Although various models were offered, all share the same basic design. All SX-70 models feature a folding body design, a 4-element 116mm f/8 glass lens, and an automatic exposure system known as the Electric Eye. The cameras allow for focusing as close as 10.4 inches (26.4cm), and have a shutter speed range from 1/175 s to more than 10 seconds. The Model 3 departs from the other models since it isn't a SLR, but instead has the viewfinder cut into the mirror hood. INSTANT photos– Polaroid pictures are unique, no two pictures are the same, So think before you shoot. Related: SX-70 Color Film Review , SX-70 B&W Film Review , A Brief History of Polaroid , Shoot Macro with SX-70 , Polaroid 600 Film with SX-70 w/o Mods , Make Polaroid Emulsion Lifts & Transparencies , Make a Polaroid SX-70 Gingerbread House . Polaroid SX-70 technical specifications.

Greek-American artist Lucas Samaras created a series of self-portraits titled "Photo-Transformations" (1973–76) which employed extensive use of emulsion manipulation techniques. [24] Der Film zeigt seine Stärken insbesondere bei Portraits und allgemein Nahaufnahmen (Also quasi ohnehin DER Grund schlechthin weshalb man überhaupt eine SX-70 haben möchte, manueller Fokus ist super)

Polaroid is also going to continue spending more money developing the 600 film formula than they will on SX-70 film. 600 film is used by every new Polaroid camera on the market, and is the target film for most of the aftermarket manufacturers, like MiNT for a reason. On the beach” 2018. Impossible SX-70 B+W scan as it was printed on vinyl for exhibition at 90cm x 90cm Do Polaroid Photos Develop Better in the Dark? How Do I Know Which Polaroid Film To Use? Polaroid cameras that use the different types of Polaroid film. Polaroid Now+, Polaroid 600, Polaroid SX-70, and Polaroid Go Of course, the motion blur will still be identical to that of a shutter firing at 1/180s, not 1/2,000s. If you are concerned about ease of use and consistency in results, Instax may be a better choice. But if you want to have the best lens* and the most elegant camera — nothing beats the SX-70.

But being a fifty-year-old camera with limited exposure controls and film that requires some skill to make good results , it is not for everyone. The new Polaroid I-2 is a good alternative for its built-in manual controls; however, it’s neither foldable nor as beautiful as the SX-70. But here’s the crux of the story – the original Polaroid was an end in itself. The Polaroid was the object, the finished product. Without a shadow of a doubt, yes. After using Polaroid 600 film in an SX-70 camera, I firmly believe the experience of shooting 600 film is worth the cost. There are several models of the Polaroid SX-70, as the camera and technology progressed through the years.The Polaroid SX-70 - A Review of the Instant and Timeless Classic". That Vintage Lens . Retrieved 2020-11-29.

Let’s get this straight right off the bat; the real SX-70 film was in another universe from today’s in terms of vibrancy, consistency, longevity; the works. You could (and I did) exhibit and sell these Polaroids as works of art. Up until recently, the SX-70 lens would make the absolute best of Polaroid film. It was by far the sharpest lens for the medium (all other new / vintage Polaroid cameras use plastic lenses with imprecise autofocus). But the new Polaroid I-2 had finally de-throned it with its modern plastic continuous autofocus optics. Still, the SX-70 remains the only instant film camera for the format with glass optics . SX-70s feature exceptional design. A foldable instant film SLR with a glass lens — we may never see anything like this made ever again.From what I’ve read, there are many factors that contribute to the success of an instant photo: the camera, the lighting, the temperature, the subject, how still you are when shopting, the film itself and how careful you are to keep it in the dark during its developing. That said, you will just have to try it out for yourself! Naturally, care needs to be taken while handling tools made more than half a century ago. But in general, SX-70s should be able to handle normal operation without falling apart. Polaroid SX-70 camera bellows are made to last. And mechanical and technical innovation extended deeper than the skin. Polaroid was, after all, a technology company unmatched in its era, and the internals of the SX70 illustrate this wonderfully. Manipulation of the photograph is best done about two minutes after the picture has fully developed. It will stay soft and workable for about 5–15 minutes. Some colors will be more difficult to work on (dark green), whereas others are workable for a long time (red). If the photograph is on a warm surface or slightly warmed in an oven, image manipulation is made easier. Now, to be fair, neither one of these films can hold a candle to digital, or even 35mm film cameras. But I expected that the SX-70 film would be significantly sharper since it should have a much smaller grain structure similar to standard film.

I’m rather pleased so far with this film. The color saturation is rich and deep in bright sunlight, And it’s bright enough, exposure-wise, as well. This is my first experience with an SX-70 (I admit I bought the camera untested.) Much to my delight, not only does it work but the pictures taken with this film have turned out beautifully. The quality impressed me given my previous encounters with 600 film over the last 25 years (slightly faded, less crisp, less saturated.) If you’d like to get your hands on one of these incredible machines, there are a few ways to do so and some things to keep in mind. These cameras are old, and unfortunately susceptible to breakdowns. That’s why it’s important to do your research before pulling the trigger on a sale. No other vintage or modern Polaroid camera comes close to the SX-70 or the I-2 in terms of image quality. a b Gustavson, Todd (2009). Camera A history of photography from Daguerreotype to Digital. Sterling Signature. ISBN 978-1-4027-5656-6. As I said from the start, I freaking love this camera. But I think it’s incredibly important for those jumping into the Polaroid SX-70, or any Polaroid in general, to have realistic expectations of results.

a b c Berger, Ivan (March 1973). "Our dream was to change photography". Popular Mechanics . Retrieved 31 May 2019. Pains me to say it, but this film is only just functional. You have to be sure the film isn't exposed to any light as it ejects. All exposures have wonky edges from unevenly distributed chemicals , if they develop at all, and while it is possible to end up with some really nice shots, this stuff is fussy enough it 'works' only in the kindest sense of the word. Conversation with Cezanne” 2018. The scan as it was printed on photo rag for exhibition at 30cm x 30cm Sturge, John (1977). 'One-Step Photography' by Land, Rogers & Walworth in 'Neblette's Handbook of Photography and Reprography' . Van Nostrand Reihhold. p.258. Second reason: The cameras. Man, everyone should experience what it is to shoot one of these beautiful beasts from the 70s. Pressing the button on an Instax does not come close. Apart from the experience, there are practical advantages like close focus, the length of the exposures possible and the quality of the lens. Plus, an SX-70 like this is still not too expensive compared with an Instax.