However, what impressed me the most was that the Lewitt LCT 440 PURE produces LESS self-noise than the Sennheiser MKH 416 (7dB vs 13dB).

The most impressive thing about this microphone is the sound it captures. It is very detailed and refined, with clear reproduction of sound source(s). It's neutral and true to the source, without coloration, but tuned to give a slight boost in high frequencies. It has nothing in similar with the nasty/piercing sound of the overly bright cheep condenser microphones.Both of these two microphones clearly have their place: the LCT 240 Pro is more suited to guitars used alongside other instrumentation, particularly bass and drums, where the more mid-forward presence would help the acoustic guitar to sit in the mix without getting in the way of the other instruments. Both versions offer five polar patterns (nine if you include blended options), three pad and low cut filter options that make them applicable on numerous instruments. The 80Hz low-cut, in particular, is handy for rolling off low-end rumble mitigating environmental noise.

A look at the frequency response graph shows that the mic exhibits the familiar large-diaphragm presence lift, in this instance reaching a peak in the region of 12kHz with a lesser peak at 4kHz, though the rise up into the presence region is quite gentle, which suggests the mic should sound more airy than aggressive. The low end only rolls off by around 2 to 3 dB at 20Hz, so for some applications a low-cut filter on the desk or preamp might be advised. At the high end the response doesn’t start to drop away until above 20kHz. Pure & Simple

Compared to the t-bone the difference in quality of build is obvious,the LCT440 feels like a decent mic.Compared to the t-bone and sound i found the LCT440 to be smoother at the high end and requiring alot less corrective eq in general. I think most will agree with me that the strength of a condenser microphone lies in its ability to capture high-frequencies with crystal-clear response.

The Lewitt LCT 440 PURE’s name speaks for itself, providing a pure and clear sound, utilising premium-grade components to ensure the best possible audio performance. The LCT 440 Pure is ideal for capturing studio-grade vocal recordings as well as some instruments. That being said, the reason you’d pay more for a condenser microphone is for the TOP-END and the fact that these more “budget” microphones compromise on that isn’t acceptable to me.It’s also one of the few budget large-diaphragm condenser microphones that doesn’t roll-off any of the high-frequencies. It’s very transparent and has LOTS of clarity. The microphone features impressive specs with self noise of 7dB (A) and a sensitivity of 27.4mV/Pa which means it will not introduce any noise in the signal chain and you'll need less preamp gain. It is therefor suitable for recording quiet sources such as Foley. You should get an instant answer on whether your application has been successful, though in some rare cases Klarna or V12 may need to look at the application in more detail. Lewitt’s new vocal and instrument microphone retains the essence of their established models, but at a much more attractive price.

The LCT 440 Pure’s design provides ultra-low self-noise, eliminating any operational noise for the purest signal possible. It is also able to handle high sound pressure levels, making it great as an all-round microphone. Its robust and highly durable housing features a built-in grille, which not only reinforces the strength of the microphone but helps to improve the audio performance. Sonically, it sounded a little more mix-ready, balancing out the woody tones of the body with the bright strings and subtly rolling off the low end in a pleasant manner. By contrast, the LCT 440 Pure had a more honest tonality, with a stronger bottom end, flatter, less-hyped midrange and smooth, open top. I’ve never had the pleasure of working with a Neumann TLM-103 or a Shure KSM32, but based on the data collected on these microphones… A Mic with a Cause - By choosing the LCT 440 PURE - VIDA EDITION, you're not only investing in your craft but also contributing to the protection of our planet. This microphone is part of the ongoing legacy of musicians supporting the "Rainforest of the Austrians" project in Costa Rica, where royalties, benefit concerts, and donations have played a crucial role in safeguarding nature and our Earth's atmosphere for over 30 years.Lastly, the industry-leading 10-year warranty offered by RODE is also something to consider. However, all of the microphones we’ve talked about so far (especially the Sennheiser MKH 416) are incredibly durable and should last you MANY years.