The Electric Mistress is an analog flanger. It had first been sold in 1976 and was by that the first flanger in pedal format. [7] The Deluxe version has been reissued and is still in production, although in 2015, a new Deluxe Electric Mistress was introduced in the company's smaller "XO" casing. As well, there are two digital recreations called NEO Mistress and Stereo Electric Mistress. Except for the very first blue/red version the Electric Mistress featured a "Filter Matrix mode" which allowed the user to freeze it at any point in the flange, offering distinctive chime-like tones. On the Neo and Stereo Mistress, this is achieved at a certain setting on the "rate" knob. Notable users include David Gilmour, Todd Rundgren, Alex Lifeson, Robin Trower, Andy Summers of The Police, J Mascis of Dinosaur Jr. and Red Hot Chili Peppers guitarist John Frusciante. This pedal is crammed full of tonal possibilities. You can simply use it to create conventional chorus tones, or crank up the parameters to produce crazy amounts of modulation. A unique aspect of the Reflector V3 is the inclusion of reverb. The combination of reverb and chorus sounds lusciously smooth, adding a whole new element to your tone. The Axis fuzz pedal, also sold under the name 'Foxey Lady' for the Guild guitar company, and LPB-1 Linear Power Booster were the first products in 1969. The LPB-1 massively boosted a guitar signal & could be used to overdrive an amplifier, resulting in a raw distorted sound, full of sustain and harmonics. Several similar devices, which sold well, followed, such as the Treble Booster and Bass Booster. This analog pedal offers guitarists two speeds to work with. Not only does this make it easy to control the sound of the chorus or vibrato, but it ensures that no matter what genre or style you play, there’s a setting that will cater to it. You can use these controls to customize the independent depth and rate of the effects.

Alternatively, you can switch over to the rich-sounding Tri-Chorus. This mode retains the analog quality of the original but offers several tone-sculpting options that sound more experimental. If you’re feeling experimental, you can even combine the two modes and use the parameters to create your desired mixture of the pair. Most effects pedals do not work well in an amp's effects loop, unless the loop has SEND and RETURN level Electro-Harmonix reissued the MIG-50 a 50 watt tube amplifier head and later the 2x12 speaker cabinet. With an all-analog signal path, the Warped Vinyl Hi-Fi can be dialed in to produce a plethora of chorus and vibrato tones. The pedal has rows of rotary knobs across the top of its face. Firstly, the TONE (RAMP) control affects the prominence of the chosen chorus of vibrato. The LAG control is particularly interesting, allowing you to affect the delay time of the chorus and therefore alter its tonal properties, making your instrument sound more bright or transparent. For those discerning players that like to really get into the nuts and bolts of sound, the Electro-Harmonix Eddy Analog Vibrato and Chorus is our premium option.Of course, there’s no one-size-fits-all approach to positioning your pedals. Many of the most interesting and iconic guitar tones have been produced as a result of an accident, or going against the grain and tearing up the rulebook. The BOSS CE-2W Chorus Waza Craft pedal re-creates the classic sound of the CE-1 and its successor, the CE-2 using premium all-analog circuitry. Features some guys in the band always turn around and smile at me! Haha. Such an important pedal for SNL! Love it! Tremolo and vibrato are included as well, in both solid-state and vacuum tube options. These are available in the Stereo Pulsar (solid-state) and Wiggler (tube) pedals.

You won’t notice any harsh artifacts or metallic out-of-phase sounds – just smooth, rich analog chorus. If you're seeking a no-frills chorus pedal that won't break the bank, then the June 60 Mk II is a great call. It sounds excellent, modeled on the rich, seductive chorus found on the ’80s Roland Juno synths. Consequently, it's equally at home on guitar and synth, with extra options available via external dip switches. Despite the price point, it's even stereo via Y-cable. The Electro-Harmonix Eddy Analog Vibrato and Chorus is more versatile and expressive than the average chorus or vibrato pedal. The unit I have in my collection is a reissue, not an original, but it sounds identical. I actually texted some of the TC crew and made sure of that. Long story short: this is a phenomenal unit. It also has that nifty power cable. I love the middle mode, which adds some pitch, and it also has a flange mode speed with an intensity and true stereo. I can confidently say that this is the most versatile chorus pedal I'll show you in this article. It does a lot of sounds and it’s just really well-made.Lesser, Marc (December 14, 2009). "Electro-Harmonix Interview with Jeff Tuttle from Dillinger Escape Plan". EHX.com. Archived from the original on October 15, 2016 . Retrieved May 11, 2018. Electro-Harmonix produces pedals with many different types of sound manipulation suitable for guitar, bass, vocal, keyboard, and other instruments. It also sells rebranded vacuum tubes carrying the Electro-Harmonix brand name.

Indeed, the only way to figure out which of these methods will produce your desired results is to dive in and give them both a try. You might find that for certain songs or styles of playing; using the direct input method is best suited. For a raw, live recording that needs plenty of energy, using your amplifier is likely to fit the bill more effectively. Who is this best suited for: The Old Blood Noise Reflector V3 is best suited for guitarists who want to push the chorus effects to its limits. With added reverb producing capabilities, it’s a great choice for anyone who is considering purchasing a reverb pedal.If you've owned a Roland Jazz Chorus Amp, it's the same exact circuit. This thing is unbeatable. It has an amazing vibrato setting. It's super simple. I first played one when I played Brit of Spoon’s pedal board. He uses it a ton, and you still see these pedals out on the road. They're made like a tank. Yeah, they’re a little big, but this is definitely a case of ‘you get what you pay for’. This thing will survive the zombie apocalypse. You have to connect it with the attached power cable, but it's worth every bit of the effort and trouble.