THE BEATLES’ ORIGINAL MONO STUDIO ALBUMS REMASTERED AT ABBEY ROAD DIRECTLY FROM THE ANALOGUE MASTERS FOR VINYL RELEASE Selected items are only available for delivery via the Royal Mail 48® service and other items are available for delivery using this service for a charge. The most promiment groove, which is a typical characteristic of Decca LP presses is approximately 31mm out from the centre hole and 15mm in from the edge of the label. This cover printed by Garrod & Lofthouse Ltd. The cover has a small “ mono“ designation in the upper right corner! Variation A: A little while the “Jobete” credit was altered to correctly read “Dominion, Belinda (Ldn.) Ltd.”.

The publishing credit for B7 'Money' is given as 'Jobete Mus. NCB'. Later pressings credit 'Dominion.Belinda (Ldn.) Ltd.'. Gram LPs Available September 8, Individually and in a Limited 14-LP Boxed Edition with Hardbound Book The title of B1 'Roll Over Beethoven' is indented so that the 'R' appears over the 'I' in 'BIEM' below it. Other versions such as this one have the 'R' over the 'BI'. Now the existence of With The Beatles mono edition, 1969, is confirmed by facts. Moreover, was confirmed not only the existence of a cover with the small “ mono“, but also the existence of a record manufactured by EMI in 1969. There’s a light ridge that runs around approximately 5mm out from the centre hole. This ridge is also 41mm in from the edge of the label.Variation B: Early 1964. On the side 2 label the end of the song title “I Wanna Be Your Man” was shifted along enough so that its full credits appeared on one line rather than breaking in the middle of “Northern Songs”. Because of this, “Devil In Her Heart” and “Not A Second Time” both now started on new lines rather than being broken in the middle. Matrix numbers: Side 1: XEX 447-7N; Side 2: XEX 448-7N. Although EMI continued pressing With The Beatles in mono through late 1969, it appears that the company did not prepare any mono covers with either medium or small “mono” designations in the sixties. While some collectors claim to have seen small “mono” With The Beatles” covers, the authors were unable to confirm their existence.” B. Spizer “Beatles For Sale On Parlophone Record” Sixth pressing, Remastered, Parlophone 5099963379914, released September 8, 2014. The album was reissued on 180g vinyl, prepared from the original analogue mono master tapes. Album included in “The Beatles In Mono” box. Cover is replicat from the original Garrod & Lofthouse Ltd. three-flaps sleeve. Vinyl pressed by Optimal Media GmbH, Germany.

Third pressing, 1969. Lost pressing found! Now we can attest to the authenticity of the mono edition of The Beatles, which has been talked about so much, but few could believe, even specialists. In an audiophile-minded undertaking, The Beatles’ acclaimed mono albums have been newly mastered for vinyl from quarter-inch master tapes at Abbey Road Studios by GRAMMY®-winning engineer Sean Magee and GRAMMY®-winning mastering supervisor Steve Berkowitz. While The Beatles In Mono CD boxed set released in 2009 was created from digital remasters, for this new vinyl project, Magee and Berkowitz cut the records without using any digital technology. Instead, they employed the same procedures used in the 1960s, guided by the original albums and by detailed transfer notes made by the original cutting engineers. Second pressing, December 1963 – early 1964. Garrod & Lofthouse Ltd. or Ernest .J.Day & Co. front laminated cover, with large “ mono“ on front. Most copies of the second pressing has the similar sleeves with misspeled “You Really Gotta Hold On Me” credit on the Side 2. But some copies has correct “You Really Got A Hold On Me” credit.