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A Day at the Races

A Day at the Races

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Cohen, Scott (6 July 1976). "The Queen Interview". Circus . Retrieved 15 February 2022– via BrianMay.com. Whitburn, Joel (2006). The Billboard Book of Top 40 Hits (8thed.). Menomonee Falls, WI: Billboard Books. On 8 November 2010, record company Universal Music announced a remastered and expanded reissue of the album set for release in May 2011. This was part of a new record deal between Queen and Universal Music, which marked the end of Queen's almost 40-year association with EMI Records. All of the band's albums were remastered and reissued by Universal in 2011. Queenlvr314 (20 July 2009). "Roger Taylor Interview 1976"– via YouTube. {{ cite web}}: CS1 maint: numeric names: authors list ( link) Larkin, Colin (2011). Encyclopedia of Popular Music (5thed.). Omnibus Press. p.2248. ISBN 978-0-85712-595-8.

Oficjalna lista sprzedaży:: OLiS - Official Retail Sales Chart". OLiS. Polish Society of the Phonographic Industry. Retrieved 22 April 2022. Purvis, George (October 2018). Queen: Complete Works (Revised & Updateded.). Titan Books. ISBN 978-1-78909-049-9. Matrix / Runout (Side B etched, variant 4): 6E-101-B-1 7̸E̸-̸1̸0̸9̸1̸-̸A̸B1-SP SP X1-1 7E-1091-B-1 STERLING The song was the biggest hit single from the album. It went to number two on the UK charts (kept from the number one spot by " Under the Moon of Love" by Showaddywaddy) and number 13 on the US singles chart. [29] [30] [31] "White Man" Queen entered The Manor in Oxfordshire on 12 July to commence work on A Day At The Races. [15] Absent was Roy Thomas Baker, who had helped the band produce their last four albums. [16] This was because of a four-album contract he had signed with the band in 1972. This contract had expired after the release of the band's fourth album, and the band had decided to record the album by themselves, with the assistance of engineers Mike Stone and Gary Langan. Baker would travel to America to produce more material after signing a contract with CBS Records. [17] On 19 July, May's 29th birthday, (according to a letter written for the fan club around this time) while the band were recording in The Manor, the band were mailed items related to penguins. A giant penguin ice maker was also shipped to the band. These items were mailed to the band because of May's interest in penguins.Japanese Year-End Albums Chart 1977] (in Japanese). Oricon. Archived from the original on 5 December 2012 . Retrieved 3 October 2011. After Taylor and Deacon returned from Denmark, rehearsals began on 17 June at Ridge Farm Studio, where the band had rehearsed for their previous album in July 1975. Due to equipment issues during the first week, the band hired Pete Cornish on 25 June to assist in equipment maintenance. Cornish and the band had previous involvement, as his company had helped repair and construct new equipment for the band in January 1972. [13] Brian May traveled to Manhattan at the start of July (and is interviewed by Circus at The Sherry-Netherland Hotel sometime around 6 July) for unknown reasons, while the rest of the band were still in Ridge Farm, rehearsing for the album. He would return during the middle of the month. [14] Recording and production Rohter, Larry (2 February 1977). "Queen's Deja Vu 'At the Races' ". The Washington Post. Archived from the original on 14 March 2022 . Retrieved 14 March 2022– via Queen Archives. Purvis, George (2007). Queen: Complete Works. London, UK: Titan Group Publishing. p.57. ISBN 978-0-85768-551-3. 'A Day at the Races' would be Queen's final excursion in the grandiose pomp and glam they had perfected from their formation... Roberts, David, ed. (2006). British Hit Singles & Albums (19thed.). London, UK: Guinness World Records Ltd. ISBN 1-904994-10-5.

Queen's 4 topmost selling singles]. Oricon (in Japanese). Archived from the original on 21 December 2022 . Retrieved 7 October 2023. Kot, Greg (19 April 1992). "An 18-record, 80 Million-copy Odyssey". Chicago Tribune . Retrieved 19 April 2016. On 21 July, Crystal Taylor, one of the band's roadies, who would later become Roger's personal assistant, arrived at The Manor to provide assistance with equipment and observe the session. He originally planned to stay a week, but on 28 July, the band asked him to stay another week. [18] Around this date, work began to relax as the band had finished 6 songs. Those songs were "Good Old-Fashioned Lover Boy", "The Millionaire Waltz", "You Take My Breath Away", "White Man" (then titled "Simple Man"), "Drowse", and a shorter version of "Somebody To Love". As August entered, the band worked on the remaining songs of the album, and finished a longer version of "Somebody To Love". [19] Work was still relaxed though, and the band would sometimes play billiards or card games during productive days. During a game of billiards on 8 August, between Roger and Crystal Taylor, Roger asked Crystal to be his personal roadie, to which Crystal accepted. [18]

Tie Your Mother Down" was written by Brian May in Tenerife in early 1968, two years before the formation of Queen. At the time, he was working on his PhD in Astronomy. [24] He wrote the song on Spanish guitar and thought he'd change the title and chorus later on, but when he brought it to the band for inclusion on this album, Freddie Mercury liked the original and it was kept the way it was written. [24] Setsuo, Saitoh (April 1981). "Brian May - "I'm always aiming for something better" ". Queen The Miracle (in Japanese). Music Life. a b Ramirez, AJ (8 June 2011). "In the Lap of the Gods: The First Five Queen Albums". PopMatters . Retrieved 16 October 2015. With the group now firmly in command of the mechanics of pop songcraft (fittingly, the album spun off the most singles from any Queen LP up until then). Selected items are only available for delivery via the Royal Mail 48® service and other items are available for delivery using this service for a charge. Cavanagh, David (11 March 2011). "Queen – The First Five Albums". Uncut. Archived from the original on 11 July 2015.



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