Tamron 43mm F4 crop 100% Bokeh Balls Samyang 35mm F2 Samyang. Crop 100% Tamron 150mm F2.8 crop 100% Bokeh Balls Samyang 150mm F2

En terme de fonctions personnalisées ils ont des fonctions communes comme la bague de mise au point qui peut devenir une bague d’ouverture ou la bague MF avec un réponse linéaire. Le Samyang offre la fonction Dolly, et le Tamron offre des fonctions de preset de mise au point AB et un contrôle fin sur l’angle de rotation de la bague de mise au point Externally the lenses are very similar : same specs , size, similar weight (60g more for the Samyang) , same build qualityIts fast maximum aperture also helps you to control camera movement by permitting a higher shutter speed, or when trying to reduce noise by choosing a low ISO. Even when used with the latest mirrorless cameras that require high - resolution performance, images are sharp edge - to - edge and from centre to every corner, across the entire frame of the photo. Fast and Accurate AF Performance AF is very fast accurate and silent both in photo and video in most of the cases , and works very well in burst mode (but limited to 10fps on Sony A1) Tournez la bague de zoom doucement vers la gauche (vers le grand angle) tout en avançant progressivement vers votre sujet The design features a ‘hidden red ring,’ which signifies the new Samyang brand identity and the barrel is made of metal for added durability. It’s not a lightweight zoom by any means, due to the substantial amounts of glass required to render professional image quality, but it is well balanced and definitely solid feeling. F2 35mm F2.8 35mm F4 35mm F5.6 71mm F2.5 71mm F4150 150mm F2.8 150mm F4 150mm F5.6 150mm F2.8 150mm F4 150mm F5.6 35mm F2 35mm F2.8 35mm F4

Just like the Tamron lens, the Samyang 35-150mm covers full-frame sensors, and it, unfortunately, comes for Sony E-mount only. The zoom range is very versatile and the fast aperture of f/2 on the wide end and f/2.8 on the telephoto end makes it a very interesting do-it-all option for full-frame cameras in my opinion. A slight downside might be the lens weight and size, but that is to be expected given the impressive specs. The Samyang 35-150mm weighs 1,224g (43.2oz), while its length varies between 157.4mm (6.2″) and 197.9mm (7.79″) when zooming. The maximum diameter is 92.8mm. AF 35-150mm f/2-2.8 FE lens. Source: Samyang The new Samyang 35-150mm F2-F2.8 (1350 euros) seems like a clone of the Tamron 35-150mm F2-2.8 Di III VXD (1800 euros) The Samyang’s optical design consists of 21 elements in 18 groups, with a choice of exotic glass. The lens is weatherproof with gaskets around all rotating parts and a gasket around the bayonet. The lens comes with a tulip-shaped lens hood. Focus Photo: Alyssa Zalabai Considering the users’ shooting environment, the lens is designed to be completely weather sealed at the mount and throughout the body. Weather sealing is adopted in 11 areas to prevent damage or contamination from dust, light rain, and snow. Short Minimum Focal Distance 0.33m (1.08ft) The Tamron sample he had was broken and therefore nullifies his findings. He confirmed it, go read it in the comments on youtube.at the time the price difference vs used was ~400, given samyang discount, and at least in terms of iq, I don’t think the difference is there. When you press and hold down the "focus hold button" for 3 seconds, the screen blinks and informs you of the saving status. The function allows the users to save focus at any desired position and naturally change focus between two subjects. When you press the button briefly after saving, the focus moves to a saved position. It’s a bit of a handful, but Samyang’s AF 35-150mm f/2.0-3.8 zoom is a lot of lens in more ways than just its size and weight. (Image credit: Samyang) Samyang’s latest lens breaks the mould, covering four extremely popular prime focal lengths in a single, bright aperture ‘all-in-one’ zoom lens. This alone sets it apart from virtually any other lens for the Sony system, however it delivers more, with impressive image quality and added video capabilities for today’s photographers, who are often hybrid creators. Whether you are a professional event photographer, travel photographer or an enthusiast hybrid shooter, this could become the most versatile and widely used lens in your collection. Les deux sont très bons en terme de ronds de bokeh et de flou d’arrière plan. Ils souffrent tous les deux de problèmes de ronds de bokeh tronqués sur les bords

The perfect spacing and distance are always necessary when shooting all kinds of subjects, including people, to give them a proper relationship with the beautiful space around them. So, what’s the exact distance that helps you best appreciate a work of art, or a photo? Tip. If the moving distance is long, the camera may shake, so please shoot at a focal length between 35 and 100mm. According to Samyang, the AF 35-150mm F2.0-2.8 FE is also parfocal, meaning that when zooming, the focus does not change. That was generally only reserved for expensive cine zooms. Tamron does not claim their lens is parfocal, so we did not test it for that. It makes this Samyang especially interesting for cinematographers. In that respect, this lens fits in nicely with the Samyang 24-70mm F2,8 FE. Construction

Most of my photography is fast-paced event stuff, dancing and other performing asrts. The Tamron can keep up quite well, but I wouldn't mind having even better AF performance; some Sony lenses I have tried such as the new 70-200/2.8 II can beat it (at a hefty premium, of course). I definitely wouldn't want to lose any AF performance. Tip. If the moving distance is long, the camera may shake, so you may need to adopt a Ninja walk like for a gimbal or use a gimbal for travelling distance longer than 2m The two round buttons made of soft rubber have a focus save function which can store 2 points of focus. In addition, three custom mode switches on the lens can be pre-programmed via the optional Lens Station, allowing you to set up the mode to suit your preference. After focusing on the subject in MF mode, the focus doesn’t require adjusting again, even when zoomed in or out. This allows filmmakers to reduce shooting time and allow accurate and stable shooting. The best standpoint from which to appreciate the full view of a subject is the distance of the diagonal length of the subject frame. This wider angle is superior to standing closer at a 50 degree angle to get a more detailed view.

These custom switches help video and hybrid creators capture more engaging movies through cinematic control over the results and the lens performs as expected when switched between MF/AF. First leaked picture of the upcoming Canon RF 200-800mm f/6.3-9 IS USM and RF 24-105mm f/2.8L IS USM Z lensesI have a 35-150 myself and my shots at 150mm are sharp from corner to corner unlike what he showed. As I'm doing more and more event photography and the Tamron covers 90% of my needs, I've been thinking of buying my own copy so it's always available. I love the Tamron, I pretty much never feel the need for a prime. The other 10% is when I need wider than 35mm. Find out all you need to know about the new zoom in our Samyang AF 35-150mm Sony Lens Review, which includes sample images with 100% crops for pixel peeping and full lens specifications. Excellent image quality and smooth boke: thanks to the high light intensity, the lens delivers excellent image quality over the entire focal length range, from the centre to the edge. With a beautiful, soft and harmonious bokeh, it is perfect for freestanding motifs, such as portraits.