Boží scénář je doprovozenej skvostnym artem a ještě lepším coloringem. Stejně jako scénář pokukuje po dobový stylizaci ale zároveň nekopíruje a je svěží. The writing gets sloppy and incorrect, the dialogue gets cliche and revolves around characters explaining big exposition points that they shouldn’t even be aware of. It really falls off hard in the second half with an anticlimactic ending. It started a really strong with a unique premise, interesting characters, a brilliant setting and a visceral sense of menace without being too explicit at all. It then remained on right up until the last half where while still good it did not quite live up to how well it started. While new information is uncovered, Inman’s son pokes around the old folks home, which is now deserted. Once again, Francavilla ups the creepy factor with the boy going down into the depths and subtle shadow hands enveloping him, only for him to turn towards the light he came from to see freaky gasping faces. As he discovers atrocities in the basement Inman also realizes truly awful things are taking place. Night of the Ghoul was supposed to be the next horror masterpiece, some saying better than Frankenstein and Dracula. The Ghoul was set to become the most legendary horror monster ever conceived. In the final days of production, a fire break outs in the studio, destroying the much of the film and killing many cast and crew members.

Kurvafix tohle je dobrý jak chleba a i kdyby další issues stály za uplný nic, tak první bude pořád jedno z toho nejlepšího, co jsem v rámci žánru kdy v komiksu četl. Snyder builds up the suspense and intrigue slowly and effectively so that you know something’s not right in the rest home, ditto the events in the movie, and he keeps you guessing throughout. Crucially also, he keeps the monster out of sight, save for an occasional glimpse, for most of the story, which always makes for a tense and unnerving horror story. I just wish the story lent itself to being a bit more original, then I’d wish it were longer. As it is, this is long enough. Middle of the pile and kind of forgetful tbh. Forest and his son convince the staff to allow them to see T.F. Merrit, going by a different name, under the guise of being insurance agents there to review some final details about Merrit’s insurance, now that he is at the end of his life. When Forest finally meets Merrit, he tells him everything he knows about him and the admiration he has. Merrit agrees to tell Forest the true story about The Night of Ghoul and how everything around them is not what it may seem.

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I enjoyed the 2 narratives that slowly came together. I liked the art which was very evocative and scary with just the right level of horror and I thought the writing really strong. Night of the Ghoul has a really solid first half. It feels like a genuinely creative take on the found film horror genre with a double timeline story depicting the past events behind the creation of the movie and the dark truths surrounding its bizarre destruction. The art style has a gritty 80’s horror movie aesthetic with a nice build up to the mystery behind the origins of the ghoul monster featured in the missing footage. At times, Night of the Ghoul feels like you’re reading the comic equivalent of a Golden Age horror film. That’s kind of the point, though, as Ghoul revolves around a classic movie. The comic’s plot is triggered when failed filmmaker Forest Inman finds a reel of footage from Night of the Ghoul, long rumoured to be the Citizen Kane of big screen horror tales, but also long thought destroyed in a studio fire.

Written by Scott Snyder. Art by Francesco Francavilla. Cover by J. H. Williams. Shot in 1936, Night of the Ghoul by writer/director T.F. Merritt was meant to sit beside Frankenstein and Dracula as an instant classic . . . But the legendary film never made it to the silver screen. Just before editing was finished, a mysterious studio fire destroyed the footage and killed the cast and crew celebrating at the wrap party. Forest Inman is a horror film obsessive who digitizes old films for the famed Aurora movie studio. When Forest stumbles across a seemingly forgotten canister of footage, he just might have discovered the remnants of the lost classic Night of the Ghoul. This discovery sends Forest on a dark odyssey, where he's warned by a mysterious old man that the film's ghoul is far more than a work of fiction: it's a very real monster who plans to kill him. Night of the Ghoul collects issues 1-3 of the Dark Horse Comics series written by Scott Snyder with art by Francesco Francavilla. The series was originally released digitally as a Comixology exclusive.Former DC/Vertigo editor Will Dennis will be the editor for all eight books, after already editing Snyder's Undiscovered Country, Wytches, Nocterra, and the upcoming series Chain. I don’t think I can praise Francavilla’s art enough. He captures the eerie, unnerving, and suspenseful feeling that horror movies give you as a little kid, and even as an adult. I don’t mean the slasher, or almost comedic violence kind of horror movies. I mean the ‘what’s in the shadows’ or ‘around the corner’ feeling of dread. It’s the lovecraftian terror of not knowing what you’re even afraid of that’s ever present Francavilla’s art and is what makes Night of The Ghoul so delightful. His colors are striking, vivid, and muted when needed, providing you that classic horror movie poster feel that much of the magic comes from. If there has ever been a horror comic that has captured the magic of the golden age of horror films of the 1920s - 1940s it’s Night of The Ghoul. Now I know this is a bold statement, but stay with me and at the end of what I have to say please experience this masterclass in suspense, art, and storytelling alternating between the present and World War I.

This historic, multi-title deal with comiXology Originals has enabled us to assemble a murderers' row of artists and together we're challenging ourselves creatively to work outside of our comfort zones and really lean into the possibilities of making comics," Snyder says. "This deal allows me the freedom to explore the kind of storytelling I've wanted to try for a long time, while supporting my need to try something that's not totally comfortable for me." Night of the Ghoul is one of eight new series from Scott Snyder in an initiative that launched right in time for Halloween. Unfortunately for the series, the second issue out today might be even scarier. Night of the Ghoul #2 continues the story co-created by Francesco Francavilla about a film called, fittingly, “Night of the Ghoul”, which features a monster found during World War I that may be more real than any silver screen horror story. In the second issue, we learn not only are our main characters in danger, but possibly the world.Not awful overall, but definitely feels like big wasted potential for what was otherwise a fairly solid premise. In any event, I’ve spent a lot of time looking at his art. The more comfortable he has become with his brush, the chunkier and less self-conscious his line has become, the freer his composition and the more assured his set pieces. He’s quite an ambitious artist, and he’s still getting better. Everything he draws just looks good. What more do you need to know?

I've sat on me feeling for this one for a few days now and my heart wants to give this 4 stars but my head is telling me 3. This time I am going to listen to my head. Night of the Ghoul is two noteworthy things: the only Comixology Original I’ve read that wasn’t pure dross and Scott Snyder’s best comic in years. Neither is high praise given what they’re compared to, but this is still a pretty decent horror comic that definitely held me attention, even with the abundance of cliches dotted throughout the story. The second half kind of takes a big nosedive though. Most of the plot points either fall flat, contradict themselves or create giant plot hole inconsistencies that don’t make logical sense in the context of the full story. The second half is also told in a completely different style than the first half. The first half feels like a good horror story with a slow intense build up. The second half feels like the unfinished bullet points of a movie script turned into a comic book. And if you know what that last clause means, I’m sorry. I wish I didn’t. Francavilla art from The Joker: The Man Who Stopped Laughing #4 (Mar. 2023); lettered by Tom Napolitano, written by Matthew Rosenberg.Several of these books will debut in October 2021, with more details to be announced later in the year.