I hope this helps - I didn't take any readings from the gooped module area - let me know if you need anything. By the way, the jumper and the empty pads after the speaker sim could be used to host a "miked cab" simulation (aka bridged-T filter), just like the SansAmp GT-2. FWIW - I have the Zoom MS100bt - It has some really great effects and utility stuff, like noise gates, EQs and a tuner. The models were fine but I find the interface a pain to use when adjusting for different environments whether that be going from living room to outside to small bar, or direct to a PA speaker, my own PA mixer, or a random mixer at an open mic. I was thinking of getting an AC Tone to take abroad so I could get Vox tones with other amps (obviously setting it up and evaluating it at home first) but with your timely and useful post I have changed my mind about getting one because I hate excessive noise.

It's a more limited canvas, though the fact you can drive it almost like you would a real amp, and it responds in kind, that makes it easily the better choice. This makes a huge difference in frequency response, as the open-circuit there in the Liverpool creates a big hi-pass slope. This pedal can crate a range of sounds due to the in built EQ which allows you to control the Mid, High and Low ranges. We also do not accept products that are intimate or sanitary goods, hazardous materials, or flammable liquids or gases. I think the fact it's digital as opposed to the analog Joyos makes it, to my ear, a little less friendly with external pedals and a little more.Because all other users ( who arn't born yesterday regarding our ecuipment)have no problem with there Actone's.

Some of the tones are less useful, but I was able to dial in both Brian May and the Edge tones, which is pretty much what I bought it for. For DI and PA use a Cab sim pedal would be required to improve the sound with the Wampler Thirty Something. It's working like a preamp so going into a normal guitar amp is surely going to be detrimental to the tone, unless you are able to set the tone on the amp absolutely flat? The Voice knob is really the secret weapon, try to "opposite match" this one and the mid knob for a consistent response, but a varying amount of "grit" in the overdrive. isn't going to stop much in the way of pops, plus it looks like it is just connecting the bypass portion of the switching.Compared to the Joyo amp-in-a-box pedals a POD sacrifices a tiny bit of of the Joyo's sound quality (maybe - depends on your taste) and most of its simplicity for a huge amount of flexibility. Solid state doesn't sound like tubes and emulations don't sound like tubes amps, especially clean tube amps. I only use the amp sim (with 2x10 cab) and tuner function, though there's lots more under the hood if you want it.

A must-have for blues and rock guitarists, the Big Joe B-301 Tube guitar effects pedal is an overdrive pedal with a vintage tone profile reminiscent of a screaming tube amp. I will sing the praises of the Ferrari California to the high heavens, but I can offer you a road test of the Miata from firsthand experience. True to its name, the JF-13 AC Tone guitar effects pedal from Joyo lets you recreate the legendary sound of the classic Vox AC30 amp.in a box pedal i probably would go with the AMT F1 because i like the Fender clean, in your case the AMT V1, Vox in a box.