Winters in the World: A Journey through the Anglo-Saxon Year

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Winters in the World: A Journey through the Anglo-Saxon Year

Winters in the World: A Journey through the Anglo-Saxon Year

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So one day, although autumn was now getting far on, and winds were cold, and leaves were falling fast, three large boats left Lake-town, laden with rowers, dwarves, Mr Baggins, and many provisions… The only person thoroughly unhappy was Bilbo. There are many things I love about this book. As readers of her blog , History Today columns , Patreon articles , and books will already know, Eleanor Parker writes with great clarity and a deep knowledge of British history. On this occasion, she takes us, season by season, through the Anglo-Saxon year, teaching us a surprising amount about our own age as well as a great deal about the ways the Anglo-Saxons saw the world. On the way she also scuppers some deep-rooted myths. For example, she writes: It’s a very different version of Christianity than those of today which emphasize forgiveness, fellowship and the historical Jesus of Nazareth; it’s instead m rooted in the idea that pagan myths are just so many prefigurements of the one true myth of the Christ figure. There is, of course, a great deal more to be said about both Tolkien and the Anglo-Saxon year but that’s probably enough from me for the time being. I’ll finish with another quotation from Eleanor Parker which really sums up the importance of the calendar to the Anglo-Saxons (and not just the Anglo-Saxons). She’s writing about Aelfric and other authors of his time, though her words could equally apply to Tolkien, I think:

Drawing on a wide variety of source material, including poetry, histories and religious literature, medievalist Eleanor Parker of the University of Oxford takes you on a journey through the cycle of the year in Anglo-Saxon England. Eleanor Parker’s Winters in the World is a lyrical journey through the Anglo-Saxon year, witnessing the major festivals and the turning of the seasons through the eyes of the poets. Beginning during the darkest days of winter, when writers read desolation and dread in the world, we are introduced to the hopefulness of the festivals of returning light; the promise of better (and less hungry) times ahead as the days lengthen and the plants bud; the fruitfulness of the harvest; and the calm reflection of the autumn. We feel the thrumming in our souls as we recognize on some primaeval level the connectedness of humanity, the environment, and the cycles of nature and life, even if other aspects – the marking of the seasons, the religiosity, the extremes of feast and famine – are alien to us. And we approach an appreciation of our Anglo-Saxon ancestors as we dive into the rhythms of their lives and language, their turns of phrase, and the force of their habits. Let’s take just a couple of examples, starting with the most important date in The Lord of the Rings : 25th March. This was the day on which the ring was destroyed and Sauron fell. As a direct consequence, it also became the first day of the new year in Gondor. What’s more, it was the day Aragorn arrived at the Bridge of Baranduin and the birthday of Elanor, Sam’s first child. (Elanor is, I think, a much more significant character in The Lord of the Rings than is widely recognised, but more on her another time.) As Eleanor Parker points out, many Anglo-Saxons believed that the 25th March was also the date of the Annunciation, the date of the Crucifixion, and the eighth day of creation. In other words, it was the most important date in history. Hotjar sets this cookie to identify a new user’s first session. It stores a true/false value, indicating whether it was the first time Hotjar saw this user. Many of the festivals we celebrate in Britain today have their roots in the Anglo-Saxon period - come along to learn about their surprising history, as well as unearthing traditions now long forgotten.

The University of Chicago Press

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It is, however, literary analysis with aplomb. The selection of texts is as diverse as possible, covering poetry, sermons, scientific texts, and more. The quotations are well chosen, expertly illustrating not just Parker's argument, but the feelings of the Anglo-Saxon writers. In addition, many of these quotations are provided both in translation (usually by Parker herself) and in the original Old English. For the geek, this can provide hours of amusement and a useful way of attempting to learn the language. There can be few better ways of showing the connections between now and then than by showing the similarity in vocabulary.Eleanor Parker’s book also got me thinking about the passing of the seasons in The Hobbit and The Lord of the Rings (for The Lord of the Rings , in particular, is a very seasonal book) . Let’s look at these parallel passages, for example. Explore the festivals, customs and traditions linked to the different seasons, and discover how Anglo-Saxons felt about the annual passing of the seasons and the profound relationship they saw between human life and the rhythms of nature. So what’s going on here? Part of the answer lies in the nature of their quest, which is difficult, even penitential. You sometimes get the impression that Chaucer’s pilgrims might as well be going on holiday but that’s clearly not the case for Bilbo or Frodo. They are in deadly danger the moment they leave Lake-town (in The Hobbit ) and the Shire (in The Lord of the Rings ). Maybe Tolkien was thinking more of Sir Gawain than The Canterbury Tales when he wrote these passages. Here, for example, is Tolkien’s own translation of a wonderful passage about the passing of the seasons in Sir Gawain and the Green Knight : These beliefs weren’t unique to the English, of course. St Augustine of Hippo once wrote that Christ “is believed to have been conceived on the 25th of March, upon which day also he suffered; so the womb of the Virgin, in which he was conceived, where no one of mortals was begotten, corresponds to the new grave in which he was buried, wherein was never man laid, neither before him nor since.”) Winters in the World' is a lyrical journey through the Anglo-Saxon year, witnessing the major festivals and the turning of the seasons through the eyes of the poets. It is a beautiful, charming, and descriptive voyage into what, to many of us, seems a very distant past. But in venturing forth, the early Middle Ages are shown to be, if not entirely familiar, then at least recognizable. Through Parker's writing, almost everything in this strange land, from the roots of our language to the sense of community - and the appreciation for drink - becomes closer, more relatable. This is no more so than in the appreciation for nature. As Parker points out, while on the surface our lives bear no relation to those of our distant ancestors, we still witness and mark the changing of the seasons; we still marvel at the stark beauty of a wintry landscape; we still enjoy the summer sun while snoozing under the branches of a spreading tree. The reliance on nature might be less pronounced now than a thousand years ago, but our responses to it are not so different.



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