Greatest Guitar Solos: 51–100". Guitar World. October 30, 2008. Archived from the original on October 16, 2014 . Retrieved July 30, 2013. This is an amazing set, no doubt about it. MOP is Metallica’s high watermark. There’s so much stuff to enjoy here….. but then, that’s the same with the other sets. Nothing, absolutely nothing, justifies the high prices being charged here for a copy of

Kaufman, Gil (June 26, 2006). "Metallica Put Catalog On iTunes — Quietly". MTV . Retrieved April 11, 2012. double vinyl reissue on 180 gram vinyl with gatefold sleeve. Remastered at half-speed, each record is 45 rpm. Lyrics are printed on the inner gatefold. When I saw two kids who worked there in London wearing T-shirts of a local San Francisco band, I knew I was onto something. When I heard their record, I knew they were the one band that could sell to both mainstream and underground metal audiences.

Recommendations

Anyway this version is the most different I have listen from the album and also the most lively and the most explosive. When the "Battery" starts, someone try to eat you alive. The music come with amazing explosion from your speakers and you feel them very closed to you. Also the insane brightness and sharpness can't let you to breath. You feel the adrenaline in your blood and you want to smash your head with headbagings. The extra bass of the version buried the instruments and especially the guitars and the "Cliff's" bass. Is like you listen some bigger atmosphere behind but it is not that. Is the extra bass that mess little the clarity of the album. The original album has much more separate instruments and more noticiable bass and guitars but also more thin sound.

Metallica: Master of Puppets" (in Finnish). Musiikkituottajat – IFPI Finland. Retrieved July 3, 2021. McIver, Joel (2005). Dimery, Robert (ed.). 1001 Albums You Must Hear Before You Die (1sted.). Universe Publishing. p.548. ISBN 978-0-7893-1371-3. For those of us still marvelling at their unparalleled and sophisticated leap from the Kill ’Em All debut to their Ride The Lightning album, Master was a whole other level of erudition. Strange to think now that there was outrage in some quarters when they introduced acoustic guitars to the audience at Hammersmith Odeon (think Bob Dylan’s ‘Judas’ debacle when he went electric, but in reverse) on the Lightning tour. Though if their audience and critics were still clinging to the past, Metallica were marching purposefully forward to the beat of their own drum (toms and double bass drums, mostly), setting the spark to the flame of a genuine musical revolution.

Credits

I notice too that the version has a little more bass and that make the music little more noisy. The bass it sound little annoying and remind you many CDs out there. a b Kot, Greg (December 1, 1991). "A Guide to Metallica's Recordings". Chicago Tribune . Retrieved July 28, 2013. Vertigo Europe 89 Press. This pressing it sound "ok" but nothing serious. Has big low end and combinied with the "DMM" process the sound is very muddy and mess the clarity of the music. Also the pressing it is not so loud and when you up the volume you listen only the low end the cover all the instruments and you thing the upper end and the mids has deleted. But overall it's "ok" (I guess?) pressing for casual listenings. a b Hayter, David (March 22, 2011). "Classic Album of the month: Metallica – Master of puppets". Guitar Planet . Retrieved July 31, 2013.