A poster that has never been used or displayed and may show the most minor signs of age and wear. The poster should have no holes or tears. A poster with faded colors and brittle paper, showing significant signs of use. May have tears and paper loss. May have tape, writing, stains in image area. In need of restoration or had major restoration. In 2020, Michelle made her first appearance in the sitcom radio and podcast series Barmy Dale. She plays the recurring role of Angie Edwards. [8]

In 2012, Michelle was executive producer of the film based on the Ray Cooney theatrical production Run for Your Wife. [19] Personal life [ edit ] Michelle is married to Graham Fowler, a cinematographer, whom she married in 1974. [20] She and Fowler have one daughter, Louise, born in 1989 who is also an actress, known as Louise Michelle. The very notion that two sexy, skimpily-clad London girls from the 70s, one of whom poses nude and the other dates a seedy (?) guy, could be virgins is of course the biggest absurdity here, more absurd even than the existence of witchery. You could more easily convince me of the existence of the paranormal than of hot young English girls (not underage) of this ilk being virgins. I don't believe there have been any hot virginal London girls older than 18 in many decades - let alone those that pose nude and/or have street-smart boyfriends. But this isn't a criticism of the film, it's just something I wanted to mention. As the sisters become more involved in the coven's activities, they begin to realize the true nature of their new friends and allies. They are forced to reconcile their fascination with the coven's power with the realization that they are participating in something evil and dangerous.Fear in the Night (1972) Newly-married Peggy Heller (Judy Geeson) has just recovered from a nervous breakdown. Her schoolteacher husband, Bob Heller (Ralph Bates), takes…

Her earliest appearances included roles in Love in Our Time (1968) and an uncredited appearance in The Prime of Miss Jean Brodie (1969). Michelle's most notable acting role was as Jane Pettibone in the cult British horror film Psychomania (1973), and her other film appearances included roles in House of Whipcord (1974), Mistress Pamela (1974), Cruel Passion (1977), Young Lady Chatterley (1977), Haunted (1977), and French Quarter (1978). Virgin Witch is set in a beautiful English country house called Wytchwood, a locale that serves as the setting for glamour photography and witches' rituals. Both the Sabbats and the snapshots are undertaken mostly in the nude. It's about a pretty young girl and her twin sister spending a weekend at a country estate and entering the world of witchcraft, but as other posts have pointed out, you don't really see much magic. At the very end, the main character suddenly starts using her powers, but this is mainly just shown with a close-up on her eyes. The only weird, exploitive occult image is a pagan ritual which, since it was their only idea, is shown twice. x 40″ Most common poster size used in the UK. British Quads are horizontal and may have different artwork to the US one sheet. Like a US one sheet they normally come in two versions. Like a US one sheet they are usually supplied single-sided or more commonly now as a double sided poster. On a personal note, my biggest disappointment with this film is the choice of the leading actress. The sister is far more attractive than the lead, so I would have rather their roles were reversed. This way, the attractive one would have more on-screen nudity. Although, if you're watching this to get turned on (as the tagline implies) you might be let down: after the first fifteen minutes, the nudity was so pervasive it wasn't even that odd anymore (like living in a nudist colony).Sisters (1972) Arguably Brian De Palma's most bonkers thriller, Sisters is essentially two movies for the price of one. Depending on your experience watching… With the 1970s being a fairly relaxed time for censorship, and with interest in the occult becoming part of the public consciousness, it led to the rise of enjoyably sleazy British horror films like this one. It's rather slow at times, and not always terribly interesting, but does redeem itself with its generous doses of trashiness. Female nudity is abundant, and even when Ann isn't removing her clothes, the two lovely ladies are often to be seen wearing some very short miniskirts. To add more spice, Sybil is a lesbian with a definite interest in Christine, and who resents guys like photographer Peter (James Chase, "The Leather Boys") moving in on her. Virgin Witch was produced by sports commentator Kent Walton (using the pseudonym "Ralph Solomons"), [1] whose other producing credits included The Green Shoes, It's the Only Way to Go, and A Persian Fairy Tale. Its co-producer was Hazel Adair, co-creator of the soap opera Crossroads. Adair is credited only as the co-writer of the song "You Go Your Way" (performed by the character Abby Darke), and did not admit to co-producing Virgin Witch until 1975, when she featured in an episode of the BBC's Man Alive about sex films. Her other films included Clinic Exclusive (1971), Can You Keep It Up for a Week? (1974), Keep It Up Downstairs (1976) and the more mainstream Game for Vultures (1979). The Final Verdict: A rather enjoyable sexploitation film, hitting all the required notes with enthusiasm and fun, giving it a great appeal. Highly recommended to the fans of the genre or those interested in the film while those who have no interest in the exploitation it offers will be best advised to skip the film. Michelle is also a regular campaigner for Ban Trophy Hunting, Acting For Others, the Mane Chance Horse Sanctuary, Autism's Got Talent and also supports the armed forces charities Blind Veterans UK, the RAF Benevolent Fund, Pathfinders and Nowzad Dogs. [15] Business ventures [ edit ]

In 2001, Michelle played Miss Hannigan in a touring production of Annie; she would reprise the role in various tours of the production in 2005 and 2007. QUATTRO) 55 x 79″ Very large Italian poster printed in two pieces, often contains very beautiful artwork. FRENCH Posters The obvious reason this film was made was not to make a horror film or a classic film or any other type of film except one: a movie where two sisters (as well as many others) are naked in approximately 90% of the movie. In the modeling agency, in a field, on a car, in a witch's ceremony, in bed... I didn't time it, but to say that 90% of the film has nudity is really not much of a stretch. Sybil takes them to a secluded estate, where the weirdness factor explodes exponentially. Of course, the title comes into play, and Sybil's eeevil plans are revealed. To put it bluntly, the only reason for anyone to watch VIRGIN WITCH is if you want to see the main actresses naked. The entire film is built around nudity, as there's no real story of note and as a horror film it totally falls down. But almost every scene in the film features nudity of some sort, so fans of softcore nonsense will be well satisfied.

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Violent Playground (1958) Featuring one of several police characters Stanley Baker played in the late 50s/early 60s, Violent Playground fuses a crime story… The sisters, who are looking for adventure and excitement, eagerly accept the invitation and drive to the mansion, not realizing the danger that lies ahead. Once they arrive, they are introduced to the rest of the coven and are initiated into the world of witchcraft.

Betty takes a turn and ends up put to bed by the local doctor, but what kind of doctor can he be when he peeps at her while she takes a bath five minutes later? Christine gets her big chance at modeling when she applies at Sybil Waite’s agency. Together with Christine’s sister Betty they go to a house in the country for the weekend for a photo shoot. Sybil has lured Christine to the castle for more than modeling: she is recruiting a virgin for induction into a witch’s coven, led by the owner of the castle, Gerald. To their surprise, Christine is more than eager to join the coven, but begins her own secret battle for control.” Throughout the movie, viewers are treated to a visually stunning portrayal of witchcraft and its associated rituals, including spells, invocations, and sacrifices. The dialogue is sharp and witty, with clever satire and social commentary woven throughout the movie. I was half-expecting this to be even worse than THE BODY STEALERS (1969) and, my viewing of it, certainly proved my fears right! This one's the pits: the title promises nudity and scares (or at least diabolism) - it provides the former in spades, though none of it is erotic, but the latter is only present, if so it can be called, in some silly late-night rituals with nude dancing en masse of old and young witches alike! There then follows a photoshoot for an advertisement that ends up with Christine completely naked and draped over the bonnet of a car. Meanwhile, Betty wanders the grounds and runs away from sinister-looking characters.The modelling job is actually a ploy to initiate Christine into a coven of white wizards led by Sybil and the owner of the house, Gerald Amberley ( Neil Hallett). Christine, who is shown to have psychic ability, willingly undergoes the initiation ritual, during which her virginity is taken by Amberley. Christine's powers create tension between her and Sybil, who practises darker magic and has a predatory sexual interest in her. The conflict escalates when Sybil vows to have Betty initiated into the coven. Although it was rejected by the British Board of Film Censors (BBFC) in April 1971, the film was granted an X certificate by the Greater London Council for a limited release in the capital. The BBFC eventually relented and passed a cut version for general release in January 1972. The sisters get mixed up in the world of witchcraft, via a modelling agency run by a woman called Sybil (former Mrs Michael Caine, Patricia Haines) who also happens to be the lesbian High Priestess of a coven.