The title is taken from a line in the poem "Jordan" by George Herbert. [1] [2] The Vulcan philosophy " Infinite Diversity in Infinite Combinations" first appeared in the episode. Show creator Gene Roddenberry inserted a speech by Kirk praising the philosophy and associated medal. The "pointless" speech was, according to William Shatner, a "thinly-veiled commercial" for replicas of the medal, which Roddenberry's company Lincoln Enterprises soon sold to fans. [3] Releases [ edit ] As mentioned above, rather than asking for inspiration, the poet demands explanation, though now he presumes his Muse's excuse for the neglect, which the poet takes to be that truth of beauty is self-evident, and needs no further embellishment. It is in the second and third line of this quatrain, or the sixth and seventh lines in the sonnet, where the rhythmic structure of Sonnet 101 becomes noteworthy. Whereas the rest of Sonnet 101 follows conventional structural patterns, it is in line 6 and 7, "Truth needs no colour with his colour fixed; / Beauty no pencil, beauty's truth to lay," that the rhythm deviates from the established norm, which is discussed in depth earlier in this article. Though there is no definitive explanation for this alteration, its inconsistency warrants speculation. If we assume that the difference in pattern is not an oversight on the part of Shakespeare, then it is conceivable that this creative idiosyncrasy was made for aesthetic or symbolic reasons. It is then pertinent to question why these particular lines are given this unique structural treatment. Putting aside aesthetic interpretation, it could be conceived that Shakespeare intentionally chose these two lines with which to assert freedom from the regular metrics of iambic pentameter, to show that truth and beauty should be singled out. Given this interpretation of the second and third lines of the quatrain, the fourth line, "But best is best, if never intermixed?" can even be read as the poet-speaker's assessment that his Muse does not see fit to embellish truth and beauty through poetic inspiration.

planet. That’s the project we have taken on at the Institute of Science in Society (I-SIS). Recovering beauty in its organic form Keats, John. The Poems of John Keats at the Internet Archive. Editor Ernest de Sélincourt. New York: Dodd, Mead & Company, 1905. OCLC 11128824I am at first inclined to agree... But on re-reading the whole Ode, this line strikes me as a serious blemish on a beautiful poem, and the reason must be either that I fail to understand it, or that it is a statement which is untrue. And I suppose that Keats meant something by it, however remote his truth and his beauty may have been from these words in ordinary use. And I am sure that he would have repudiated any explanation of the line which called it a pseudo-statement... The statement of Keats seems to me meaningless: or perhaps the fact that it is grammatically meaningless conceals another meaning from me. [52] Nature powers our products; by sourcing natural extracts that catalyse each other and harnessing the power of nature’s finest active ingredients, we can deliver results that you can see and feel, both inside and out. Shakespeare, William (2012). Shakespeare's Sonnets: An Original-Spelling Text. Oxford;New York: Oxford University Press. pp.8–9. ISBN 978-0-19-964207-6. Matz, Robert (2008). The World of Shakespeare's Sonnets: An Introduction. Jefferson, N.C.: McFarland & Co. Ye know on earth, and all ye need to know. (lines 46–50) [22] Themes [ edit ] Keats, Listening to a Nightingale on Hampstead Heath by Joseph Severn

While Petrarchan sonnets by tradition have a volta at the end of line eight, in Shakespeare's sonnets this can occur as late as line 12 and sometimes not Empson, William (1966). Seven Types of Ambiguity. New York. ISBN 9780811200370. {{ cite book}}: CS1 maint: location missing publisher ( link) The Muse is chided for her absence and neglect of praise for the youth. The poet-speaker goes further, imagining the Muse responding that truth and beauty need no additions or explanations. The Muse is implored by the poet to praise the youth. The poet will teach her how to immortalize the youth's beauty. Dr. Mae-Wan Ho, invited lecture Making Visible the Invisible Conference, University of Huddersfield, Huddersfield, UK, 10-11 March 2011

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