A Dead Body in Taos”, despite containing some insightful dialogue, doesn’t quite know what it is either. Penned by experienced dramaturg David Farr (earlier credits include The Night Manager, The Hunt and The Jungle Book), this new piece deals with the innate human fear of loss and the desperate attempts it triggers to prevent it or, alternatively, replace it – only to find that within our nature, for joy to exist there has to be sadness to ground it.

Enough dives headfirst into the cesspool of misogyny, sexism, and racism faced byfemale police officers, delving into the intricate ways discrimination and corruptionmanifests within the police force.To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Presumably it is from a successful career in advertising but it seems like a fairly significant and particularly relevant point to leave unclarified, especially as it is such a contrast to everything else we learn about her. The stage design ( Ti Green) is deceptively simple, initially offering some small wooden steps and an oversized door frame.

Or is this a story of financial manipulation in which Kath has been persuaded to leave all her millions to a “future life” company promising eternal, virtual existence?Guillermo Názara reviews this piece exploring human emptiness and crave through the eyes of the inert, to let us know his thoughts on this production taking place at one of the most alluring venues in London’s Off-West End. The clean and simple set allows the text to speak for itself with multimedia projections and musical score enhancing the audience connection with the social and cultural experiences, lived throughout the story’s timeline and underlining the “scientific” aspects of the play. This would be absolutely excellent with a little more focus and tightening of the story, but for now, it is merely good.