The Long Song is simultaneously the life-affirming story of one woman’s battle to survive in terrible circumstances, and a tribute to the legions of slaves who did more than suffer and die, but also managed to squeeze all they possibly could out of the bleakest of circumstances.’ Notable Books of 2010". The New York Times. 24 November 2010. ISSN 0362-4331 . Retrieved 7 July 2020. The Long Song is written as a memoir by an elderly Jamaican woman living in early 19th-century Jamaica during the final years of slavery and the transition to freedom that took place thereafter. It tells the tale of a young slave girl, July, who lives at Amity – a sugarcane plantation. She lived through the 1831 Baptist War, and then the beginning of freedom. Her mother, Kitty; the slaves working the plantation land; and the owner of the plantation, the white woman Caroline Mortimer, are other characters in the novel. [1] Themes [ edit ] Kellaway, Kate (7 February 2010). "The Long Song by Andrea Levy". The Observer. London . Retrieved 12 March 2015.

Slavery is a grim subject indeed, but the wonder of Levy’s writing is that she can confront such things and somehow derive deeply life-affirming entertainment from them. July emerges as a defiant, charismatic, almost invincible woman who gives a unique voice to the voiceless, and for that she commands affection and admiration. Levy’s aim, she says, was to write a book that instilled pride in anyone with slave ancestors and The Long Song, though “its load may prove to be unsettling”, is surely that book.’ Levy’s handling of slavery is characteristically authentic, resonant and imaginative. She never sermonises. She doesn’t need to – the events and characters speak loud and clear for themselves… Slavery is a grim subject indeed, but the wonder of Levy’s writing is that she can confront such things and somehow derive deeply life-affirming entertainment from them.’While The Long Song depicts a dark period of history, the author’s use of language and tone is often distinctly humorous, which can, at times, feel disconcerting given the subject matter is so harrowing. How does this use of levity help readers navigate material relating to this period? The Long Song has an unusual format for a historical novel. Part memoir, part oral history, it is led by July, the narrator, who is detailing an account of her life on a Jamaican plantation, which is then filtered through her son, who is writing her account and experiences on her behalf. It is often non-linear and, at points, Levy deviates with interludes and interruptions, where the two discuss the presentation of the story. What did you think of this format - how did it serve your reading experience and your understanding of July’s experience? Why do you think Levy chose to write in this manner? Speaking on condition that the recording would only be released after her death, Andrea Levy gave an in-depth interview to oral historian Sarah O’Reilly for the British Library’s Authors’ Lives project in 2014. Drawing on this recording, along with comments from friends, family and collaborators, this programme explores Levy’s changing attitude towards her history and her heritage and how it is intimately bound up with her writing. Dowell, Ben. "Hayley Atwell, Lenny Henry and Tamara Lawrance cast in new BBC period drama The Long Song". Radio Times. 13 July 2018.

I wanted there to be joy in this book; fun, as well. I had to tread a fine line. It was never going to be ‘Carry On Up the Plantation’, but also I didn’t want it to be just so harrowing that nobody could read it. I wanted a book that everyone could read and everyone could enjoy.As a child, Caroline Mortimer takes July away from the plantation fields and her mother, Kitty. She ‘adopts’ her, renaming her Marguerite, and using her as a housemaid. How does the relationship between July and Caroline evolve as the novel progresses? Is Kitty’s life now ‘better’ as a housemaid than as a slave working in the fields?

Andrea Levy was the author of six books, including Small Island, which won the Orange Prize for Fiction, and the Whitbread Book of the Year.

This vivid and disturbing version of The Long Song is further compensation for a flow of novels cruelly shortened. House slave and boarding house owner. An elegant, beautiful but haughty woman who thinks herself superior to others darker than herself. She tries to belittle July at every meeting and boasts to her of being married to a white man. Related Programme Information With the story told through the prism of July’s memory, we are led to question how much of the story is accurate. At times she recalls events, despite not personally bearing witness to them. July is presenting a collective memory of events that happened to a group of people - she fills in gaps, embellishing tales while drawing on the experiences of others. Did you feel, or question, while reading, if there was any unreliable narration from July? Ultimately, does it matter? Pictured:Kitty (Sharon Duncan-Brewster) and July (Tamara Lawrance) Tam Dewar, played by Gordon Brown

The Long Song is a historical novel by Andrea Levy published in 2010 that was the recipient of the Walter Scott Prize. It was Levy's fifth and final novel, following the 2004 publication of Small Island. In December 2018, a three-part television adaptation of the same name was broadcast on BBC One; The Long Song was aired on PBS in February 2021. Writing came to Levy's rescue. Her first three books - 'Every Light In The House Burnin'' (1994), 'Never Far from Nowhere' (1996) and 'Fruit of the Lemon' (1999) - explored questions of immigrant identity and were semi-autobiographical. Through her writing, she explored the historical connection between Britain and the Caribbean as a profoundly British concern, and her literary project was to make people of both small islands aware of their intertwined history. A field slave at Amity plantation and mother of July. She’s a strong, stoic slave of few words, who suffers deeply when her child July is stolen from her. She endures heroically, and is capable of unbending love, loyalty and self-sacrifice.

Master of Amity Plantation. A depressive, melancholic master, distant and disconnected from those around him, and unsentimental about the slaves he owns. He tends to be contemptuous to his fatuous younger sister Caroline. Godfrey, played by Lenny Henry Many of the characters in The Long Song subvert expectations. July is blunt, outspoken, and short-tempered. Others that work on the plantation often feign stupidity to the plantation owners - they place bed sheets onto dining tables while those who are accomplished musicians ruin dinner parties and embarrass their hosts. These characters are not simply reduced to their suffering. Discuss the point Levy is trying to make by developing such well-rounded and complex characters. Fellow house slave to July at Amity, and patronised by July. She has her vengeance in episode three. John Howarth, played by Leo Bill