Williamson, J.N., ed. (1988). The Best of Masques. New York City: Berkley Books. ISBN 978-0-425-10693-8. Francis, Clare; Upton, Ondine, eds. (1996). A Feast of Stories. London: Macmillan Publishers. ISBN 978-0-333-65340-1. Herbert is capable of granting a fine evocation of rural Sussex as it was at that time and as a sympathetic but realistic portrayal of the Catholic Church and its servants. Then there is that horror, so close to William Peter Blatty's enormous success, which builds up on a premise of ancient supernatural evil working its way into the world through innocent faith even if the ending becomes something that just has to end a little absurdly because there is nowhere else for it to go. a b Plint, Alec (21 March 2013). "20 things you didn't know about James Herbert". The Daily Telegraph. London . Retrieved 21 March 2013.

himself is observed and there follows a series of horrific events designed to intimidate him into handing over the film. The person he has photographed bears a remarkable resemblance to a man hanged in the 1930s A deaf and mute girl can suddenly hear and speak again. It is thought that a miracle has taken place and the small town soon becomes a place of worship for others hoping for similar cures. But is the force behind this occurrence good or evil? The basic plot of James Herbert's "Shrine" is far from ground-breakingly original. However, that isn’t necessarily a negative aspect. Some of the most spectacular and haunting novels have come from reworking, redesigning and reinventing classic ideas. In this sense, we’re ultimately talking about a plot pretty much involving demonic possession and a mass misguided belief and far little else. However, what Herbert does, is really ramp-up the tension that lurks behind the saintly façade of the protagonist, making the whole crux of the somewhat simplistic tale, far more focused on the escalating tension that will surely be vented in a dramatically explosive revelation. A tad boring' is not a good thing to say about a horror book. It wasn't bad, but the writing was so eighties' thriller that it was slightly annoying. The characters were about as empty as empty can be. The plot itself, however, was not too bad. I mean, nothing really surprising, but still kept me reading one more chapter way more often than I'd care to admit. So it wasn't all bad. Just... you know, mostly bad. Herbert's own interjections as the storyteller are a slightly irritating mis-step but the story is decent enough. Some of the creature descriptions veer too far into silliness, undermining any threat or fear they might hold.Etchison, Dennis, ed. (1991b). The Complete Masters of Darkness. United States: Underwood-Miller. ISBN 978-0-88733-116-9. In 1950, a new born baby is found abandoned in a public toilet by the attendant, but the baby is not alone.... The only somewhat odd thing was the sudden switch to sex-scenes about halfway trough the book. For most of the story, any reference of intercourse was pretty tepid. The kind of sleazy stuff you expect from a guy like Creed. But all of a sudden there are like multiple chapters of detailed sex, with different people in various locations. From the title and the cover art I had assumed that it was going to be a werewolf tale. But, I was wrong. There are no werewolves in the novel whatsoever. There is a mysterious killer however. Anyway, I am not going to delve in the story in detail. In brief the major events of the novel take place in the island of Guernsey, one of the Channel Islands in the English Channel near the French coast. The island really exists. territories of evil, evoking a sense of brooding menace and rising tension. He relentlessly draws the reader through the story's ultimate revelation - one that will stay to chill the mind long after

With his next novel, Lair (1979), Herbert regaled readers with the return of the rats, and he completed the trilogy with Domain (1984), set in a future where rats are now dominant following a nuclear war that has devastated civilisation. Herbert's The City (1994), a graphic novel illustrated by Ian Miller, was set in the same post-apocalypse world in which only a handful of people have survived. Early in the book, I was willing to give this one a three-star rating. It wasn’t my favourite James Herbert book, but it had me curious to see what would come next. The ending, however, let me down. When the supernatural was finally explained, it was done so simply and the story came to an far too sudden end. I expected more from this one, finding myself let down by the way things concluded. The early books still retain an amazing power over me to this day, showing his skill as one of the greats of the horror fiction genre."

James Herbert and Stephen King were the royalty of 70’s horror. I devoured their books, Carrie, Salem’s Lot and The Shining from King, The Rats, The Fog and The Survivor from Herbert. Both writers though evolved during the 80’s Herbert’s books for example became less blood and gore and more diverse with books such as The Jonah, Shrine and The Magic Cottage. The 1990’s would see him continue to move away from the blood & gore of his beginnings. Creed, his first book of the 90’s exemplified this. Sometimes the very thing that grabs a reader's attention (in terms of an author's style), is the same thing that can get a little annoying after a while - similar scenarios, use of language etc. And when that happens, sometimes it's best to just leave that particular writer alone for a while and spread your readery wings further afield. A reporter almost hit a little girl with his car while he was crossing a small town at night. After that he starts to run after the little creature, not sure if he saw a ghost or a real person. She crosses a graveyard near a small church and get lost of his sights When he sees her again, the girl is neel infront of an ugly dead tree, smiling and all of the sudden she said, "She is beautiful!" The actual reason for Alice having these "gifts" and the church property and and old oak tree is told through a journal and it was "ok" but I do wish they went into this alil more and provided more insight as to why Elnor had this power and how she came to be. Miracles or evil entity faking the miraculous cures....Great pace and buildup.