This is how one of Donne’s most celebrated poems begins. And it’s gloriously frank – it begins with Donne chastising the sun for peeping through the curtains, rousing him and his lover as they lie in bed together of a morning.

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R. C. Bald, Donne's Influence in English Literature (Morpeth, U.K.: St. John's College Press, 1932). Rosalie L. Colie, Paradoxia Epidemica: The Renaissance Tradition of Paradox (Princeton: Princeton University Press, 1966). In ‘A Valediction: Forbidding Mourning’, Donne likens the relationship between him and his wife to a religious or spiritual bond between two souls: note that he uses the word ‘laity’ to describe other people who cannot understand the love the two of them bear one another. A Sermon, Preached To The Kings M tie. At Whitehall, 24. Febr. 1625 (London: Printed for Thomas Jones, 1626).N. J. C. Andreasen, John Donne: Conservative Revolutionary (Princeton: Princeton University Press, 1967). Izaak Walton, The Lives of Dr. John Donne, Sir Henry Wotton, Mr. Richard Hooker, Mr. George Herbert, and Robert Sanderson (London: Printed by Tho. Newcomb for Richard Marriott, 1670)--the Life of Dr. John Donne first appeared in the 1640 edition of Donne's LXXX Sermons. Helen Gardner, ed., John Donne: A Collection of Critical Essays (Englewood Cliffs, N.J.: Prentice-Hall, 1962). Letters to Severall Persons of Honour, edited by John Donne, Jr. (London: Printed by J. Flesher for Richard Marriott, 1651); facsimile, introduction by M. Thomas Hester (Delmar, N.Y.: Scholars' Facsimiles & Reprints, 1977). C. S. Lewis, English Literature in the Sixteenth Century Excluding Drama (Oxford: Clarendon Press, 1954).

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John R. Roberts, John Donne: An Annotated Bibliography of Modern Criticism, 1912-1967 (Columbia: University of Missouri Press, 1973).

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The history of Donne’s reputation is the most remarkable of any major writer in English; no other body of great poetry has fallen so far from favor for so long. In Donne’s own day his poetry was highly prized among the small circle of his admirers, who read it as it was circulated in manuscript, and in his later years he gained wide fame as a preacher. For some 30 years after his death successive editions of his verse stamped his powerful influence upon English poets. During the Restoration his writing went out of fashion and remained so for several centuries. Throughout the 18th century, and for much of the 19th century, he was little read and scarcely appreciated. It was not until the end of the 1800s that Donne’s poetry was eagerly taken up by a growing band of avant-garde readers and writers. His prose remained largely unnoticed until 1919.

Donne

A Sermon Vpon The VIII. Verse Of The I. Chapter of The Acts Of The Apostles (London: Printed by A. Mat for Thomas Jones, 1622). Donne’s love poetry expresses a variety of amorous experiences that are often startlingly unlike each other, or even contradictory in their implications. In “ The Anniversary” he is not just being inconsistent when he moves from a justification of frequent changes of partners to celebrate a mutual attachment that is simply not subject to time, alteration, appetite, or the sheer pull of other worldly enticements. Some of Donne’s finest love poems, such as “ A Valediction: Forbidding Mourning,” prescribe the condition of a mutual attachment that time and distance cannot diminish:Douglas Bush, English Literature in the Earlier Seventeenth Century, 1600-1660 (Oxford: Clarendon Press, 1945). Marjorie Hope Nicolson, The Breaking of the Circle: Studies in the Effect of the "New Science" upon Seventeenth Century Poetry (Evanston, Ill.: Northwestern University Press, 1950).