Engage with Guests: Make an effort to engage with fellow partygoers. Ask questions, offer compliments, and be genuinely interested in their conversations. a b c d e f g Henson, Jim (29 January 1985). "1/29/1985 – 'Jennifer Connelly auditions for Labry. Cast within a week.' ". Jim Henson's Red Book. Henson.com. Archived from the original on 8 March 2012 . Retrieved 5 January 2020.

Sarah's silver ballgown in the masquerade scene has been named as one of the "most iconic" dresses in movie history by Cosmopolitan, [173] Wonderwall [174] and Livingly, the latter calling it "as bold and theatrical as the movie itself." [56] Stylist ranked Sarah's costume change from "baggy jeans and an embroidered waistcoat" into her "fantastical ballgown, with matching '80s hairstyle" among the "50 Best Movie Makeovers". [175] The costumes Connelly wore as the character are displayed at the Museum of the Moving Image's exhibition The Jim Henson Exhibition: Imagination Unlimited, which premiered at the Museum of Pop Culture in Seattle before opening at its permanent home in New York City in 2017. [176] [177] UK bed retailer Dreams ranked Sarah's bedroom as the sixth "most iconic" bedroom from film and television, writing that it "perfectly exemplifies the 80's teenage girl room, with plenty of posters, floral bedroom furniture and stuffed toys that turn out to be the characters she meets on her quest". [178] Other appearances [ edit ] Magid, Ron (August 1986). "Goblin World Created for Labyrinth". American Cinematographer. Vol.67, no.8. pp.71–74, 76–81. ProQuest 196314081.Sarah appears in Labyrinth: Coronation, a 12-issue comic series written by Simon Spurrier and published by Archaia Entertainment between 2018 and 2019. Her character and story arc is the same as that of the film, while the comic concurrently follows the parallel tale of Maria, another young woman who journeys through the Labyrinth to save a loved one, set several hundred years before Sarah. However, Maria ultimately fails to rescue her infant son, Jareth. [189] The Labyrinth that Sarah traverses is very different to Maria's, as in the series the Labyrinth becomes shaped to reflect and challenge each individual who attempts to solve it. [190] Smith, Trisha; Riccio, Jon (20 March 2015). "Fairy-Tale Files: The Labyrinth Edition". Fairy Tale Review. Wayne State University Press. Archived from the original on 5 March 2016 . Retrieved 11 January 2020.

Lambe, Stacey (11 January 2016). " 'Labyrinth' 30 Years Later: Jennifer Connelly Remembers David Bowie and 'Magical' Film Experience". Entertainment Tonight . Retrieved 16 January 2021. In Return to Labyrinth, she continues to express contempt towards her stepmother. In the first chapter, she claims that she doesn't think Irene is a suitable mother for Toby. She even defies her wishes to not use food in the refrigerator and makes Toby a late dinner. a b "Ha giralo un film con David Bowie ma doveva fare i compiti sul set" [She made a film with David Bowie but she had to do her homework on set]. La Stampa (in Italian). Vol.120, no.290. Turin, Italy. 11 December 1986. p.25.

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Alexander, Leigh (1 April 2011). "Why You Should Watch Labyrinth Over Again". Thought Catalog. Archived from the original on 16 July 2021 . Retrieved 16 July 2021. The detail in the film is incredible. At the David Bowie Is exhibition, they displayed Jareth’s whip- I was amazed to see lots of tiny goblin faces moulded around the silver handle. This was Henson at the height of his powers, it’s such an underrated film, and like the Labyrinth, much more complex than it first appears! Sarah features in Labyrinth merchandise such as colouring and activity books, posters, and lobby cards.

Sarah was discussed at many of the early production meetings held to develop the film, and a lot of thought was given to how her emotional journey should be reflected in the film's visuals. [5] Hurst, Dena. Meep Is the Word: Victims, Victimization, and Buddhist Philosophy in the Characters of Jim Henson. In Dale & Foy (2015), pp.139–150

Reviews

This first knee-length chiffon piece by Jersey Dress is simply elegant with its puffed cap sleeves. Perfect for a dance night with your Jareth. Jim Henson's Red Book. 9/24/1984 “In San Francisco–meeting with George Lucas, Laura Phillips–Larry Mirkin and Mira V.” 24 September 1984. Sarah has made more progress by the time she meets Sir Didymus. Guessing correctly by this time that each character seems to have his own quirks, she exploits Didymus' chivalrous and adventurous nature to escape the Bog of Eternal Stench. During the battle in the Goblin City, the fact he has wandered off to battle on his own worries Sarah to the point where she calls out for him repeatedly until he rejoins the group.

The lace is a very soft grey with silver. 🙂 Things that look white on screen or onstage are rarely white. Under all those super bright lights that eliminate shadows, white glows. So usually a grey or a blue are used so that, when the color gets washed out, the garment looks regular white instead of glowing. When I did Les Mis, I used white on the final ensembles Fantine and Eponine wore at the very end to make them appear as if they were glowing, and when I did The Pajama Game, I learned first-hand that a lovely soft blue dress will look like a white wedding gown on stage and result in having to replace a costume two days before opening. 🙂 Dance Like Bowie: Jareth's dance moves are legendary. Watch Bowie's dance scenes in "Labyrinth" for inspiration, and don't be afraid to show off your moves on the dance floor.

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But if we’re really going to get down to it, I think the award for closest Labyrinth ball gown look-alike would have to go to Giselle. These puffed sleeves, off-the-shoulder cut, and poofy skirts make up the best wardrobe choice to step into an 80s fantasy world: In the scene of Sarah's masquerade ball fantasy, she wears a silver ballgown with puffed sleeves and gold detailing. [56] The costumers wanted the character to look like "an otherworldly princess", [57] and designed her outfit with a silver and mint colour scheme to set her apart from the other people in the scene. Sarah's ballgown was made from silver lamé and iridescent rainbow paper, overlaid with lace and jewels on the bodice, and worn with a pannier beneath the skirt. [52] According to Flyte, it took much sampling and camera testing to achieve the "ethereal" effect of the gown's final design. [57] According to Froud, Henson originally wanted Connelly's hair in ringlets for the scene, which "horrified" Froud and to which Connelly's parents disagreed, as they did not want her to appear too grown up. Working with the film's hairdressers, Froud eventually devised an " art nouveau" style for Connelly's hair with silver leaves and vines entwined at the sides, "something that was connected to nature and yet had a sophistication to it." [7] Her hair was dressed with jeweled glue particles. [52] Connelly enjoyed working alongside Henson. "I really trusted him and everything he was doing. As a person, he's very gentle; he'll never raise his voice. He's very under control, calm and easy going. I don't think anyone could really dislike him." [8] Despite initially being intimidated by him, Connelly also got along well with co-star David Bowie "He has this way about him that as soon as I met him, I felt so comfortable, and all the barriers just disappeared. I was just able to be myself and very comfortable with him." [9] Covington, Brooke. Jim Hensons's Epicurean Compass: Navigating the Labyrinth, Road Tripping to Hollywood, and Finding Our Way to Sesame Street. In Dale & Foy (2015), pp.109–117 a b White, Donna R. (1993). "Labyrinth: Jim Henson's 'Game' of Children's Literature and Film". In Rollin, Lucy (ed.). The Antic Art: Enhancing Children's Literary Experiences Through Film and Video. Highsmith Press. pp.117–129. ISBN 978-0-917846-27-4.