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Shortly before the game's release, Ubisoft announced that it would voluntarily censor seven scenes, calling it a "market decision made by Ubisoft EMEA" and not a response to input from censors. [87] [88] PlayStation 3 and Xbox 360 versions were affected in European territories, the Middle East, Africa, and Russia, while the Windows version remained uncensored. [89] The censorship affected all formats in Australia, Singapore, Hong Kong, Germany, Austria, and Taiwan. [90] The North American release was the only version that was uncensored on all formats. The German version was specifically censored because of the use of Nazi and Hitler-related imagery, including swastikas and Nazi salutes, which are illegal in that country. A spokesman for the European video game content rating system Pan European Game Information (PEGI) confirmed that the uncensored version had been submitted and approved for release with an 18 rating, meaning the game would be acceptable for people over eighteen years of age. Ubisoft resubmitted the censored version without input from PEGI; this version was passed with an 18-rating. [89] Navgtr Winners: Dragon 5, Alien/Mordor/South Park 4". National Academy of Video Game Trade Reviewers. February 16, 2015. Archived from the original on February 17, 2015 . Retrieved January 8, 2017.

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Reeves, Ben (October 21, 2016). "Don't Forget To Bring A Buddy – A Look At South Park: Fractured But Whole's Allies". Game Informer. Archived from the original on November 21, 2017 . Retrieved November 21, 2017. Stone and Parker worked closely with Obsidian on the project, sometimes having two-to-three-hour meetings over four consecutive days. They worked with Obsidian until two weeks before the game was shipped. [40] Their involvement extended beyond creative input; their company initially financed the game, believing that a game based on the controversial television show would struggle to receive financial support from publishers without them placing restrictions on the content to make it more marketable. The initial funding was intended to allow Obsidian to develop enough of the game to show a more complete concept to potential publishers. [40] In December 2011, THQ announced that they would work with Obsidian on South Park: The Game, as it was then known. [44] This partnership developed into a publishing arrangement after South Park owner Viacom, having grown wary of video games, cut its funding. Obsidian was aware when it signed with THQ that the latter was experiencing financial difficulties. [40]Hanson, Ben (December 19, 2011). "Capturing The Sounds Of South Park". Game Informer. Archived from the original on April 16, 2012 . Retrieved March 30, 2014. MacDonald, Keza (March 5, 2014). "South Park, satire and us – by Matt Stone". The Guardian. Archived from the original on March 11, 2014 . Retrieved April 6, 2014. Sliwinski, Alexander (March 14, 2012). "Report: Obsidian hit with layoffs; South Park team affected, future next-gen title canceled". Joystiq. Archived from the original on June 16, 2013 . Retrieved March 30, 2014.

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