I'll have a look at Audio Asylum to see what you've been posting. If you actually know what you're talking about with classical music, I'll be interested in following you on Facebook. However, if you're conservative and start to limit the copies, say 8 mothers per father, 8 stampers per mother, and 800 records per stamper, the yield falls rapidly (51,200). Reality is, I'm sure, all over the map, with different opinions from different producers and plating engineers, and different equipment creating different results. A must have! I have the MOFI 45rpm and I honestly think this one blows it away. Kudos to all involved in putting this masterpiece together!! No, this simply tells me once again you have been drinking the koolaid, that you have no idea how actual listening skills are developed. It also speaks of the toxic audiophile fandom that permeates the hobby.

All-in-all this edition of Kind of Blue meets the highest audiophile standards and offers the truest sound for the most enjoyment. Hybrid SACDs Box For SACD Series Hybrid 3-Channel Stereo SACD Hybrid Mono SACD Hybrid Multichannel SACD Hybrid Multichannel SACD & DVD Video Hybrid SACD Hybrid Stereo SACD Preowned SACD SACD Box Set SHM Single Layer SACDs Single Layer SACDs Single Layer SACD Single Layer Stereo SACD• Vinyl Records My only complaint is the big ol' box is kinda annoying. I just put the LP on my shelf in a sleeve without it. What can I say, You rally don't know what words mean. In this case "truth." But it is a word that is largely adored and equally misunderstood by those with intense religious beliefs.Davis played trumpet sublime with his ensemble sextet featuring pianist Bill Evans, drummer Jimmy Cobb, bassist Paul Chambers, and saxophonists John Coltrane and Julian “Cannonball” Adderley with Wyton Kelly playing piano on “Freddy the Freeloader.” What would be fun to do is to straingage a tonearm mount and measure how hard the record is pulling. Trust me, you are not “all set”, unless to you this record is of minor importance or you don’t care to own what is clearly and easily the best sounding Kind of Blue.

Now Analogue Productions, the audiophile in-house reissue label of Acoustic Sounds, Inc., together with Quality Record Pressings, is putting Kind of Blue where it belongs: the Ultra High Quality Record (UHQR) pressed on Clarity Vinyl on a manual Finebilt press with attention paid to every single detail of every single record.The two Classic Records reissues sound closest to the new UHQR and to suggest that the UHQR is a “must have” if you have either of those or the Quiex 200g version would be hyperbolic so I’m not going to suggest that, but were you to buy the UHQR and your turntable is sufficiently resolving, precise and quiet, the difference between the Classic and QRP UHQR is significant, almost like putting on 3D glasses or focusing an out of focus pair of binoculars—never mind the focus difference between the UHQR and the original pressing. Would become an issue eventually. Wear on the mothers or stampers will depend on how many copies are made from them. I don't know how many copies Classic pressed of the 33 KoB across 15 years and all of their vinyl formulations, but I'd believe it if you said the AP 25,000 exceeds it. Now Analogue Productions, together with Quality Record Pressings, is putting Kind of Blue where it belongs: the Ultra High Quality Record (UHQR) pressed on Clarity Vinyl on a manual Finebilt press with attention paid to every single detail of every single record.