond." Anglican Theological Review 88 (2006): 47–68. Abstract: http://www.anglicantheologicalreview.org/read/article/508/ An edition was published by The New York Review of Books in 2003 with an introduction by Jan Morris. A de luxe edition from the Folio Society, of London, with an introduction by Joanna Trollope, appeared in 2005 and is still in print. The book was described in The New York Times: "Fantasy, farce, high comedy, lively travel material, delicious japes at many aspects of the frenzied modern world, and a succession of illuminating thoughts about love, sex, life, organized churches and religion are all tossed together with enchanting results." [2] Editions [ edit ]

Martin Ceadel, Semi-Detached Idealists:The British Peace Movement and International Relations, 1854–1945. Oxford University Press, 2000; ISBN 0199241171 (p. 361). This section needs additional citations for verification. Please help improve this article by adding citations to reliable sourcesin this section. Unsourced material may be challenged and removed. ( December 2022) ( Learn how and when to remove this template message) Fromm, Gloria G. (October 1986). "The Worldly and Unwordly Fortunes of Rose Macaulay". The New Criterion 5 (2): 38–44.

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a b Stanley J. Kunitz and Howard Haycraft, editors; Twentieth Century Authors, A Biographical Dictionary of Modern Literature, (3rd edition). New York, The H. W. Wilson Company, 1950, pp. 865–66. The first US edition (under the same title) was published by Farrar, Straus, of New York, in 1957, with a new edition by Farrar Straus & Giroux in 1980. [7] Passty, Jeanette N. (1988). Eros and Androgyny: The Legacy of Rose Macaulay. London and Toronto: Associated University Presses. ISBN 0-8386-3284-X. Fromm, Gloria G. (October 1986). "The Worldly and Unwordly Fortunes of Rose Macaulay". The New Criterion. 5 (2): 38–44.