Giger appeared in my proposals for years, but Nina was a little hesitant at first, mostly because of funding issues. I discovered so many ink drawings and oil paintings that Giger made before the airbrushing technique in the 70s than I knew of, which left me speechless.

Tutti was pushed back and forth, swinging above the audience, and began pissing on them through the heart. Viggo Mortensen has never not been hot, even when he’s all dressed in black, crouched on a pile of bricks, with his hair slicked back, threatening Virginia Madsen. The current witch mania plays out intensely on social media, as well as through contemporary film, art, and fashion. Rewind a couple of centuries, though, and devilish demons were all the rage -- naughty little fiends who were as titillated as they were repulsive.Atomic, mutated fetuses are suspended in the Giger paintings that hang from the walls, fragments of the nightmarish mythology that constitutes his oeuvre. Thus far, we've seen tentacle porn, ghost sex, extraterrestrial probing—seriously, there's no shortage of creepy-sexy material, if you're looking for it. When he started working as an artist in the 1960s and 70s in Switzerland, it was the heyday of the Zurich Concretists.

In a recent post, a very NSFW demon gangbang is transformed into a totally fine pizza party with the help of a few carefully-placed emojis. She created the famous Prostitution project in 1976, and exhibited her own pornography at the Institute of Contemporary Arts in London, which literally caused a riot. He was rational but was superstitiously obsessed with the occult—in particular the power of the Devil. If you've heard the name, and aren't a devilry aficionado, you may recognize le Poittevin from his far more SFW landscapes and maritime-themed work.Porn is clearly an influence, but López says he also draws on imagery from Renaissance engravings, comic books, tarot cards, artists like Hieronymus Bosch and Francisco Goya, and "the Internet universe" as inspirational material. We are so enamored with Satan and all his iterations that we keep depicting him this way — year after year.

To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. In both of their work, these tunnels — often with unclear beginnings and ends — host conversations about death, life, rebirth, transformation, and the finitude of our bodies.

Previously unexhibited works by both artists are also on display, including explicit ink drawings of “satanic eroticism” from Giger’s private diaries, and Lee’s new Untitled sculpture, which writhes in agony on the floor: a creature so “pathetic” that Lee deemed it undeserving of a name. Possessed by evil, she exploits man, preys on him, as the fallen coins and the skull of the jester demonstrate. Giger also claimed to remember his own birth, and this “birth trauma” spawned his various existential crises. Also, so many artists love Giger and are influenced by him, but institutions haven’t recognized the significance of his work at all. You look at their pieces and are unsure whether they’re dead or alive, from this world or another, and that’s a constant question.