The Drama of Perception: Looking at Morandi." Sunday Lectures at the Met. Metropolitan Museum of Art, New York City. September 21, 2008. [ citation needed]

Siri Hustvedt: ‘I’m writing for my life’ - The Guardian Siri Hustvedt: ‘I’m writing for my life’ - The Guardian

Behind the facade of a townhouse that sits just south of Brooklyn’s Prospect Park, Hustvedt is holding fast.Pero todos vivimos aquí, pensé para mis adentros, en esas historias imaginarias que nos relatamos sobre nuestras vidas.”

What I Loved by Siri Hustvedt | Waterstones

Noonie Minogue, "What I Loved" OCLC Number 96226456, TLS, the Times literary supplement, 7 February 2003 The Blazing World was longlisted for the 2014 Man Booker Prize and won the 2015 Los Angeles Times Book Prize for Fiction. [12] Look Away." New York Stories: The Best of the City Section of The New York Times. New York: New York University Press, 2005. 135–138. Hustvedt met her husband, writer Paul Auster, in 1981, and they married the following year. They live together in Brooklyn, New York. [1] Their daughter, Sophie Auster (born 1987), is a singer/songwriter and actress. Auster used Iris, the narrator of Hustvedt's first novel, The Blindfold, in his novel Leviathan. [17]

Crime Fiction

JULIENNE VAN LOON: This reminds me of another line from “Both-And”. You write: “Perception is conservative.” What do you mean? Perception, prejudice and the story of feminism

Siri Hustvedt in Feminist stories and dangerous bodies: Siri Hustvedt in

There is no future without a past, because what is to be cannot be imagined except as a form of repetition.” Mark begins making collages (see p.171). How does his work relate to Matthew’s? to Bill’s? Even his assemblage of items when he takes over Matthew’s room? Is Mark trying to emulate his father? He also takes on different personas (as with Teddy) and voices. Is Mark’s life his creation, is this self-invention his art?Book cover, Mothers, Fathers and Others: New Essays, cover artwork by Louise Bourgeois (subject of one of the essays). We first met seven years ago, when she agreed to be interviewed for my essay collection, The Thinking Woman (2019). I spent two mornings in Hustvedt’s home in Brooklyn that northern winter of 2014, as we talked at length about the nature of play. As a child, Matthew becomes worried about the concept of turning four. What does this reveal about his character? How is it manifested in his thinking and in his art? In the inventions of the character Dave, and the Ghostly Boy? Who do these represent? Novelist and essayist Hustvedt (Mysteries of the Rectangle) gathers 32 pieces (most previously published), written over the past six years, that she says are linked by an abiding curiosity about Continue reading » SIRI HUSTVEDT: What has annoyed me with the way Bourgeois has been written about by critics is that many of them turn her into someone who is less playful, less satirical, someone who has less fun and is less smart than she is.

What I Loved: The International Bestseller - Siri Hustvedt

The story takes place in the art and university worlds of New York City, but it is not necessary,in my opinion, to be a part of them to become engaged in Leo's life and story. His story of finding a work of art he likes, the artist who becomes his true friend; two families whose lives intermingle over decades. Siri Hustvedt’s most ambitious, most rewarding novel. It mesmerises, arouses, disturbs ‘ Salman Rushdie The second half of What I Loved might have made an enjoyably-erudite ‘thinking man’s’ thriller set in the art world of the ‘80s and ‘90s, but the meandering first half – about affluent Manhattanites and their dull, pretentious lives – makes the book, as a whole, perhaps admirable, but hard to like. Leo Hertzberg, o narrador, é um intelectual judeu, professor de história da arte na Universidade de Columbia, escritor e ensaísta, que se apaixona por um quadro, uma pintura de uma mulher, que decide comprar, pintado pelo desconhecido artista Bill Wechsler – nascendo entre os dois uma “irrevogável amizade”. Embodied Visions: What Does it Mean to Look at a Work of Art?" The Third Annual Schelling Lecture. Academie der Bildenen Künste, Munich. January 27, 2010. [20]

Broadcasts

Asbjorn Gronstad. "Ekphrasis Refigured: Writing Seeing in Siri Hustvedt's What I Loved," Mosaic, vol. 45, issue 3 (2012).