a b c d e f Tobias, Scott (September 15, 2011). "Interview: Nicholas Winding Refn". The A.V. Club. Archived from the original on September 23, 2011 . Retrieved September 17, 2011. Waxman, Sharon (July 21, 2011). " Drive Director Winding Refn: 'Casting Is Like Sex'; and Guillermo del Toro Swears Like a Sailor". Reuters . Retrieved May 22, 2017. Martinez, Cliff. "Cliff Martinez". Archived from the original on March 3, 2012 . Retrieved February 29, 2012. In March 2012, Interiors, an online journal concerned with the relationship between architecture and film, published an issue that discussed how space is used in this scene. The issue highlights Refn's use of constricted space and his way of creating a balance between romance and violence. [32] Refn shot Drive digitally with an Arri Alexa camera.

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Drive Foreign B.O". Box Office Mojo. September 25, 2011. Archived from the original on May 13, 2013 . Retrieved October 1, 2011. Anthony Lane wrote in The New Yorker that Drive 's violence was far too graphic, and this ultimately was a detriment to the film. Referring to the violence, he said, "In grabbing our attention, he diverts it from what matters. The horror lingers and seeps; the feelings are sponged away." [89] Michael Philips of the Chicago Tribune felt similarly, and said that although he enjoyed the film in the early sections, it became "one garishly sadistic set piece after another". Phillips thought the film relied too much on "stylistic preening" and did not have enough substance. [90] An engaging blend of interviews, research and observations by [this] incisive author. ” —The Globe and Mail a b c "Drive (2011)". Box Office Mojo. Archived from the original on December 8, 2015 . Retrieved November 13, 2017. Every movie has to have a heart – a place where it defines itself – and in every movie I've made there's always a scene that does that. On Drive, it was hard for me to wrap my head around it. I realized I needed to show in one situation that Driver is the hopelessly romantic knight, but he's also completely psychotic and is willing to use any kind of violence to protect innocence. But that scene was never written. As I was going along, it just kind of popped up. [31]Ghahremani, Tanya (April 1, 2013). "25 Minority Characters That Hollywood Whitewashed". Complex. Archived from the original on August 21, 2015 . Retrieved August 27, 2015. Davis, Edward (December 12, 2010). "Nicolas Winding Refn's Drive Will Hit Theaters September 16, 2011 Via Film District". IndieWire. Archived from the original on April 18, 2017 . Retrieved July 1, 2011. U.K. Box Office". Box Office Mojo. September 27, 2011. Archived from the original on May 13, 2013 . Retrieved October 5, 2011.

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Zeitchik, Steven (June 18, 2011). "Los Angeles Film Festival: As buzz builds for Drive, Ryan Gosling and Nicolas Refn contemplate a different genre". Los Angeles Times. Archived from the original on September 3, 2011 . Retrieved October 9, 2011. Log in to your Google account and open Google Docs. You’ll see two options: “Personal” and “Business.” Choose the first option to open the Template Gallery. Remember that you can choose a booklet template or a brochure template besides creating your customized book template. Step 2 Set mostly in Arizona and Los Angeles, Drive is about a man who does stunt driving for movies by day and drives for criminals at night. Montgomery, David J. (December 27, 2005). "Gripping 'Drive' gives crime fiction a distinctive turn". Boston.com . Retrieved November 16, 2020. Skenazy, Paul (September 25, 2005). "Seeing murder through the killer's eyes, not just those of the cops". The Washington Post . Retrieved November 15, 2020.Marilyn Stasio, writing for The New York Times, called the novel "a perfect piece of noir fiction." [4] Yes, Google Docs is a free platform. That’s one of the reasons many writers use it to create a template for various needs. Can I access my manuscript anytime? Foundas, Scott (Summer 2012). "Anger Management". DGA Quarterly. Archived from the original on August 27, 2012 . Retrieved August 22, 2012. Pink makes a convincing case that organizations ignore intrinsic motivation at their peril. ” —Scientific American a b c Jagernauth, Kevin (December 8, 2011). "Exclusive: Ryan Gosling Says He'd Love To Do A Sequel To Nicolas Winding Refn's Drive". IndieWire . Retrieved July 1, 2011.