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Blankets

Blankets

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Arnold, Andrew. (December 18, 2003). "Top 10 Everything 2003: 1. Blankets by Craig Thompson". Time. accessed September 21, 2011. Anyway this graphic novel starts off as another retelling of that first kind of story. It almost felt cliche to me. The only thing that held my interest was the artwork which is beautifully lively and yet subtle, throughout the book. However, I have struggled to understand the whole disruptive part of the biblical quotations and religious experience, I presume of some extreme Protestant wing.... ( For us Europeans, it is a bit strange and to understand certain realities of the Church, not having here so many Protestant confessions and all their variations of church) I loved how Mr Thompson portrayed the conflict and his own personal struggles after having such an intense Christian upbringing respectfully and intelligently. As a child, I thought that life was the most horrible world anyone could ever live in, and that there HAD to be something better."

Spoiler alert: When they part, however, as most romances at sixteen conclude, Craig is still darkly intense in--as with his art, earlier--burning all the artifacts and letters Raina as shared with him. He imagines erasing, white-washing, the very painting he has made for Raina. All memories gone, is his goal. Except the blanket, thank goodness, which becomes the basis for the book, and his embrace of the lovely, sweeping patchwork quilt of storytelling that is his style. Thanks for the book, the reclamation of memory of love and spiritual passion. I feel a bit strange talking about this because obviously Blankets is a memoir and Craig is… uh, well real, but never mind. Can Craig kiss Raina? Can he sleep in the same bed next to her? Can he bring himself to make love to her? Or has his religion screwed his sexuality up so badly that he's beyond repair? I will say immediately that Thompson does not give answers to these questions. I do not finish the novel knowing. Actually, I finish the novel not really even knowing what to think, or how to think. Rather, I am immersed in feeling. “Blankets” is one of its own titular objects – the language and art wrap around me as I read, muting the harshness of the outside. Thompson takes me in and makes me experience the memories, the cold, the internal conflict. It’s honestly hard to describe. (I’m clearly struggling here – how do I express with words what art does to the way I feel, without destroying that very feeling with particularities?)a b Sims, Zach (October 3, 2006). "Library trustees to hold hearing on novels". Marshall Democrat-News. Archived from the original on September 13, 2016 . Retrieved October 8, 2006. To me, it’s more about Craig’s isolation, his struggle with his faith and his need to find his place in the world. urn:lcp:blanketsgraphicn0000thom_r8u4:epub:80d8ad3d-648e-45ed-aaeb-22c94e1aa2d7 Foldoutcount 0 Identifier blanketsgraphicn0000thom_r8u4 Identifier-ark ark:/13960/s2z9zf3b5mk Invoice 1652 Isbn 177046218X Blankets is an autobiographical graphic novel by Craig Thompson, published in 2003 by Top Shelf Productions. As a coming-of-age autobiography, the book tells the story of Thompson's childhood in an Evangelical Christian family, his first love, and his early adulthood. The book was widely acclaimed, with Time magazine ranking it #1 in its 2003 Best Comics list, and #8 in its Best Comics of the Decade. Yet I say perhaps , because I do not know. I am from San Diego and have never experienced what I’ve just described. I can only imagine what it must feel like, that stillness, that quiet, that cold. There is no real memory of this that exists for me.

In late 1999, Thompson began work on the graphic novel, which was published three and a half years later in 2003. [1] Thompson produced the book as a way of coming out to his parents about no longer being a Christian. [2] Main characters [ edit ]This graphic novel won two Eisner Awards, three Harvey Awards, and two Ignatz Awards in 2004 and a Prix de la critique for the French edition a year later. A strict Christian evangelical family raises two sons in rural Wisconsin; we watch the boys grow up, from sleeping together in the same room/same bed they move to their own rooms, go to summer camp, get harassed at school, romance a girl.

A quilt made of memories, bad and good, side by side sketches about growing up in a small town in Wisconsin; about sharing a room with a younger brother; about surviving school days with merciless bullying; about finding solace in religion; about a boy who meets a girl; about disfunctional families and people with disabilities; about being an artist and about the power of imagination, about the purity of first love reflected in the purity of snow; about losing your religion and losing your inocence ... about beauty and sadness and time turning the pure white snow into a sea of dirty slush; and about the precious few things you can salvage, like a quilt of many shapes and colours

WW : As a younger reader, I saw Blankets as a love story. With more years behind me, I see it as a story about how one of the greatest acts of love can be letting go—of a person, a relationship, of a time in your life.

Très belle! And for those of you who have developed a love for the grown-up coloring book? You could defile the crap out of Mr. Thompson’s creation : )Thompson has continued his remarkable success, and in 2011 Pantheon Books published Habibi, a book Thompson had begun working on in 2004 after traveling in Europe for a time. Influenced by Arabic calligraphy and Islamic mythology, Thompson tells us "I'm playing with Islam in the same way I was playing with Christianity in Blankets.” [ Wiki]. Ma che bellezza questa graphic novel!! l' ho letta insieme a mia figlia adolescente e chiudendo il libro avevamo tutte e due il magone..... avrei voluto entrare nel libro e strapazzare di tenerezze quei due bambini, mi sono ritrovata rapita nel seguire la loro crescita, malinconica di fronte ai loro dolori e maltrattamenti, felice per i primi incontri positivi ed estasiata per la prima vera tenerezza d'amore con una ragazza.



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