The X-M1 is a full-featured mirrorless camera, and keeps up well with similarly priced cameras. You'll find an Advanced SR Auto mode with automatic scene selection, a good selection of scene modes, and plenty of special effects. The X-M1 has the core set of Film Simulation modes, but loses some of the options found on the X-E1. Two things you won't find are HDR or panorama shooting modes. The electronic level from the X-E1 didn't make its way to the X-M1. Size-wise, the X-M1 is smaller than both the X-E1 and the X-Pro1. Take a look at the following comparison: NIKON D3S @ 50mm, ISO 400, 1/100, f/4.0 Auto / Custom / Preset (Fine / Shade / Fluorescent light (Daylight) / Fluorescent light (Warm White) / Fluorescent light (Cool White) / Incandescent light) Here is the full image, showing which area of the image I cropped below: X-Pro1 + XF35mmF1.4 R @ 35mm, ISO 200, 2/1, f/5.6

The Fujifilm Finepix X-M1 offers 13 different filter effects which can be previewed on the LCD screen. Thankfully, the X-M1 came pretty much free of all the nasty autofocus issues that plagued the X-Pro1 and X-E1 cameras. My copy of the X-M1 came with the original 1.0 version of the firmware and I have yet to see any serious AF problems. The camera autofocuses as fast as my X-E1 and its autofocus accuracy feels to be the same as well. Lola and I have shot a few weddings with the X-series cameras (including the X-M1) and the cameras did not experience any issues with autofocus performance, even in challenging low-light conditions indoors. Similar to other X series cameras, the X-M1 is not designed to be a weather-proof camera, and I would not expect it to be. Since other manufacturers like Olympus are pretty successful at making their camera bodies weather resistant, I hope it is a matter of time until Fuji starts doing the same. If you are too worried about shooting in extreme conditions, the Fuji X-M1 is probably not for you. X-M1 + XC16-50mmF3.5-5.6 OIS @ 16mm, ISO 400, 1/1800, f/5.6 Výše uvedené osobní údaje budou za tímto účelem Správcem zpracovávány po dobu 3 let od udělení souhlasu, pokud tuto dobu neprodloužíte. Smaller, lighter and less expensive than the X-E1, the X-M1 dispenses with any kind of viewfinder, either optical or electronic, and it doesn't accept a hotshoe mounted viewfinder either, making image composition a hold-at-arms length affair. While this is perhaps inevitable given the significant decrease in size and weight, and is in-line with the X-M1's main competitors, it does feel rather strange using a Fujifilm X camera that you can't hold up to your eye, especially when Fujifilm have made such a big play of their innovative viewfinder technologies.

There are 9 ISO settings available on the Fujifilm X-M1 for JPEGs, and 6 for RAW files. Here are some 100% crops which show the noise levels for each ISO setting for both JPEG and RAW files. JPEG At the heart of the X-M1 sits the same superb X-Trans CMOS sensor used on the X-E1 and X-Pro1 cameras. While traditional sensors with a repeating Bayer-pattern color filter array exhibit moire problems and hence need an anti-aliasing filter to reduce moire by essentially blurring the image, the X-Trans CMOS sensor has a new color filter array that has a more random pattern, which does not cause moire to occur in the first place. Hence, an anti-aliasing filter is not necessary, which in turn translates to sharper, more detailed images.

The Fujifilm X-M1 mirrorless interchangeable-lens camera was released on June 24, 2013 together with the Fujinon XC 16-50mm f/3.5-5.6 OIS lens. After the success of the X series cameras including the X100, X-Pro1 and X-E1, Fuji decided to expand the line of interchangeable lens mirrorless cameras by introducing a more affordable mid-range version, the X-M1. While the X-Pro1 and X-E1 are targeted at professionals, enthusiasts and serious amateurs, the X-M1 is designed to attract a broader audience. The Fuji X-M1 comes with a built-in WiFi antenna, the first in X-series line of cameras. While it is great that you can save your pictures to your computer, upload images to your smartphone/tablet, look through the images on the camera or even Geotag your images, there is no way to control the camera through Fuji’s provided camera app. That’s very unfortunate because I expected this feature to be available when I first heard of the WiFi capabilities of the camera. As a result, I did not play much with the WiFi features of this camera or the app.When it comes to dynamic range, from what I can tell from the JPEG images, the new X-Trans CMOS sensor seems to deliver good dynamic range in photographs at even high ISO levels. It is no Nikon D800, but you can still recover plenty of details from the shadow areas without adding too much noise. I have been waiting for test results from DxOMark, but they have not released any information on any of the new Fuji mirrorless cameras with the X-Trans sensor, probably due to RAW file support issues. X-M1 + XC16-50mmF3.5-5.6 OIS @ 18.2mm, ISO 200, 1/320, f/8.0 As with the X-Pro1 and X-E1, the Fujifilm X-M1 is a classically styled interchangeable lens camera that recalls film rangefinders from the past, with a lovely retro design that draws admiring glances from everyone that sees it. At the same time Fujifilm have once again incorporated modern technologies that help ensure that the X-M1 isn't simply a blast from the past. Fujifilm is announcing another lens at the same time as the X-M1 and XC 16-50mm F3.5-5.6 OIS: the tiny XF 27mm F2.8 prime. This offers a 40mm-equivalent angle of view, making it a 'perfect' normal lens which will offer a very natural-looking perspective. It's far and away the smallest X-mount lens to date, such that there's no space for an aperture ring (which is why there's no 'R' in the lens name). Firmware updates for the X-Pro and X-E1 will allow these cameras to set the aperture using the rear control dial. Fuji announced a pair of lenses at the same time as the X-M1. One is a standard zoom that will be sold as a kit with the X-M1, while the other is a pancake prime. Let's take a closer look at each: New kit zoom - XC 16-50mm F3.5-5.6 OIS Fuji has done a great job with the X lens line, first introducing prime lenses and then following up with some zooms later. This basically showed that Fuji’s target market was professionals and enthusiasts that were looking for a serious mirrorless system. I had the pleasure of shooting with all three initially launched lenses and I have recently received every Fuji lens for proper testing. In addition, I have also been shooting with the new Zeiss Touit lenses (a number of newly uploaded images in this review are from the Zeiss lenses). So far, my experience has been very positive on the entire line of Fuji and Zeiss lenses. X-M1 + Touit 1.8/32 @ 32mm, ISO 2000, 1/60, f/1.8

With its focal-plane shutter, the X-M1 has a very adaptable top shutter-speed limit of 1/4000th second in all shooting modes. Consequently there's no built-in ND filter as on the X100/S, so if you want to use, say, the excellent 35mm lens at F/1.4 in very bright sunlight, then it's a good idea to buy an actual glass ND filter (52mm), otherwise you'll have to stop down to achieve a correct exposure. Let’s take a look at how the Fuji X-M1 performs at low ISOs. Here are some crops at ISO 100 (boost), 200, 400 and 800: Bottom image: 1) Lens, 2) Sensor, 3) Natural random arrangement of the fine grains of silver halide in film. The app can also use the smartphone’s GPS radio to geotag photos. Rather than keeping a log, the app and camera must be synchronised manually each time you want to update the GPS position. Still, once we figured out what to do, it worked well with our Android phone.

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There's an unmarked tactile control dial for changing the exposure compensation (+-2EV) or the shutter speed, dependant upon the shooting mode, alongside the ridged dial for selecting one of the 12 different modes. As the X-M1 is a more consumer-focused camera, there's a smattering of scene modes alongside the beginner-focused Auto modes and more photographer-friendly P/A/S/M modes. The clever Advanced SR AUTO automatically optimizes the shutter speed, aperture and other settings, instantly recognizing 58 scene types and then choosing the most appropriate settings. Also new to the X-M1 is the Advanced mode, which offers a range of 13 different filter effects that can be previewed on the LCD screen (JPEG only).

The Fuji X-Trans sensor is capable of excellent image quality at ISO levels all the way to ISO 12800. To date, I have not seen a camera that can render such beautiful, noise-free JPEG images – I am simply amazed by how good the JPEG output of the Fuji X-M1 is. Fuji definitely knows how to apply noise reduction on JPEG images. However, the same cannot be said about its RAW files – as you can see from the above crops, the RAW output looks quite disappointing in comparison, with plenty of visible noise at higher ISO levels. Kompaktní fotoaparát Fujifilm X-M1, vyráběný z kvalitních materiálů, působí spolehlivým dojmem. Tělo je z hořčíkové slitiny a gumový grip přispívá k jistotě držení. Bajonet X umístěný ve středu těla činí fotoaparát dobře vyvážen ajeho hmotnost (330g) včetně objektivu je rovnoměrně rozložena. Snadná obsluha. To byl hlavní cíl konstruktérů společnosti FUJIFILM, když navrhovali fotoaparát X-M1. Red-eye removal OFF Auto / Forced Flash / Suppressed Flash / Slow Synchro / Rear-curtain Synchro / Commander Red-eye removal ON Red-eye Reduction Auto / Red-eye Reduction & Forced Flash / Suppressed Flash / Red-eye Reduction & Slow Synchro / Red-eye Reduction & Rear-curtain Synchro / CommanderThe new X-M1 further expands Fujifilm's X-series of premium digital cameras, which includes the range-topping X-Pro1, X-E1 and the popular X100/S, amongst others. The X-M1 is a more mass-market camera, smaller and lighter than the other models and for-going a viewfinder, but adding a tilting LCD screen and wi-fi connectivity. It seems like all modern digital cameras are coming out with movie recording options and the Fuji X-M1 is not an exception. It can record either 720p or 1080p high-definition video at 24 fps with stereo sound and offers some control of exposure before recording (not during). You can choose the desired aperture, adjust exposure compensation and a few other camera settings, but you cannot adjust the shutter speed and ISO – those are chosen automatically by the camera based on the camera meter reading. Unlike the X-E1, there is no input for an external microphone on this camera. The X-M1's movie mode is similar to that of the X-E1, with the ability to record 1080/30p video with stereo sound and continuous autofocus. The dedicated movie recording button makes it easy to start taking a video in any shooting mode. While you don't have full manual control when recording videos, the aperture can be adjusted priority to shooting in 'A' or 'M' mode. Video quality is decent, though don't be surprised if moiré or rolling shutter effects make an appearance. Performance and Photo Quality