I would say that the KZ ZSN are good for most genres; their V-shaped tuning makes them especially apt for modern genres, but it’s up to one’s taste in the end.

KZ ES4 + สายอัพเกรด ของดีราคาประหยัด - Pantip รีวิว KZ ES4 + สายอัพเกรด ของดีราคาประหยัด - Pantip

Much like most of the latest generation of KZ earphones , the KZ ES4 is a very comfortable earphone to wear and does not generate in-ear pain. I am quite surprised by what KZ achieved with these earphones. The KZ AS10 are amazing in their own way: their tuning is balanced and enjoyable, there’s a very good technical level and they’re comfortable. They’re not perfect, though, as there’s still some work the tuning could see – a bit more clarity with a slight emphasis on the upper midrange and more treble extensions would make them even more interesting. As it is customary for KZ’s latest earphones, the cable is detachable and uses two 0.75 mm pins – so it is compatible with cables such as the AK Audio 4-core 7N copper cable or the Yinyoo 8-core SPC cable. The company claims that the receptacle can last up to 10,000 plug-unplug actions, which would imply a long life for the earphones. The fact that the KZ AS10 is balanced and actually pleasant comes therefore as a surprise. This may be the most interesting IEM made by KZ due to this, despite not having the same technical prowess as other headphones in the line-up. The one issue I found with the sound on the ES4 is common to many multi-driver IEMS and that is they sometimes suffer a bit right at or around the crossover frequency where drivers get out of phase with each other. The ES4 can occasionally display this behavior but for the most part this was something you had to be looking for to find and not a major distraction.KZ ZS10: the midrange on the ZS10 is much more recessed and much less balanced; treble, too, is way less present and detailed. It almost feels dull in comparison to the AS10. The only point in common is bass, which is however not as emphasised on the new model. In terms of technical ability, the AS10 win in terms of detail, but the ZS10 are better on the soundstage front. The rest is a tie. This new shape is much more typical of higher-end IEMs – though it’s of course not the shape that indicates the positioning of the headphones (as Campfire Audio, among others, taught us). What’s positive about this design choice is that the KZ ZSN are really comfortable, as their shape is kind of neutral to the ears. There are no sharp edges or other similarly polarising features, so it’s easy to find the right position that is comfortable. The relatively small size also helps with this – my girlfriend, whose ears are much smaller than mine, had no trouble in wearing the ZSN and finding the right fit. KZ ZS4: the ZS4 are much more heavily V-shaped, with bass and treble that are much more prominent than mids. Those appear heavily recessed and a bit distant. Bass is almost overbearing, leaking over the mids, while treble is not really detailed despite its large presence. The ZSN are much more balanced, and they have better technical ability, too. Though it is not a radical difference, the ZSN offer slightly wider soundstage, better imaging and better instrument separation. They’re also faster, which leads to percussion instruments being more lively.

KZ ES4 – In-Ear Fidelity KZ ES4 – In-Ear Fidelity

KZ ES4 the latest release from KZ with a dual hybrid configuration, detachable cables and plastic housings. Noise isolation of the KZ ES4 is highly efficient, with a level of reduction of surrounding noises far stronger than most average earphones. You can set your volume within moderate and they will still provide a near absolute isolation, by cranking the volume just a bit higher the will isolate you completely from noises. I would like to say that KZ finally nailed it with the ES4. Alas, that would not be true. The KZ ES4 is still plagued by a superficial tuning job that does not unchain the true potential of the drivers. This is not to say that it sounds bad, though, as I enjoyed listening to it and I still think this may well be one of the best earphones made by KZ – I consider it way better than the ZS10 in terms of tuning. In​-ear แบบถอดสายได้​ ขั้ว​ 2​ Pin ช่องเสียบตามภาพครับ​ เราสามารถซื้อสายอัพเกรดเปลี่ยนได้​ตามความชอบ​ (แนะนำอย่าถอดเข้าถอดออกบ่อย​ เพราะรูมันจะหลวม)​The KZ ES4 features 4 drivers in total, distributed in 2 per earpiece. The dual driver setup includes 1 balanced armature and one 10 mm dynamic driver, each driver will independently be responsible of reproducing different audio frequencies – the dynamic driver will take care of the lower end while the balanced armature will resolve mid and upper frequencies. Instruments can be a little coloured in image but are precisely placed in stage and not like ZS10 weird stage effect. Pace, Rhythm and Timing is also good, but overall it is a little incoherent(way better than many hybrids, but still, not like my 64audio). Let’s face it: while KZ headphones often offer good value, they have never been great soundwise. Yes, they are good… for the price. After many, many headphones plagued by tuning issues, the KZ AS10 are finally balanced and without the spikes and dips that characterise most of the company’s products. No more aggressive upper mids, no more overpowering mid-bass, no more fatiguing treble. This is finally a KZ product that gets tuning right. The irritating thing is that it is more than probably just a chance, as KZ is notorious for using off-the-shelf drivers without any proper tuning work.

The Verge’s favorite audio gear for 2022 - The Verge The Verge’s favorite audio gear for 2022 - The Verge

The cables are the same one that comes with the KZ ED15 and KZ ZS10 with a dual double helix braided design and very rubberized finish. The connector of the cable is the same bi-pin 0.75mm of all KZ earphones with detachable cables; specifically they use the angled connector (like the KZ ZSR , KZ ZST and KZ ZS10) and not the straight connector that came with the KZ ZS6 , KZ ZS5 and KZ ZS3. This and the ED16 are the best KZ mids to date. Whoever at the factory that was supposed to scoop the mids must have had the day off as they are more present in the mix than any other KZ in memory. I still hear the ES4 as a V (and the FR graphs prove that out as the mids are nearly 5db behind the treble and 7-9db behind the bass) but the sound is so well proportioned that it does not listen like a big V but more like a shallow V with a lively presence region.

KZ ES4 In-Ear ราคา ยังคงเอกลักษณ์และจุดเด่นของแบรนด์เอาไว้อย่างครบถ้วน นั่นก็คือคุณ๓าพเสียงระดับไฮเอนด์ ในราคาระดับเริ่มต้น บอกเลยว่าไม่ทำให้ผิดหวัง เหมาะกับคนที่อยากได้ หูฟัง In-Ear มาใช้งานกับ Smartphone มือถือ หรืออุปกรณ์พกพาต่าง ๆ ด้วยแรงต้านทานที่รุ่นนี้มีไม่มากนักขับได้ง่าย รับคุณภาพย่านเสียงระดับสูงได้ง่าย ๆ ไม่ต้องต่ออะไรมากมาย และผู้ที่มองหาสินค้าที่สวมใส่ได้ง่าย สบายหูเป็นเวลานาน ๆ คล้องหูก็ไม่ระคาย รวมไปถึงชอบอัพเกรด ยิ่งรุ่นนี้นอกจากจะอัพเกรดสายได้แล้วยังอัพเกรดไปเป็นสายแบบ Wireless ได้ด้วย กับราคาเท่านี้ พลาดไม่ได้จริง ๆ รายละเอียดทั่วไป I tried the KZ AS10 with the following equipment: Topping DX7, Venture Electronics RunAbout 2.0bl, Cayin N5ii, Aune M1s. Source files were standard resolution FLACs for the better part. Though it is useless, I ran break-in for 100 hours. KZ AS10 With an EQ you will be able to customize their lower mids and male vocals into absolutely clear and free of mid-bass bleed. Higher mids can be EQ’ed to calm down some of their harshy peaks without getting recessed. Comfort is indeed good and better than I expected; considering the similarities with the ZS10, I thought it would be decent but not that great for long listening sessions. Truth is, I used them all day long for multiple days and only got some fatigue at the end of the day. The AS10 is therefore an IEM you can rely on when it comes to comfort. As subjective as comfort is, I think the KZ AS10 is much more universal than other headphones as it is small and light – so take my thoughts with a pinch of salt, as usual, but also consider the fact that they’re really one of the best IEMs by KZ in terms of comfort. The ES4 is made out of a hard plastic shell and comes with a removable cable. These earphones feel pretty solid, but with such a hollow and large casing I would be afraid to step on them. Comfort is rather good, I especially like the ergonomic shape and the lighter weight of the plastic casing compared to metal earphones that often fall out.

Kickscooter ES4 | Segway Kickscooter ES4 | Segway

KZ announced a good few headphones in the last several months, including their new flagship the KZ ZS10. A litte after the ZS10, the company also announced what looks like a directly-derived IEM for a lower price tier: the KZ ES4. Being similar in terms of design and a similar yet simpler driver configuration, the ES4 is indeed better from an acoustic standpoint. Isolation-wise the KZ ZSN are decent, but alas distant from the 26 dB noise reduction touted by the manufacturer. Ambient noise gets reduced by a little bit, but I could not avoid raising the volume while on public transport. Sound & Specs Extremely tight, if you are moving from single dynamic driver. It extends when required and doesn't interfere with musicality. But when called for, it shakes. Bass drops and bass line is crazy plus it stops somewhat pretty correctly.The KZ ZSN are a bit unusual from a design perspective, at least when it comes to KZ standards: the shell is made of transparent plastic (with a fumé finish in my case, but also available in green/cyan and magenta) and the faceplate is made of metal. It is held in place with three screws, placed in the three angles – as the faceplate has an overall triangular shape. On top of the choice of materials, which is new for KZ, the other news is the shape which reminds me of IEMs such as the BGVP DM6. The shell is in fact similar to that of previous KZ earphones, such as the KZ ZS10 or the KZ AS10, so this is not something that we’ve never seen before. This transparent plastic exposes all the innards, so one can easily see the (relatively) large dynamic driver and the balanced armature. The nozzle is made of metal (aluminium?) which should make it much more durable than usual plastic. BA ให้รายละเอียดที่คมชัด เนื้อเสียงชุ่มฉ่ำ เสียงร้องชัดถ้อยชัดคำ ฟังสนุก เสียงออกแนวหวานกังวาลใส ส่วนเสียงสูงก็ทอดออกไปได้ไกลกำลังดี เนื้อเสียงหวานเช่นกัน รายละเอียดครบถ้วน เนื้อเสียงไม่แห้งมีสากเสี้ยนบาดหู ปลายเสียงเก็บไวไม่แตกพร่า ทำให้ฟังได้นานไม่รู้สึกปวดแก้วหู ตรงจุดนี้ต้องยกความดีความชอบให้ไดรเวอร์ Balanced Armature จริง ๆ ที่ทำจุดเด่นออกมาได้ดีขนาดนี้ ส่วนเวทีและมิติเสียง มีขนาดกลางกำลังดี ไม่แคบ จัดวางเครื่องดนตรีได้ดี เสียงร้องพุ่งออกมาข้างหน้า เครื่องดนตรีย่านต่ำคลออยู่โดยรอบฟังสนุก เนื้อเสียงมีความสมจริงมาก ๆ แนวเพลงที่เหมาะสม